Immy > Immy's Quotes

“Better a cruel truth than a comfortable delusion.”
― Edward Abbey

“If you were to write a story with me in the lead role, it would certainly be... a tragedy”
― Sui Ishida, Tokyo Ghoul, Tome 1

“Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
― Haruki Murakami, Kafka on the Shore

“She says nothing at all, but simply stares upward into the dark sky and watches, with sad eyes, the slow dance of the infinite stars.”
― Neil Gaiman, Stardust

“So we beat on, boats against the current, borne back ceaselessly into the past.”
― F. Scott Fitzgerald, The Great Gatsby

“I have no desire to suffer twice, in reality and then in retrospect.”
― Sophocles, Oedipus Rex

“Do you think I am an automaton? — a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!”
― Charlotte Brontë, Jane Eyre

“Jane, be still; don't struggle so like a wild, frantic bird, that is rending its own plumage in its desperation."
"I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.”
― Charlotte Brontë , Jane Eyre

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”
― Jane Austen, Pride and Prejudice

“Adam strokes my head, my face, he kisses my tears.

We are blessed.


Let them all go.


The sound of a bird flying low across the garden. Then nothing. Nothing. A cloud passes. Nothing again. Light falls through the window, falls onto me, into me.

Moments.

All gathering towards this one.”
― Jenny Downham, Before I Die

“Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.”
― Friedrich Nietzsche

“Knowing your own darkness is the best method for dealing with the darknesses of other people.”
― Carl Gustav Jung

“Be yourself; everyone else is already taken.”
― Oscar Wilde

“There is no reality except the one contained within us. That is why so many people live such an unreal life. They take the images outside of them for reality and never allow the world within to assert itself.”
― Hermann Hesse, Steppenwolf

“His life oscillates, as everyone's does, not merely between two poles, such as the body and the spirit, the saint and the sinner, but between thousands and thousands.”
― Hermann Hesse, Steppenwolf

“The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas.”
― Hermann Hesse, Demian: Die Geschichte von Emil Sinclairs Jugend

“I mean, maybe I am crazy. I mean, maybe. But if this is all there is, then I don't want to be sane.”
― Neil Gaiman, Neverwhere

“Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”
― Neil Gaiman, Coraline

“There's zero correlation between being the best talker and having the best ideas.”
― Susan Cain, Quiet: The Power of Introverts in a World That Can't Stop Talking

“Don't think of introversion as something that needs to be cured.”
― Susan Cain, Quiet: The Power of Introverts in a World That Can't Stop Talking

“Everyone shines, given the right lighting.”
― Susan Cain, Quiet: The Power of Introverts in a World That Can't Stop Talking

“The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.”
― Jane Austen, Northanger Abbey

“The books that the world calls immoral are books that show the world its own shame.”
― Oscar Wilde, The Picture of Dorian Gray

“... a mind needs books as a sword needs a whetstone, if it is to keep its edge.”
― George R.R. Martin, A Game of Thrones

“Books are a uniquely portable magic.”
― Stephen King, On Writing: A Memoir of the Craft

“I think we ought to live happily ever after," and she thought he meant it. Sophie knew that living happily ever after with Howl would be a good deal more hair-raising than any storybook made it sound, though she was determined to try. "It should be hair-raising," added Howl.
"And you'll exploit me," Sophie said.
"And then you'll cut up all my suits to teach me.”
― Diana Wynne Jones, Howl’s Moving Castle

“Suddenly he can spend an afternoon in Vienna looking at Vermeer’s The Art of Painting, and it’s hot outside, and if he wants he can buy himself a cheap cold glass of beer afterwards. It’s like something he assumed was just a painted backdrop all his life has revealed itself to be real: foreign cities are real, and famous artworks, and underground railway systems, and remnants of the Berlin Wall. That’s money, the substance that makes the world real. There’s something so corrupt and sexy about it.”
― Sally Rooney, Normal People

“He knows that a lot of the literary people in college see books primarily as a way of appearing cultured, It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about. Even the writer himself was a good person, and even if his book really was insightful, all books were ultimately marketed as status symbols, and all writers participated to some degree in this marketing.”
― Sally Rooney, Normal People

“It feels intellectually unserious to concern himself with fictional people marrying one another. But there it is: literature moves him. One of his professors calls it “the pleasure of being touched by great art.” In those words it almost sounds sexual.”
― Sally Rooney, Normal People

“He did gradually start to wonder why all their classroom discussions were so abstract and lacking in textual detail, and eventually he realised that most people were not actually doing the reading. They were coming into college every day to have heated debates about books they had not read. He understands now that his classmates are not like him. It's easy for them to have opinions, and to express them with confidence. They don't worry about appearing ignorant or conceited.”
― Sally Rooney, Normal People