Chelsey > Chelsey's Quotes

“Of course.. some people, me included, believe that punk is just the most recent manifestation of this, this spirit, this feeling, you know, that things aren't right and that in fact things are so wrong that the only thing we can do is to say Fuck It, over and over again, really loud, until someone stops us.”
― Audrey Niffenegger, The Time Traveler's Wife

“Then the carousel started, and I watched her go round and round...All the kids tried to grap for the gold ring, and so was old Phoebe, and I was sort of afraid she's fall off the goddam horse, but I didn't say or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it is bad to say anything to them.”
― J.D. Salinger, The Catcher in the Rye

“If you don't imagine, nothing ever happens at all.”
― John Green, Paper Towns

“You know your problem, Quentin? You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman, and for, like, never asking me about how it's going with my girlfriend - but I don't give a shit, man, because you're you. My parents have a shit ton of black Santas, but that's okay. They're them. I'm too obsessed with a reference website to answer my phone sometimes when my friends call, or my girlfriend. That's okay, too. That's me. You like me anyway. And I like you. You're funny, and you're smart, and you may show up late, but you always show up eventually.”
― John Green, Paper Towns

“It is easy to forget how full the world is of people, full to bursting, and each of them imaginable and consistently misimagined.”
― John Green, Paper Towns

“Tonight, darling, we are going to right a lot of wrongs. And we are going to wrong some rights. The first shall be last; the last shall be first; the meek shall do some earth-inheriting. But before we can radically reshape the world, we need to shop.”
― John Green, Paper Towns

“But when it came right down to it, the skin of my wrist looked so white and defensless that I couldn't do it. It was as if what I wanted to kill wasn't in that skin or the thin blue pulse that jumped under my thumb, but somewhere else, deeper, more secret, and a whole lot harder to get."

I know what she's talking about. The something deeper and more secret. It's like cracks inside of you. Like there are these fault lines where things don't meet up right.”
― John Green, Paper Towns

“Isn't it also that on some fundamental level we find it difficult to understand that other people are human beings in the same way that we are? We idealize them as gods or dismiss them as animals.”
― John Green, Paper Towns

“My head was level with hers as we stared at each other from opposite sides of the glass. I don't remember how it ended - if I went to bed or she did. In my memory, it doesn't end. We just stay there, looking at each other, forever.”
― John Green, Paper Towns

“I'm starting to realize that people lack good mirrors. It's so hard for anyone to show us how we look, & so hard for us to show anyone how we feel.”
― John Green, Paper Towns

“I always thought of it like you said, that all the strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships sink, or maybe we’re grass—our roots so interdependent that no one is dead as long as someone is alive. We don’t suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you’re imagining a world in which you can become irreparably broken. If you choose the grass, you’re saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications. Do you know what I mean?”
― John Green, Paper Towns

“Imagining isn't perfect. You can't get all the way inside someone else...But imagining being someone else, or the world being something else, is the only way in. It is the machine that kills fascists.”
― John Green, Paper Towns

“The pleasure isn't in doing the thing, the pleasure is in planning it.”
― John Green, Paper Towns

“But I was not in the band, because I suffer from the kind of tone deafness that is generally associated with actual deafness”
― John Green, Paper Towns

“Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.”
― John Green

“because nerds like us are allowed to be unironically enthusiastic about stuff. Nerds are allowed to love stuff, like jump-up-and-down-in-the-chair-can’t-control-yourself love it. Hank, when people call people nerds, mostly what they’re saying is ‘you like stuff.’ Which is just not a good insult at all. Like, ‘you are too enthusiastic about the miracle of human consciousness’.”
― John Green

“The venn diagram of boys who don’t like smart girls and boys you don’t wanna date is a circle.”
― John Green

“Ah, but you're the insidious type--Jane Eyre with of touch of Becky Sharp. A thoroughly dangerous girl.”
― Dodie Smith, I Capture the Castle

“Am I really admitting that my sister is determined to marry a man she has only seen once and doesn't much like the look of? It is half real and half pretense - and I have an idea that it is a game most girls play when they meet an eligible young men. They just...wonder.”
― Dodie Smith, I Capture the Castle

“I found it quite easy to carry on a casual conversation it was as if my real feelings were down fathoms deep in my mind and what we said was just a feathery surface spray.”
― Dodie Smith, I Capture the Castle

“Just to be in love seemed the most blissful luxury I had ever known. The thought came to me that perhaps it is the loving that counts, not the being loved in return—that perhaps true loving can never know anything but happiness. For a moment I felt that I had discovered a great truth.”
― Dodie Smith, I Capture the Castle

“... there is something revolting about the way girls' minds so often jump to marriage long before they jump to love. And most of those minds are shut to what marriage really means.”
― Dodie Smith, I Capture the Castle

“I only want to write. And there's no college for that except life.”
― Dodie Smith, I Capture the Castle

“When I read a book, I put in all the imagination I can, so that it is almost like writing the book as well as reading it - or rather, it is like living it. It makes reading so much more exciting, but I don't suppose many people try to do it.”
― Dodie Smith, I Capture the Castle

“...I have noticed that when things happen in one's imaginings, they never happen in one's life, so I am curbing myself.”
― Dodie Smith, I Capture the Castle

“Oh, it is wonderful to wake up in the morning with things to look forward to!”
― Dodie Smith, I Capture the Castle

“If you love people, you take them on trust.”
― Dodie Smith, I Capture the Castle

“...surely I could give him--a sort of contentment...

That isn't enough to give. Not for the giver.”
― Dodie Smith, I Capture the Castle

“I think it [religion] is an art, the greatest one; an extension of the communion all the other arts attempt.”
― Dodie Smith, I Capture the Castle

“It came to me that Hyde Park has never belonged to London - that it has always been , in spirit, a stretch of countryside; and that it links the Londons of all periods together most magically - by remaining forever unchanged at the heart of a ever-changing town.”
― Dodie Smith, I Capture the Castle