Michelle > Michelle's Quotes

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  • #1
    Chuck Palahniuk
    “You have to keep recycling yourself.”
    Chuck Palahniuk, Invisible Monsters

  • #1
    Haruki Murakami
    “People are by and large a product of where they were born and raised. How you think and feel's always linked to the lie of the land, the temperature. The prevailing winds, even.”
    Haruki Murakami, Kafka on the Shore

  • #2
    Haruki Murakami
    “I'm not a fast reader. I like to linger over each sentence, enjoying the style. If I don't enjoy the writing, I stop.”
    Haruki Murakami, Kafka on the Shore

  • #2
    Dorothy Parker
    “She was pleased to have him come and never sorry to see him go.”
    Dorothy Parker

  • #3
    Haruki Murakami
    “She's kind of funny looking. Her face is out of balance--broad forehead, button
    nose, freckled cheeks, and pointy ears. A slammed-together, rough sort of face you can't ignore. Still, the whole package isn't so bad. For all I know maybe she's not so wild
    about her own looks, but she seems comfortable with who she is, and that's the important thing.”
    Haruki Murakami, Kafka on the Shore

  • #3
    Nicole Krauss
    “Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.”
    Nicole Krauss, The History of Love

  • #4
    Haruki Murakami
    “In traveling, a companion, in life, compassion,'" she repeats, making sure of it. If she had paper and pencil, it wouldn't surprise me if she wrote it down. "So what does that really mean? In simple terms."
    I think it over. It takes me a while to gather my thoughts, but she waits patiently.
    "I think it means," I say, "that chance encounters are what keep us going. In simple terms.”
    Haruki Murakami, Kafka on the Shore

  • #4
    Margaret Atwood
    “The true story is vicious and multiple and untrue after all. Why do you need it? Don’t ever ask for the true story.”
    Margaret Atwood

  • #5
    Nicole Krauss
    “So many words get lost. They leave the mouth and lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days, you can hear their chorus rushing past: IwasabeautifulgirlPleasedon’tgoItoobelievemybodyismadeofglass-I’veneverlovedanyoneIthinkofmyselfasfunnyForgiveme….

    There was a time when it wasn’t uncommon to use a piece of string to guide words that otherwise might falter on the way to their destinations. Shy people carried a little bunch of string in their pockets, but people considered loudmouths had no less need for it, since those used to being overheard by everyone were often at a loss for how to make themselves heard by someone. The physical distance between two people using a string was often small; sometimes the smaller the distance, the greater the need for the string.

    The practice of attaching cups to the ends of string came much later. Some say it is related to the irrepressible urge to press shells to our ears, to hear the still-surviving echo of the world’s first expression. Others say it was started by a man who held the end of a string that was unraveled across the ocean by a girl who left for America.

    When the world grew bigger, and there wasn’t enough string to keep the things people wanted to say from disappearing into the vastness, the telephone was invented.

    Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person’s silence.”
    Nicole Krauss, The History of Love

  • #5
    Haruki Murakami
    “This place is too calm, too natural--too complete. I don't deserve it. At least not yet.”
    Haruki Murakami, Kafka on the Shore

  • #6
    Haruki Murakami
    “This is the extent of his knowledge of the sea: it was very big, it was salty, and fish lived there.”
    Haruki Murakami, Kafka on the Shore

  • #6
    Dorothy Parker
    “If you wear a short enough skirt, the party will come to you.”
    Dorothy Parker

  • #7
    Haruki Murakami
    “In traveling, a companion, in life, compassion.”
    Haruki Murakami, Kafka on the Shore

  • #7
    Dave Eggers
    “Nicaragua sounded dangerous; she liked the word. Nicaragua! It sounded like some kind of spider. There it goes, under the table - Nicaragua!”
    Dave Eggers, How We Are Hungry

  • #8
    Wally Lamb
    “Accept what people offer. Drink their milkshakes. Take their love.”
    Wally Lamb, She’s Come Undone

  • #8
    Haruki Murakami
    “Time expands, then contracts, all in tune with the stirrings of the heart.”
    Haruki Murakami, Kafka on the Shore

  • #9
    Dave Eggers
    “My head was a condemned church with a ceiling of bats, but I swung from this dark mood to euphoria when I thought about leaving.”
    Dave Eggers

