Robert Teed > Robert's Quotes

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  • #1
    Joyce Carol Oates
    “The place where you came from ain't there any more, and where you had in mind to go is cancelled out. This place you are now—inside your daddy's house—is nothing but a cardboard box I can knock down any time. You know that and always did know it. You hear me?”
    Joyce Carol Oates

  • #2
    Kurt Vonnegut Jr.
    “Everything was beautiful and nothing hurt.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #3
    Kurt Vonnegut Jr.
    “And so it goes...”
    Kurt Vonnegut, Slaughterhouse-Five

  • #4
    Kurt Vonnegut Jr.
    “And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #5
    Kurt Vonnegut Jr.
    “A purpose of human life, no matter who is controlling it, is to love whoever is around to be loved.”
    Kurt Vonnegut, The Sirens of Titan

  • #6
    Kurt Vonnegut Jr.
    “And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.”
    Kurt Vonnegut Jr., A Man Without a Country

  • #7
    Kurt Vonnegut Jr.
    “How nice -- to feel nothing, and still get full credit for being alive.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #8
    Kurt Vonnegut Jr.
    “Here we are, trapped in the amber of the moment. There is no why.”
    Kurt Vonnegut

  • #9
    Kurt Vonnegut Jr.
    “I have this disease late at night sometimes, involving alcohol and the telephone.”
    Kurt Vonnegut Jr., Slaughterhouse-Five

  • #10
    Joseph Heller
    “He was going to live forever, or die in the attempt.”
    Joseph Heller, Catch-22

  • #11
    And now that you don't have to be perfect, you can be good.
    “And now that you don't have to be perfect, you can be good.”
    John Steinbeck, East of Eden

  • #12
    Kurt Vonnegut Jr.
    “Tiger got to hunt, bird got to fly;
    Man got to sit and wonder 'why, why, why?'
    Tiger got to sleep, bird got to land;
    Man got to tell himself he understand.”
    Kurt Vonnegut, Cat’s Cradle

  • #13
    Kurt Vonnegut Jr.
    “I'm not a drug salesman. I'm a writer."

    "What makes you think a writer isn't a drug salesman?”
    Kurt Vonnegut, Cat’s Cradle

  • #14
    Kurt Vonnegut Jr.
    “In the beginning, God created the earth, and he looked upon it in His cosmic loneliness.

    And God said, "Let Us make living creatures out of mud, so the mud can see what We have done." And God created every living creature that now moveth, and one was man. Mud as man alone could speak. God leaned close to mud as man sat up, looked around, and spoke. Man blinked. "What is the purpose of all this?" he asked politely.

    "Everything must have a purpose?" asked God.

    "Certainly," said man.

    "Then I leave it to you to think of one for all this," said God.

    And He went away.”
    Kurt Vonnegut, Cat’s Cradle

  • #15
    Kurt Vonnegut Jr.
    “Science is magic that works.”
    Kurt Vonnegut, Cat’s Cradle

  • #16
    Garth Stein
    “The car goes where the eyes go.”
    Garth Stein, The Art of Racing in the Rain

  • #17
    David Foster Wallace
    “We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dog’s yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum’s scream; that only we feel the panic at sunset the rookie kindergartner feels at his mother’s retreat. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd; stop not to dwell on what’s brought the crowd into being. That we are, always, faces in a crowd.”
    David Foster Wallace, Girl with Curious Hair

  • #18
    David Foster Wallace
    “Are we not all of us fanatics? I say only what you of the U.S.A. pretend you do not know. Attachments are of great seriousness. Choose your attachments carefully. Choose your temple of fanaticism with great care. What you wish to sing of as tragic love is an attachment not carefully chosen. Die for one person? This is a craziness. Persons change, leave, die, become ill. They leave, lie, go mad, have sickness, betray you, die. Your nation outlives you. A cause outlives you.”
    David Foster Wallace, Infinite Jest

  • #19
    David Foster Wallace
    “Like most North Americans of his generation, Hal tends to know way less about why he feels certain ways about the objects and pursuits he's devoted to than he does about the objects and pursuits themselves. It's hard to say for sure whether this is even exceptionally bad, this tendency.”
    David Foster Wallace, Infinite Jest

  • #20
    David Foster Wallace
    “It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naïveté on this continent...

    ...Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.”
    David Foster Wallace, Infinite Jest

  • #21
    Donna Tartt
    “But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.”
    Donna Tartt, The Goldfinch

  • #22
    Cormac McCarthy
    “The point is there ain't no point.”
    Cormac McCarthy, No Country for Old Men

  • #23
    Cormac McCarthy
    “People complain about the bad things that happen to em that they don't deserve but they seldom mention the good. About what they done to deserve them things”
    Cormac McCarthy, No Country for Old Men

  • #24
    Karl Ove Knausgård
    “Now I saw his lifeless state. And that there was no longer any difference between what once had been my father and the table he was lying on, or the floor on which the table stood, or the wall socket beneath the window, or the cable running to the lamp beside him. For humans are merely one form among many, which the world produces over and over again, not only in everything that lives but also in everything that does not live, drawn in sand, stone, and water. And death, which I have always regarded as the greatest dimension of life, dark, compelling, was no more than a pipe that springs a leak, a branch that cracks in the wind, a jacket that slips off a clothes hanger and falls to the floor.”
    Karl Ove Knausgård, Min kamp 1

  • #25
    Cormac McCarthy
    “You never know what worse luck your bad luck has saved you from.”
    Cormac McCarthy, No Country for Old Men

  • #26
    Cormac McCarthy
    “You think when you wake up in the mornin yesterday don't count. But yesterday is all that does count. What else is there? Your life is made out of the days it’s made out of. Nothin else.”
    Cormac McCarthy, No Country for Old Men

  • #27
    Cormac McCarthy
    “I think by the time you're grown you're as happy as you're goin to be. You'll have good times and bad times, but in the end you'll be about as happy as you was before. Or as unhappy. I've knowed people that just never did get the hang of it.

    Cormac McCarthy, No Country for Old Men

  • #28
    Cormac McCarthy
    “Ever step you take is forever. You cant make it go away. None of it. You understand what I'm sayin?”
    Cormac McCarthy, No Country for Old Men

  • #29
    Cormac McCarthy
    “You think when you wake up in the mornin yesterday dont count. But yesterday is all that does count. What else is there? Your life is made out of the days it's made out of. Nothin else. You might think you could run away and change your name and I dont know what all. Start over. And then one mornin you wake up and look at the ceilin and guess who's layin there?”
    Cormac McCarthy, No Country for Old Men

  • #30
    Cormac McCarthy
    “I think that when the lies are all told and forgot the truth will be there yet. It dont move about from place to place and it dont change from time to time. You cant corrupt it any more than you can salt salt.”
    Cormac McCarthy, No Country for Old Men



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