Marianne > Marianne's Quotes

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  • #1
    I have loved the stars too fondly to be fearful of the night.
    “I have loved the stars too fondly to be fearful of the night.”
    Sarah Williams

  • #2
    Stephen Chbosky
    “Once on a yellow piece of paper with green lines
    he wrote a poem
    And he called it "Chops"
    because that was the name of his dog

    And that's what it was all about
    And his teacher gave him an A
    and a gold star
    And his mother hung it on the kitchen door
    and read it to his aunts
    That was the year Father Tracy
    took all the kids to the zoo

    And he let them sing on the bus
    And his little sister was born
    with tiny toenails and no hair
    And his mother and father kissed a lot
    And the girl around the corner sent him a
    Valentine signed with a row of X's

    and he had to ask his father what the X's meant
    And his father always tucked him in bed at night
    And was always there to do it

    Once on a piece of white paper with blue lines
    he wrote a poem
    And he called it "Autumn"

    because that was the name of the season
    And that's what it was all about
    And his teacher gave him an A
    and asked him to write more clearly
    And his mother never hung it on the kitchen door
    because of its new paint

    And the kids told him
    that Father Tracy smoked cigars
    And left butts on the pews
    And sometimes they would burn holes
    That was the year his sister got glasses
    with thick lenses and black frames
    And the girl around the corner laughed

    when he asked her to go see Santa Claus
    And the kids told him why
    his mother and father kissed a lot
    And his father never tucked him in bed at night
    And his father got mad
    when he cried for him to do it.


    Once on a paper torn from his notebook
    he wrote a poem
    And he called it "Innocence: A Question"
    because that was the question about his girl
    And that's what it was all about
    And his professor gave him an A

    and a strange steady look
    And his mother never hung it on the kitchen door
    because he never showed her
    That was the year that Father Tracy died
    And he forgot how the end
    of the Apostle's Creed went

    And he caught his sister
    making out on the back porch
    And his mother and father never kissed
    or even talked
    And the girl around the corner
    wore too much makeup
    That made him cough when he kissed her

    but he kissed her anyway
    because that was the thing to do
    And at three a.m. he tucked himself into bed
    his father snoring soundly

    That's why on the back of a brown paper bag
    he tried another poem

    And he called it "Absolutely Nothing"
    Because that's what it was really all about
    And he gave himself an A
    and a slash on each damned wrist
    And he hung it on the bathroom door
    because this time he didn't think

    he could reach the kitchen.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #3
    J.K. Rowling
    “We're all human, aren't we? Every human life is worth the same, and worth saving.”
    J.K. Rowling, Harry Potter and the Deathly Hallows

  • #4
    Patrick Rothfuss
    “We understand how dangerous a mask can be. We all become what we pretend to be.”
    Patrick Rothfuss, The Name of the Wind

  • #5
    Patrick Rothfuss
    “Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.”
    Patrick Rothfuss, The Name of the Wind

  • #6
    Patrick Rothfuss
    “It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.”
    Patrick Rothfuss, The Name of the Wind

  • #7
    Patrick Rothfuss
    “Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
    Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
    Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
    Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
    "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
    Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
    His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
    "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
    "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.”
    Patrick Rothfuss, The Name of the Wind

  • #8
    Patrick Rothfuss
    “It gets tiresome being spoken to as if you are a child, even if you happen to be one.”
    Patrick Rothfuss, The Name of the Wind

  • #9
    Patrick Rothfuss
    “Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts. There are seven words that will make a person love you. There are ten words that will break a strong man's will. But a word is nothing but a painting of a fire. A name is the fire itself.”
    Patrick Rothfuss, The Name of the Wind

  • #10
    Sarah J. Maas
    “What's your name?" he asked above the roar of the music.

    She leaned close. "My name is Wind," she whispered. "And Rain. And Bone and Dust. My name is a snippet of a half-remembered song."

    He chuckled a low, delightful sound. She was drunk and silly, and so full of the glory of being young and alive and in the capital of the world that she could hardly contain herself.

    "I have no name," she purred. "I am whoever the keepers of my fate tell me to be."

    He grasped her by her wrist, running a thumb along the sensitive sknin underneath. "Then let me call you Mine for a dance or two.”
    Sarah J. Maas, The Assassin and the Underworld

  • #11
    Patrick Rothfuss
    “Too much truth confuses the facts. Too much honesty makes you sound insincere”
    Patrick Rothfuss, The Name of the Wind

  • #12
    Patrick Rothfuss
    “Fear tends to come from ignorance. Once I knew what the problem was, it was just a problem, nothing to fear.”
    Patrick Rothfuss, The Name of the Wind

  • #13
    Patrick Rothfuss
    “I needed to let them know they couldn't hurt me. I've learned that the best way to stay safe is to make your enemies think you can't be hurt.”
    Patrick Rothfuss, The Name of the Wind

  • #14
    Janet Fitch
    “If I were a poet, that’s what I’d write about. People who worked in the middle of the night. Men who loaded trains, emergency room nurses with their gentle hands. Night clerks in hotels, cabdrivers on graveyard, waitresses in all-night coffee shops. They knew the world, how precious it was when a person remembered your name, the comfort of a rhetorical question, “How’s it going, how’s the kids?” They knew how long the night was. They knew the sound life made as it left. It rattled, like a slamming screen door in the wind. Night workers lived without illusions, they wiped dreams off counters, they loaded freight. They headed back to the airport for one last fare.”
    Janet Fitch, White Oleander

