Olya Melnyk > Olya's Quotes

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  • #1
    J.D. Salinger
    “I think that one of these days," he said, "you're going to have to find out where you want to go. And then you've got to start going there. But immediately. You can't afford to lose a minute. Not you.”
    J.D. Salinger, The Catcher in the Rye

  • #2
    Donna Tartt
    “What if — is more complicated than that? What if maybe opposite is true as well? Because, if bad can sometimes come from good actions—? where does it ever say, anywhere, that only bad can come from bad actions? Maybe sometimes — the wrong way is the right way? You can take the wrong path and it still comes out where you want to be? Or, spin it another way, sometimes you can do everything wrong and it still turns out to be right?”
    Donna Tartt, The Goldfinch

  • #4
    Donna Tartt
    “The world and everything in it was intolerably and permanently fucked and nothing had ever been good or okay, unbearable claustrophobia of the soul, the windowless room, no way out, waves of shame and horror, leave me alone.”
    Donna Tartt, The Goldfinch

  • #11
    J.D. Salinger
    “That's the whole trouble. You can't ever find a place that's nice and peaceful, because there isn't any. You may think there is, but once you get there, when you're not looking, somebody'll sneak up and write "Fuck you" right under your nose. Try it sometime. I think, even, if I ever die, and they stick me in a cemetery, and I have a tombstone and all, it'll say "Holden Caulfield" on it, and then what year I was born and what year I died, and then right under that it'll say "Fuck you." I'm positive, in fact.”
    J.D. Salinger, The Catcher in the Rye
    tags: meta

  • #12
    J.D. Salinger
    “Certain things, they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone.”
    J.D. Salinger, The Catcher in the Rye

  • #13
    Albert Camus
    “Man is the only creature who refuses to be what he is.”
    Albert Camus

  • #14
    Donna Tartt
    “It's not about outward appearances but inward significance. A grandeur in the world, but not of the world, a grandeur that the world doesn't understand. That first glimpse of pure otherness, in whose presence you bloom out and out and out.

    A self one does not want. A heart one cannot help.”
    Donna Tartt, The Goldfinch

  • #15
    Donna Tartt
    “Maybe I only see a pattern because I’ve been staring too long. But then again, maybe I see a pattern because it’s there.”
    Donna Tartt, The Goldfinch

  • #16
    Donna Tartt
    “But does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end - and yet to know as well, despite all this, as cruelly as the game is stacked, that it's possible to play it with a kind of joy?”
    Donna Tartt, The Goldfinch

  • #17
    Donna Tartt
    “Whatever teaches us to talk to ourselves is important: whatever teaches us to sing ourselves our of despair.”
    Donna Tartt, The Goldfinch

  • #17
    J.D. Salinger
    “It was that kind of a crazy afternoon, terrifically cold, and no sun out or anything, and you felt like you were disappearing every time you crossed a road.”
    J.D. Salinger, The Catcher in the Rye

  • #18
    J.D. Salinger
    “I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy.”
    J.D. Salinger, The Catcher in the Rye

  • #19
    Aldous Huxley
    “Me as I think I am and me as I am in fact — sorrow, in other words, and the ending of sorrow. One third, more or less, of all the sorrow that the person I think I am must endure is unavoidable. It is the sorrow inherent in the human condition, the price we must pay for being sentient and self-conscious organisms, aspirants to liberation, but subject to the laws of nature and under orders to keep on marching, through irreversible time, through a world wholly different to our well-being, toward decrepitude and the certainty of death. The remaining two thirds of all sorrow is homemade and, so far as the universe if concerned, unnecessary.”
    Aldous Huxley

  • #20
    J.D. Salinger
    “What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
    J.D. Salinger, The Catcher in the Rye

  • #22
    J.D. Salinger
    “The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way—I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.”
    J.D. Salinger, The Catcher in the Rye

  • #24
    Jeffrey McDaniel
    “I realise there's something incredibly honest about trees in winter, how they're experts at letting things go.”
    Jeffrey McDaniel

  • #25
    J.D. Salinger
    “Almost every time somebody gives me a present, it ends up making me sad.”
    J.D. Salinger, The Catcher in the Rye

