Jonathan Major > Jonathan's Quotes

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  • #1
    Anaïs Nin
    “Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country.”
    Anais Nin

  • #2
    Anaïs Nin
    “From the backstabbing co-worker to the meddling sister-in-law, you are in charge of how you react to the people and events in your life. You can either give negativity power over your life or you can choose happiness instead. Take control and choose to focus on what is important in your life. Those who cannot live fully often become destroyers of life.”
    Anais Nin

  • #3
    Anaïs Nin
    “Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
    Anaïs Nin, Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934

  • #4
    Anaïs Nin
    “I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness. In reality those who satisfy me are those who simply allow me to live with my ''idea of them.”
    Anais Nin

  • #5
    Anaïs Nin
    “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made up of layers, cells, constellations.”
    Anais Nin

  • #6
    Anaïs Nin
    “Luxury is not a necessity to me, but beautiful and good things are.”
    Anais Nin

  • #7
    Anaïs Nin
    “Life shrinks or expands in proportion to one's courage.”
    Anais Nin

  • #8
    Anaïs Nin
    “I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
    Anais Nin

  • #9
    Anaïs Nin
    “How wrong is it for a woman to expect the man to build the world she wants, rather than to create it herself?”
    Anais Nin

  • #10
    Anaïs Nin
    “Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.”
    Anais Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #11
    “And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.”
    Elizabeth Appell

  • #12
    Anaïs Nin
    “We write to taste life twice, in the moment and in retrospect.”
    Anais Nin

  • #13
    Anaïs Nin
    “Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.”
    Anais Nin

  • #14
    Anaïs Nin
    “We don't see things as they are, we see them as we are.”
    Anaïs Nin

  • #15
    Anaïs Nin
    “If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.”
    Anais Nin

  • #16
    Anaïs Nin
    “The role of a writer is not to say what we can all say, but what we are unable to say.”
    Anais Nin

  • #17
    Anaïs Nin
    “You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #18
    Anaïs Nin
    “I must be a mermaid, Rango. I have no fear of depths and a great fear of shallow living.”
    Anais Nin

  • #19
    Anaïs Nin
    “People living deeply have no fear of death.”
    Anaïs Nin

  • #20
    Anaïs Nin
    “Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #21
    Anaïs Nin
    “Anxiety is love's greatest killer. It makes others feel as you might when a drowning man holds on to you. You want to save him, but you know he will strangle you with his panic.”
    Anais Nin

  • #22
    Anaïs Nin
    “Do not seek the because - in love there is no because, no reason, no explanation, no solutions.”
    Anaïs Nin, HENRY AND JUNE

  • #23
    Anaïs Nin
    “You don't find love, it finds you. It's got a little bit to do with destiny, fate, and what's written in the stars.”
    Anaïs Nin

  • #24
    Anaïs Nin
    “Music melts all the separate parts of our bodies together.”
    Anais Nin

  • #25
    Anaïs Nin
    “There are two ways to reach me: by way of kisses or by way of the imagination. But there is a hierarchy: the kisses alone don't work.”
    Anaïs Nin, HENRY AND JUNE

  • #26
    Anaïs Nin
    “The secret of joy is the mastery of pain.”
    Anais Nin

  • #27
    Anaïs Nin
    “Someone told me the delightful story of the crusader who put a chastity belt on his wife and gave the key to his best friend for safekeeping, in case of his death. He had ridden only a few miles away when his friend, riding hard, caught up with him, saying 'You gave me the wrong key!”
    Anais Nin

  • #28
    Anaïs Nin
    “The possession of knowledge does not kill the sense of wonder and mystery. There is always more mystery.”
    Anais Nin

  • #29
    Anaïs Nin
    “Sometimes we reveal ourselves when we are least like ourselves.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #30
    Anaïs Nin
    “Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?"

    Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do.

    You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.”
    Anais Nin



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