Sara > Sara's Quotes

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  • #1
    Shūsaku Endō
    “Sin, he reflected, is not what it is usually thought to be; it is not to steal and tell lies. Sin is for one man to walk brutally over the life of another and to be quite oblivious of the wounds he has left behind.”
    Shusaku Endo, Silence

  • #2
    Shūsaku Endō
    “I was only giving expression to a sad reflection that was rising in my mind. Kichijiro was right in saying that all men are not saints and heroes. How many of our Christians, if only they had been born in another age from this persecution would never have been confronted with the problem of apostasy or martyrdom but would have lived blessed lives of faith until the very hour of death.”
    Shusaku Endo, Silence

  • #3
    Makoto Fujimura
    “Our failure is not that we chose earth over heaven: it is that we fail to see the divine in the earth, already active and working, pouring forth grace and spilling glory into our lives. Artists, whether they are professed believers or not, tap into this grace and glory. There is a "terrible beauty" operating throughout creation. If Christ announced his postresurrection reality into the darkness, even into hell, as the Bible and Christian catechism suggests, then, as theologian Abraham Kuyper put it, there is not one inch of earth that Christ does not call "Mine!”
    Makoto Fujimura, Silence and Beauty: Hidden Faith Born of Suffering

  • #4
    “The purity message is not about sex. Rather, it is about us: who we are, who we are expected to be, and who it is said we will become if we fail to meet those expectations.
    This is the language of shame.”
    Linda Kay Klein, Pure: Inside the Evangelical Movement That Shamed a Generation of Young Women and How I Broke Free

  • #5
    Victoria Schwab
    “Blink and you’re twenty-eight, and everyone else is now a mile down the road, and you’re still trying to find it, and the irony is hardly lost on you that in wanting to live, to learn, to find yourself, you’ve gotten lost.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #6
    Victoria Schwab
    “But a life without art, without wonder, without beautiful things—she would go mad. She has gone mad.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #7
    Victoria Schwab
    “That time always ends a second before you’re ready.

    That life is the minutes you want minus one.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #8
    Victoria Schwab
    “Live long enough, and you learn how to read a person. To ease them open like a book, some passages underlined and others hidden between the lines.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #9
    Joan Didion
    “I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead. ”
    Joan Didion, The Year of Magical Thinking

  • #10
    Joan Didion
    “Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe their husband is about to return and need his shoes.”
    Joan Didion, The Year of Magical Thinking

  • #11
    Joan Didion
    “Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.”
    Joan Didion, The Year of Magical Thinking

  • #12
    Joan Didion
    “It occurs to me that we allow ourselves to imagine only such messages as we need to survive.”
    Joan Didion, The Year of Magical Thinking

  • #13
    Joan Didion
    “Marriage is memory, marriage is time. Marriage is not only time: it is also, parodoxically, the denial of time.”
    Joan Didion, The Year of Magical Thinking

  • #14
    Joan Didion
    “We imagined we knew everything the other thought, even when we did not necessarily want to know it, but in fact, I have come to see, we knew not the smallest fraction of what there was to know.”
    Joan Didion, The Year of Magical Thinking

  • #15
    Lao Tzu
    “A good traveler has no fixed plans
    and is not intent upon arriving.
    A good artist lets his intuition
    lead him wherever it wants.
    A good scientist has freed himself of concepts
    and keeps his mind open to what is.

    Thus the Master is available to all people
    and doesn't reject anyone.
    He is ready to use all situations
    and doesn't waste anything.
    This is called embodying the light.

    What is a good man but a bad man's teacher?
    What is a bad man but a good man's job?
    If you don't understand this, you will get lost,
    however intelligent you are.
    It is the great secret.”
    Laozi, Tao Te Ching



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