lemon > lemon's Quotes

“My sister will die over and over again for the rest of my life. Grief is forever. It doesn't go away; it becomes a part of you, step for step, breath for breath. I will never stop grieving Bailey because I will never stop loving her. That's just how it is. Grief and love are conjoined, you don't get one without the other. All I can do is love her, and love the world, emulate her by living with daring and spirit and joy.”
― Jandy Nelson, The Sky Is Everywhere

“grief is a house
where the chairs
have forgotten how to hold us
the mirrors how to reflect us
the walls how to contain us

grief is a house that disappears
each time someone knocks at the door
or rings the bell
a house that blows into the air
at the slightest gust
that buries itself deep in the ground
while everyone is sleeping

grief is a house where no one can protect you
where the younger sister
will grow older than the older one
where the doors
no longer let you in
or out”
― Jandy Nelson, The Sky Is Everywhere

“There were once two sisters
who were not afriad of the dark
because the dark was full of the other's voice
across the room,
because even when the night was thick
and starless
they walked home together from the river
seeing who could last the longest
without turning on her flashlight,
not afraid
because sometimes in the pitch of night
they'd lie on their backs
in the middle of the path
and look up until the stars came back
and when they did,
they'd reach their arms up to touch them
and did.”
― Jandy Nelson, The Sky Is Everywhere

“Each time someone dies, a library burns.”
― Jandy Nelson, The Sky Is Everywhere

“When he plays
all the flowers swap colors
and years and decades and centuries
of rain pour back into the sky”
― Jandy Nelson, The Sky Is Everywhere

“... if you're someone who knows the worst thing can happen at any time, aren't you also someone who knows the best thing can happen at any time too?”
― Jandy Nelson, The Sky Is Everywhere

“I know the expression love bloomed is metaphorical, but in my heart in this moment, there is one badass flower, captured in time-lapse photography, going from bud to wild radiant blossom in ten seconds flat.”
― Jandy Nelson, The Sky Is Everywhere

“Life's a freaking mess. In fact, I'm going to tell Sarah we need to start a new philosophical movement: messessentialism instead of existentialism: For those who revel in the essential mess that is life. Because Gram's right, there's not one truth ever, just a bunch of stories, all going on at once, in our heads, in our hearts, all getting in the way of each other. It's all a beautiful calamitous mess. It's like the day Mr. James took us into the woods and cried triumphantly, "That's it! That's it!" to the dizzying cacophony of soloing instruments trying to make music together. That is it.”
― Jandy Nelson, The Sky Is Everywhere

“How will I survive this missing? How do others do it? People die all the time. Every day. Every hour. There are families all over the world staring at beds that are no longer slept in, shoes that are no longer worn. Families that no longer have to buy a particular cereal, a kind of shampoo. There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside, their hearts are ripping to shreds. For years. For their whole lives. I don't believe time heals. I don't want it to. If I heal, doesn't that mean I've accepted the world without her?”
― Jandy Nelson, The Sky Is Everywhere

“This is our story to tell. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the story telling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.”
― Jandy Nelson, The Sky Is Everywhere

“I always imagined music trapped inside my clarinet, not trapped inside of me. But what if music is what escapes when a heart breaks?”
― Jandy Nelson, The Sky Is Everywhere

“That's exactly it—I am crazy sad, and somewhere deep inside, all I want is to fly.”
― Jandy Nelson, The Sky Is Everywhere

“The only difference between Hitler and Bush is that Hitler was elected.”
― Kurt Vonnegut

“New knowledge is the most valuable commodity on earth. The more truth we have to work with, the richer we become.”
― Kurt Vonnegut, Breakfast of Champions

“Fucking was how babies were made.”
― Kurt Vonnegut, Breakfast of Champions

“The things other people have put into my head, at any rate, do not fit together nicely, are often useless and ugly, are out of proportion with one another, are out of proportion with life as it really is outside my head.”
― Kurt Vonnegut Jr., Breakfast of Champions

“You know what truth is? [...] It's some crazy thing my neighbor believes. If I want to make friends with him, I ask him what he believes. He tells me, and I say, "Yeah, yeah - ain't it the truth?”
― Kurt Vonnegut, Breakfast of Champions

“Seems like the only kind of job an American can get these days is committing suicide in some way.”
― Kurt Vonnegut, Breakfast of Champions

“People took such awful chances with chemicals and their bodies because they wanted the quality of their lives to improve. They lived in ugly places where there were only ugly things to do. They didn't own doodley-squat, so they couldn't improve their surroundings. so they did their best to make their insides beautiful instead.”
― Kurt Vonnegut, Breakfast of Champions

“As for myself: I had come to the conclusion that there was nothing sacred about myself or any human being, that we were all machines, doomed to collide and collide and collide. For want of anything better to do, we became fans of collisions. Sometimes I wrote well about collisions, which meant I was a writing machine in good repair. Sometimes I wrote badly, which meant I was a writing machine in bad repair. I no more harbored sacredness than did a Pontiac, a mousetrap, or a South Bend Lathe.”
― Kurt Vonnegut, Breakfast of Champions

“Everything was beautiful and nothing hurt.”
― Kurt Vonnegut, Slaughterhouse-Five

“How nice -- to feel nothing, and still get full credit for being alive.”
― Kurt Vonnegut, Slaughterhouse-Five

“And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.”
― Kurt Vonnegut, Slaughterhouse-Five

“I have this disease late at night sometimes, involving alcohol and the telephone.”
― Kurt Vonnegut Jr., Slaughterhouse-Five

“All this happened, more or less.”
― Kurt Vonnegut, Slaughterhouse-Five

“And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.”
― Kurt Vonnegut, Slaughterhouse-Five

“- Why me?
- That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?
- Yes.
- Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
― Kurt Vonnegut Jr., Slaughterhouse-Five

“There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.”
― Kurt Vonnegut, Slaughterhouse-Five

“The letter said that they were two feet high, and green, and shaped like plumber's friends. Their suction cups were on the ground, and their shafts, which were extremely flexible, usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm. The creatures were friendly, and they could see in four dimensions. They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time. Billy promised to tell what some of those wonderful things were in his next letter.
Billy was working on his second letter when the first letter was published. The second letter started out like this:
The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "so it goes.”
― Kurt Vonnegut, Slaughterhouse-Five

“If I am going to spend eternity visiting this moment and that, I'm grateful that so many of those moments are nice.”
― Kurt Vonnegut, Slaughterhouse-Five