  • #26
    Anthony Doerr
    “Consider a single piece glowing in your family’s stove. See it, children? That chunk of coal was once a green plant, a fern or reed that lived one million years ago, or maybe two million, or maybe one hundred million. Can you imagine one hundred million years? Every summer for the whole life of that plant, its leaves caught what light they could and transformed the sun’s energy into itself. Into bark, twigs, stems. Because plants eat light, in much the way we eat food. But then the plant died and fell, probably into water, and decayed into peat, and the peat was folded inside the earth for years upon years—eons in which something like a month or a decade or even your whole life was just a puff of air, a snap of two fingers. And eventually the peat dried and became like stone, and someone dug it up, and the coal man brought it to your house, and maybe you yourself carried it to the stove, and now that sunlight—sunlight one hundred million years old—is heating your home tonight . . .”
    Anthony Doerr, All the Light We Cannot See

  • #27
    Milan Kundera
    “Dogs are our link to paradise. They don't know evil or jealousy or discontent. To sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring--it was peace.”
    Milan Kundera

  • #28
    Milan Kundera
    “Elisabeth, can't you imagine that you could love someone so terribly that just because of it you couldn't go to bed with him?”
    Milan Kundera, Laughable Loves

  • #29
    Milan Kundera
    “We pass through the present with our eyes blindfolded. We are permitted merely to sense and guess at what we are actually experiencing. Only later when the cloth is untied can we glance at the past and find out what we have experienced and what meaning it has.”
    Milan Kundera, Laughable Loves

  • #30
    J.D. Salinger
    “She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.”
    J.D. Salinger, The Catcher in the Rye

  • #31
    Milan Kundera
    “Because I'm happy that you exist at all, Elisabeth. Perhaps I love you. Perhaps I love you very much. But probably just for this reason it would be better if we remain as we are. I think a man and a woman love each other all the more when they don't live together and when they know about each other only that they exist, and when they are grateful to each other for the fact that they exist and that they know they exist. And that alone is enough for their happiness.”
    Milan Kundera, Laughable Loves

  • #32
    Anthony Doerr
    “We all come into existence as a single cell, smaller than a speck of dust. Much smaller. Divide. Multiply. Add and subtract. Matter changes hands, atoms flow in and out, molecules pivot, proteins stitch together, mitochondria send out their oxidative dictates; we begin as a microscopic electrical swarm. The lungs the brain the heart. Forty weeks later, six trillion cells get crushed in the vise of our mother’s birth canal and we howl. Then the world starts in on us.”
    Anthony Doerr, All the Light We Cannot See

  • #33
    “if
    the ocean
    can calm itself,
    so can you.
    we
    are both
    salt water
    mixed with
    air.”
    Nayyirah Waheed

  • #34
    Anthony Doerr
    “I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads.

    It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.”
    Anthony Doerr, All the Light We Cannot See

  • #35
    John Fitzgerald Kennedy
    “I really don't know why it is that all of us are so committed to the sea, except I think it's because in addition to the fact that the sea changes, and the light changes, and ships change, it's because we all came from the sea. And it is an interesting biological fact that all of us have in our veins the exact same percentage of salt in our blood that exists in the ocean, and, therefore, we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea - whether it is to sail or to watch it - we are going back from whence we came.

    [Remarks at the Dinner for the America's Cup Crews, September 14 1962]
    John F. Kennedy

  • #36
    Jennifer Elisabeth
    “I’ve always seen this in you, ever since you were a little girl — this hunger to love other people into their highest selves and it’s what has made me irreversibly and just so forever in love with you.”
    Jennifer Elisabeth, Born Ready: Unleash Your Inner Dream Girl

  • #37
    Herman Melville
    “We felt very nice and snug, the more so since it was so chilly out of doors; indeed out of bed-clothes too, seeing that there was no fire in the room. The more so, I say, because truly to enjoy bodily warmth, some small part of you must be cold, for there is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. If you flatter yourself that you are all over comfortable, and have been so a long time, then you cannot be said to be comfortable any more. But if the tip of your nose or the crown of your head be slightly chilled, why then, indeed, in the general consciousness you feel delightfully and unmistakably warm. For this reason a sleeping apartment should never be furnished with a fire, which is one of the luxurious discomforts of the rich. For the height of this sort of deliciousness is to have nothing but the blanket between you and your snugness and the cold of the outer air. Then there you lie like the one warm spark in the heart of an arctic crystal.”
    Herman Melville, Moby-Dick or, The Whale

  • #38
    F. Scott Fitzgerald
    “So we beat on, boats against the current, borne back ceaselessly into the past.”
    F. Scott Fitzgerald, The Great Gatsby



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