  • #9
    Nora Ephron
    “When you're attracted to someone, it just means that your subconscious is attracted to their subconscious, subconsciously. So what we think of as fate is just two neuroses knowing that they are a perfect match.
    - Sleepless in Seattle”
    Nora Ephron

  • #10
    Nora Ephron
    “Whenever you give up an apartment in New York and move to another city, New York turns into the worst version of itself. Someone I know once wisely said that the expression "It's a nice place to visit, but I wouldn't want to live there" is completely wrong where New York is concerned; the opposite is true. New York is a very livable city. But when you move away and become a vistor, the city seems to turn against you. It's much more expensive (because you need to eat all your meals out and pay for a place to sleep) and much more unfriendly. Things change in New York; things change all the time. You don't mind this when you live here; when you live here, it's part of the caffeinated romance to this city that never sleeps. But when you move away, your experience change as a betrayal. You walk up Third Avenue planning to buy a brownie at a bakery you've always been loyal to, and the bakery's gone. Your dry cleaner move to Florida; your dentist retires; the lady who made the pies on West Fourth Street vanishes; the maitre d' at P.J. Clarke's quits, and you realize you're going to have to start from scratch tipping your way into the heart of the cold, chic young woman now at the down. You've turned your back from only a moment, and suddenly everything's different. You were an insider, a native, a subway traveler, a purveyor of inside tips into the good stuff, and now you're just another frequent flyer, stuck in a taxi on Grand Central Parkway as you wing in and out of La Guardia. Meanwhile, you rad that Manhattan rents are going up, they're climbing higher, they're reached the stratosphere. It seems that the moment you left town, they put a wall around the place, and you will never manage to vault over it and get back into the city again.”
    Nora Ephron, I Feel Bad About My Neck and Other Thoughts on Being a Woman

  • #10
    Dorothy Parker
    “He'll be cross if he sees I have been crying. They don't like you to cry. He doesn't cry. I wish to God I could make him cry. I wish I could make him cry and tread the floor and feel his heart heavy and big and festering in him. I wish I could hurt him like hell.

    He doesn't wish that about me. I don't think he even knows how he makes me feel. I wish he could know, without my telling him. They don't like you to tell them they've made you cry. They don't like you to tell them you're unhappy because of them. If you do, they think you're possessive and exacting. And then they hate you. They hate you whenever you say anything you really think. You always have to keep playing little games. Oh, I thought we didn't have to; I thought this was so big I could say whatever I meant. I guess you can't, ever. I guess there isn't ever anything big enough for that.”
    Dorothy Parker
    tags: men

  • #11
    Nora Ephron
    “He loved Thelma, Jonathan said, he had never loved anyone but Thelma, he had loved Thelma for nineteen years and would always love her even though Thelma didn't give a rat's ass about him and never had.”
    Nora Ephron, Heartburn

  • #11
    Sloane Crosley
    “The good news was that "biology" turned out to be the magic password for working at the Museum of Natural History, just the way "art history" would at the Met or "trust fund" at the MoMA.”
    Sloane Crosley, I Was Told There'd Be Cake: Essays

  • #12
    Marilynne Robinson
    “She closed one eye and looked at me and said, "I know there is a blessing in this somewhere.”
    Marilynne Robinson

  • #12
    David Levithan
    yearning, n. and adj.

    At the core of this desire is the belief that everything can be perfect.”
    David Levithan, The Lover's Dictionary

  • #13
    Mae West
    “He who hesitates is a damned fool.”
    Mae West

  • #13
    David Levithan
    “In school, the year was the marker. Fifth grade. Senior year of high school. Sophomore year of college. Then after, the jobs were the marker. That office. This desk. But now that school is over and I've been working at the same place in the same office at the same desk for longer than I can truly believe, I realize: You have become the marker. This is your era. And it's only if it goes on and on that will have to look for other ways to identify the time.”
    David Levithan, The Lover's Dictionary

  • #14
    David Levithan
    “The mistake is thinking that there can be an antidote to the uncertainty.”
    David Levithan, The Lover's Dictionary

  • #14
    Zadie Smith
    “Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.”
    Zadie Smith , White Teeth

  • #15
    Alain de Botton
    “And I wondered, with mounting anxiety, What am I supposed to do here? What am I supposed to think?”
    Alain de Botton, The Art of Travel

  • #15
    Mae West
    “I never worry about diets. The only carrots that interest me are the number you get in a diamond.”
    Mae West



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