  • #15
    Patrick Rothfuss
    “He was giving me enough rope to hang myself with. Apparently he didn't realize that once a noose is tied it will fit one neck as easily as another.”
    Patrick Rothfuss, The Name of the Wind

  • #16
    Patrick Rothfuss
    “Think of all the stories you've heard, Bast. You have a young boy, the hero. His parents are killed he sets out for vengeance. What next?"
    Bast hesitated, his expression puzzled. Chronicler answered the question instead. "He finds help. A clever talking squirrel. An old drunken swordsman. A mad hermit in the woods. That sort of thing."
    Kvothe nodded. "Exactly! He finds the mad hermit in the woods, proves himself worthy, and learns the names of all things, just like Taborlin the Great. Then with these powerful magics at his beck and call, what does he do?"
    Chronicler shrugged. "He finds the villains and kills them."
    "Of course," Kvothe said grandly. "Clean, quick, and easy as lying. We know how it ends practically before it starts. That's why stories appeal to us. They give us the clarity and simplicity our real lives lack.”
    Patrick Rothfuss, The Name of the Wind

  • #17
    Patrick Rothfuss
    “Chronicler picked up his pen, but before he could dip it, Kvothe held up a hand. "Let me say one thing before I start. I've told stories in the past, painted pictures with words, told hard lies and harder truths. Once, I sang colors to a blind man. Seven hours I played, but at the end he said he saw them, green and red and gold. That, I think, was easier than this. Trying to make you understand her with nothing more than words. You have never seen her, never heard her voice. You cannot know.”
    Patrick Rothfuss, The Name of the Wind

  • #18
    Patrick Rothfuss
    “All stories are true,” Skarpi said. “But this one really happened, if that’s what you mean.” He took another slow drink, then smiled again, his bright eyes dancing. “More or less. You have to be a bit of a liar to tell a story the right way. Too much truth confuses the facts. Too much honesty makes you sound insincere.”
    Patrick Rothfuss, The Name of the Wind

  • #19
    Patrick Rothfuss
    “Now, this pair," he waved the shoes he held, "are new. They haven't been walked a mile, and for new shoes like these I charge a talent, maybe a talent and two." He pointed at my feet. "Those shoes, on the other hand, are used, and I don't sell used shoes."

    He turned his back on me and started to tidy his workbench rather aimlessly, humming to himself...

    I knew that he was trying to do me a favor, and a week ago I would have jumped at the opportunity for free shoes. But for some reason I didn't feel right about it. I quietly gathered up my things and left a pair of copper jots on his stool before I left.

    Why? Because pride is a strange thing, and because generosity deserves generosity in return. But mostly because it felt like the right thing to do, and that is reason enough.”
    Patrick Rothfuss, The Name of the Wind

  • #20
    Ayn Rand
    “I could die for you. But I couldn't, and wouldn't, live for you.”
    Ayn Rand, The Fountainhead

  • #21
    John Irving
    “When someone you love dies, and you're not expecting it, you don't lose her all at once; you lose her in pieces over a long time—the way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comes—when there's a particular missing part that overwhelms you with the feeling that she's gone, forever—there comes another day, and another specifically missing part.”
    John Irving, A Prayer for Owen Meany

  • #22
    Kenzaburō Ōe
    “The dead can survive as part of the lives of those that still live.”
    Kenzaburō Ōe, Hiroshima Notes

  • #23
    Jennifer Niven
    “Sorry wastes time. You have to live your life like you'll never be sorry. It's easier just to do the right thing from the start so there's nothing to apologize for.”
    Jennifer Niven, All the Bright Places

  • #24
    Jennifer Niven
    “I should be happy, but instead I feel nothing. I feel a lot of nothing these days. I've cried a few times, but mostly I'm empty, as if whatever makes me feel and hurt and laugh and love has been surgically removed, leaving me hollowed out like a shell.”
    Jennifer Niven, All the Bright Places

  • #25
    Jennifer Niven
    “All I know is what I wonder: Which of my feelings are real? Which of the mes is me? There is only one me I’ve ever really liked, and he was good and awake as long as he could be.”
    Jennifer Niven, All the Bright Places

  • #26
    Jennifer Niven
    “What a terrible feeling to love soemone and not be able to help them.”
    Jennifer Niven, All the Bright Places

  • #27
    Jennifer Niven
    “I am rooted, but I flow. All gold, flowing …”
    Jennifer Niven, All the Bright Places

  • #28
    Jennifer Niven
    “I run until time stops. Until my mind stops.”
    Jennifer Niven, All the Bright Places

  • #29
    Jennifer Niven
    “The great thing about this life of ours is that you can be someone different to everybody.”
    Jennifer Niven, All the Bright Places

  • #30
    Jennifer Niven
    “I do my best thinking at night when everyone else is sleeping. No interruptions. No noise. I like the feeling of being awake when no one else is.”
    Jennifer Niven, All the Bright Places



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