Katarina > Katarina's Quotes

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  • #1
    Lemony Snicket
    “No reality has the power to dispel a dream.”
    Lemony Snicket, When Did You See Her Last?

  • #2
    William Shakespeare
    “I do love nothing in the world so well as you- is not that strange?”
    William Shakespeare, Much Ado About Nothing
    tags: love

  • #3
    Libba Bray
    “He loved her. Was in love with her. Had always loved her. And it seemed that she loved him, too. It was funny how the world could change on a dime like that. One minute, you were some poor chump pining after a girl you thought didn’t feel the same way about you, and the next, you were lying together, arms entwined, chest to chest, so close you could feel her heartbeat under her soft skin. You were looking into her eyes and seeing your whole future written there.”
    Libba Bray, Before the Devil Breaks You

  • #4
    Victoria Schwab
    “But these words people threw around - humans, monsters, heroes, villains - to Victor it was all just a matter of semantics. Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human.”
    V.E. Schwab, Vicious

  • #5
    Vladimir Nabokov
    “He broke my heart. You merely broke my life.”
    Vladimir Nabokov, Lolita

  • #6
    J.D. Salinger
    “That's the whole trouble. You can't ever find a place that's nice and peaceful, because there isn't any. You may think there is, but once you get there, when you're not looking, somebody'll sneak up and write "Fuck you" right under your nose. Try it sometime. I think, even, if I ever die, and they stick me in a cemetery, and I have a tombstone and all, it'll say "Holden Caulfield" on it, and then what year I was born and what year I died, and then right under that it'll say "Fuck you." I'm positive, in fact.”
    J.D. Salinger, The Catcher in the Rye
    tags: meta

  • #7
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #8
    Donna Tartt
    “I hate Gucci,' said Francis.

    'Do you?' said Henry, glancing up from his reverie. 'Really? I think it's rather grand.'

    'Come on, Henry.'

    'Well, it's so expensive, but it's so ugly too, isn't it? I think they make it ugly on purpose. And yet people buy it out of sheer perversity.'

    'I don't see what you think is grand about that.'

    'Anything is grand if it's done on a large enough scale,' said Henry.”
    Donna Tartt, The Secret History

  • #9
    Lemony Snicket
    “For some stories, it's easy. The moral of 'The Three Bears,' for instance, is "Never break into someone else's house.' The moral of 'Snow White' is 'Never eat apples.' The moral of World War I is 'Never assassinate Archduke Ferdinand.”
    Lemony Snicket, The Wide Window

  • #10
    Leigh Bardugo
    “I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.”
    Leigh Bardugo, Crooked Kingdom

  • #11
    Leigh Bardugo
    “Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.”
    Leigh Bardugo, Crooked Kingdom

  • #12
    Libba Bray
    “The land has a memory.
    Every stream and river runs with a confession of sorts, history whispered over rocks, lifted in the beaks of birds at a stream, carried out to the sea. Buffalo thunder across plains whose soil was watered with the blood of battles long since relegated to musty books on forgotten shelves. Fields once strewn with blue and gray now flower with uneasy buds. The slave master snaps the lash, and generations later, the ancestral scars remain.
    Under it all, the dead lie, remembering.”
    Libba Bray, Lair of Dreams

  • #13
    Madeline Miller
    “When he died, all things soft and beautiful and bright would be buried with him.”
    Madeline Miller, The Song of Achilles

  • #14
    Madeline Miller
    “And perhaps it is the greater grief, after all, to be left on earth when another is gone.”
    Madeline Miller, The Song of Achilles

  • #15
    Madeline Miller
    “We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
    Madeline Miller, The Song of Achilles

  • #16
    Madeline Miller
    “I will never leave him. It will be this, always, for as long as he will let me.
    If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
    As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
    “Patroclus,” he said. He was always better with words than I.”
    Madeline Miller, The Song of Achilles

  • #17
    Katherine Arden
    “All my life,” she said, “I have been told ‘go’ and ‘come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me. Please. Please let me help you.”
    Katherine Arden, The Bear and the Nightingale

  • #18
    Alice Sebold
    “You save yourself or you remain unsaved.”
    Alice Sebold

  • #19
    Michelle Obama
    “Do we settle for the world as it is, or do we work for the world as it should be?”
    Michelle Obama, Becoming

  • #20
    Terry Pratchett
    “Most books on witchcraft will tell you that witches work naked. This is because most books on witchcraft are written by men.”
    Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #21
    Donna Tartt
    “That life - whatever else it is - is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch.”
    Donna Tartt, The Goldfinch

  • #22
    Donna Tartt
    “More than anything I was relieved that in my unfamiliar babbling-and-wanting-to-talk state I'd stopped myself from blurting the thing I'd never said, even though it was something we both knew well enough without me saying out loud to him in the street - which was, of course, I love you.”
    Donna Tartt, The Goldfinch

  • #23
    Mary Beard
    “You cannot easily fit women into a structure that is already coded as male; you have to change the structure.”
    Mary Beard, Women & Power: A Manifesto

  • #24
    Holly Black
    “It’s you I love,” he says. “I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.” He walks to the door to the royal chambers, as though to end the conversation. “You probably guessed as much,” he says. “But just in case you didn’t.”
    Holly Black, The Queen of Nothing

  • #25
    Holly Black
    “I missed you," I whisper against his skin and feel dizzy with the intimacy of the admission, feel more naked than when he could see every inch of me. "In the mortal world, when I thought you were my enemy, I still missed you."
    "My sweet nemesis, how glad I am that you returned.”
    Holly Black, The Queen of Nothing

  • #26
    Holly Black
    “This is my room,” he points out, affronted. “And that’s my wife.”

    “So you keep telling everyone,” the Bomb says. “But I am going to take out her stitches, and I don’t think you want to watch that.”

    “Oh, I don’t know,” I say. “Maybe he’d like to hear me scream.”

    “I would,” Cardan says, standing. “And perhaps one day I will.”
    Holly Black, The Queen of Nothing

  • #27
    Libba Bray
    “Make a better history”
    Libba Bray, The King of Crows

  • #28
    Libba Bray
    “How do you invent a religion?” Evie asked.

    Will looked over the top of his spectacles. “You say, ‘God told me the following,’ and then wait for people to sign up.”
    Libba Bray, The Diviners

  • #29
    Libba Bray
    “Some mornings, she’d wake and vow, Today, I will get it right. I won’t be such an awful mess of a girl. I won’t lose my temper or make unkind remarks. I won’t go too far with a joke and feel the room go quiet with disapproval. I’ll be good and kind and sensible and patient. The sort everyone loves. But by evening, her good intentions would have unraveled. She’d say the wrong thing or talk a little too loudly. She’d take a dare she shouldn’t, just to be noticed. Perhaps Mabel was right, and she was selfish. But what was the point of living so quietly you made no noise at all? “Oh, Evie, you’re too much,” people said, and it wasn’t complimentary. Yes, she was too much. She felt like too much inside all the time. So why wasn’t she ever enough?”
    Libba Bray, The Diviners

  • #30
    Libba Bray
    “There is nothing more terrifying than the absoluteness of one who believes he's right.”
    Libba Bray, The Diviners



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