Apatt > Apatt's Quotes

“When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.

Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.

That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.

Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?

Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.

The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.”
― China Miéville

“I was walking through the woods, thinking about Christ. If He was a carpenter, I wondered what He charged for bookshelves.”
― Woody Allen

“Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.”
― Groucho Marx, The Essential Groucho: Writings For By And About Groucho Marx

“I find television very educating. Every time somebody turns on the set, I go into the other room and read a book.”
― Groucho Marx

“I'm not afraid of death; I just don't want to be there when it happens.”
― Woody Allen

“Are you always a smartass?'

Nope. Sometimes I'm asleep.”
― Jim Butcher, Blood Rites

“Tolkien understood about the things that happen after the end. Because this is after the end, this is all the Scouring of the Shire, this is figuring out how to live in the time that wasn’t supposed to happen after the glorious last stand. I saved the world, or I think I did, and look, the world is still here, with sunsets and interlibrary loans. And it doesn’t care about me any more than the Shire cared about Frodo.”
― Jo Walton, Among Others

“The mystery of life isn't a problem to solve, but a reality to experience.”
― Frank Herbert, Dune

“You talk as if a god had made the Machine," cried the other. "I believe that you pray to it when you are unhappy. Men made it, do not forget that. Great men, but men. The Machine is much, but not everything.”
― E.M. Forster, The Machine Stops

“And of course she had studied the civilization that had immediately preceded her own - the civilization that had mistaken the functions of the system, and had used it for bringing people to things, instead of for bringing things to people. Those funny old days, when men went for change of air instead of changing the air in their rooms!”
― E.M. Forster, The Machine Stops

“Few travelled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.”
― E.M. Forster, The Machine Stops

“Smoking kills. If you’re killed, you’ve lost a very important part of your life.”
― Brooke Shields

“The reason that clichés become clichés is that they are the hammers and screwdrivers in the toolbox of communication.”
― Terry Pratchett, Guards! Guards!

“Down there - he said - are people who will follow any dragon, worship any god, ignore any inequity. All out of a kind of humdrum, everyday badness. Not the really high, creative loathsomeness of the great sinners, but a sort of mass-produced darkness of the soul. Sin, you might say, without a trace of originality. They accept evil not because they say yes, but because they don't say no.”
― Terry Pratchett, Guards! Guards!

“Happiness was but the occasional episode in a general drama of pain.”
― Thomas Hardy, The Mayor of Casterbridge

“Obviously it was meant to tell us nothing, which is exactly the opposite function of a book.”
― Gareth Roberts, Doctor Who: Shada

“To avoid detection, the Doctor had attached a device called Randomiser to his TARDIS, his plan being to outfox the Black Guardian by popping up randomly all over the place. Neither Romana nor K-9 had the heart to tell the Doctor that that was pretty much what he did anyway.”
― Gareth Roberts, Doctor Who: Shada

“At the age of five, Skagra decided emphatically that God did not exist. This revelation tends to make most people in the universe who have it react in one of two ways - relief or despair. Only Skagra responded to it by thinking - 'wait a second. That means there's a situation vacant!”
― Gareth Roberts, Doctor Who: Shada

“Life seems but a quick succession of busy nothings.”
― Jane Austen, Mansfield Park

“Selfishness must always be forgiven you know, because there is no hope of a cure.”
― Jane Austen, Mansfield Park

“Know something? I'd lay even odds that between the people following us and the people hunting us, we've become this city's principle means of employment. Tal Verrar's entire economy is now based on fucking with us.”
― Scott Lynch, Red Seas Under Red Skies

“We may need to ready ourselves to repel boarders.” “With what? One stiletto and hurtful insinuations about their mothers?”
― Scott Lynch, Red Seas Under Red Skies

“Difficult" and "impossible" are cousins often mistaken for one another, with very little in common.”
― Scott Lynch, Red Seas Under Red Skies

“People go on marrying because they can't resist natural forces, although many of them may know perfectly well that they are possibly buying a month's pleasure with a life's discomfort.”
― Thomas Hardy, Jude the Obscure

“Remember that the best and greatest among mankind are those who do themselves no worldly good. Every successful man is more or less a selfish man. The devoted fail...”
― Thomas Hardy, Jude the Obscure

“I may do some good before I am dead--be a sort of success as a frightful example of what not to do; and so illustrate a moral story.”
― Thomas Hardy, Jude the Obscure

“It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched for they are full of the truthless ideal which have been instilled into them, and each time they come in contact with the real, they are bruised and wounded. It looks as if they were victims of a conspiracy; for the books they read, ideal by the necessity of selection, and the conversation of their elders, who look back upon the past through a rosy haze of forgetfulness, prepare them for an unreal life. They must discover for themselves that all they have read and all they have been told are lies, lies, lies; and each discovery is another nail driven into the body on the cross of life.”
― W. Somerset Maugham, Of Human Bondage

“People ask you for criticism, but they only want praise.”
― W. Somerset Maugham, Of Human Bondage

“Insensibly he formed the most delightful habit in the world, the habit of reading: he did not know that thus he was providing himself with a refuge from all the distress of life; he did not know either that he was creating for himself an unreal world which would make the real world of every day a source of bitter disappointment.”
― W. Somerset Maugham, Of Human Bondage

“Can a magician kill a man by magic?” Lord Wellington asked Strange.
Strange frowned. He seemed to dislike the question. “I suppose a magician might,” he admitted, “but a gentleman never could.”
― Susanna Clarke, Jonathan Strange & Mr Norrell