Mark > Mark's Quotes

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  • #1
    James Madison
    “The means of defence agst. foreign danger, have been always the instruments of tyranny at home.”
    James Madison

  • #2
    “If you're really listening, if you're awake to the poignant beauty of the world, your heart breaks regularly. In fact, your heart is made to break; its purpose is to burst open again and again so that it can hold evermore wonders.”
    Andrew Harvey

  • #3
    Virginia Woolf
    “When I cannot see words curling like rings of smoke round me I am in darkness—I am nothing.”
    Virginia Woolf, The Waves

  • #4
    Terence McKenna
    “Psychedelics are illegal not because a loving government is concerned that you may jump out of a third story window. Psychedelics are illegal because they dissolve opinion structures and culturally laid down models of behaviour and information processing. They open you up to the possibility that everything you know is wrong.”
    Terence McKenna

  • #5
    William Shakespeare
    “The fool doth think he is wise, but the wise man knows himself to be a fool.”
    William Shakespeare, As You Like It

  • #6
    Robert McKee
    “All writing is discipline, but screenwriting is a drill sergeant.”
    Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting

  • #7
    Ray Bradbury
    “First you jump off the cliff and build your wings on the way down.”
    Ray Bradbury

  • #8
    Albert Einstein
    “Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.”
    Albert Einstein

  • #9
    Robert Ludlum
    “Sleep is a weapon!”
    Robert Ludlum

  • #10
    Viktor E. Frankl
    “But there was no need to be ashamed of tears, for tears bore witness that a man had the greatest of courage, the courage to suffer.”
    Viktor E. Frankl, Man's Search for Meaning

  • #11
    James Thurber
    “Beautiful things don't ask for attention.”
    James Thurber, The Secret Life of Walter Mitty

  • #12
    Hermann Hesse
    “For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

    Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.

    A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.

    A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.

    When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.

    A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.

    So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”
    Herman Hesse, Bäume: Betrachtungen und Gedichte

  • #13
    Lawrence Wright
    “Religion is always an irrational enterprise, no matter how ennobling it may be to the human spirit.”
    Lawrence Wright, Going Clear: Scientology, Hollywood, and the Prison of Belief

  • #14
    George Carlin
    “Never underestimate the power of stupid people in large groups.”
    George Carlin

  • #15
    Friedrich Nietzsche
    “No artist tolerates reality.”
    Friedrich Nietzsche

  • #16
    Pliny the Elder
    “In these matters, the only certainty is that nothing is certain”
    Pliny the Elder, Plini naturalis historiae libri XXXVII: Vol. VI. Indices

  • #17
    Sally Kempton
    “It's hard to fight an enemy who has outposts in your head.”
    Sally Kempton

  • #18
    Alfred Hitchcock
    “There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.

    We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"

    In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”
    Alfred Hitchcock



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