az > az's Quotes

“Maybe niceness is the wrong metric, I said. Of course it's really about power, Bobbi agreed. But it's harder to work out who has the power, so instead we rely on 'niceness' as a kind of stand-in. I mean this is an issue in public discourse. We end up asking like, is Israel 'nicer' than Palestine.”
― Sally Rooney, Conversations with Friends

“Was I kind to others? It was hard to nail down an answer. I worried that if I did turn out to have a personality, it would be one of the unkind ones. Did I only worry about this question because as a woman I felt required to put the needs of others before my own? Was “kindness” just another term for submission in the face of conflict? These were the kind of things I wrote about in my diary as a teenager: as a feminist I have the right not to love anyone.”
― Sally Rooney, Conversations with Friends

“I will not have my life narrowed down. I will not bow down to somebody else's whim or to someone else's ignorance.”
― bell hooks

“I am passionate about everything in my life--first and foremost, passionate about ideas. And that's a dangerous person to be in this society, not just because I'm a woman, but because it's such a fundamentally anti-intellectual, anti-critical thinking society. --bell hooks”
― bh

“The function of art is to do more than tell it like it is-it’s to imagine what is possible.”
― bell hooks

“There will be no mass-based feminist movement as long as feminist ideas are understood only by a well-educated few.”
― bell hooks, Feminist Theory: From Margin to Center

“There must exist a paradigm, a practical model for social change that includes an understanding of ways to transform consciousness that are linked to efforts to transform structures.”
― bell hooks, Killing Rage: Ending Racism

“Sometimes people try to destroy you, precisely because they recognize your power — not because they don’t see it, but because they see it and they don’t want it to exist.”
― Bell Hooks

“Rolling eyes = feminist pedagogy.”
― Sara Ahmed, Living a Feminist Life

“Whenever I’m home for a few days, I start to feel this despair at being back in the place where I had spent so many afternoons dreaming of getting away, so many late nights fantasizing about who I would be once I was allowed to be someone apart from my family, once I was free to commit mistakes on my own. How strange it is to return to a place where my childish notions of freedom are everywhere to be found—in my journals and my doodles and the corners of the room where I sat fuming for hours, counting down the days until I could leave this place and start my real life. But now that trying to become someone on my own is no longer something to dream about but just my ever-present reality, now that my former conviction that I had been burdened with the responsibility of taking care of this household has been revealed to be untrue, that all along, my responsibilities had been negligible, illusory even, that all along, our parents had been the ones watching over us—me and my brother—and now that I am on my own, the days of resenting my parents for loving me too much and my brother for needing me too intensely have been replaced with the days of feeling bewildered by the prospect of finding some other identity besides “daughter” or “sister.” It turns out this, too, is terrifying, all of it is terrifying. Being someone is terrifying. I long to come home, but now, I will always come home to my family as a visitor, and that weighs on me, reverts me back into the teenager I was, but instead of insisting that I want everyone to leave me alone, what I want now is for someone to beg me to stay. Me again. Mememememememe.”
― Jenny Zhang, Sour Heart

“Monster” is derived from the Latin noun monstrum, “divine portent,” itself formed on the root of the verb monere, “to warn.” It came to refer to living things of anomalous shape or structure, or to fabulous creatures like the sphinx who were composed of strikingly incongruous parts, because the ancients considered the appearance of such beings to be a sign of some impending supernatural event. Monsters, like angels, functioned as messengers and heralds of the extraordinary. They served to announce impending revelation, saying, in effect, “Pay attention; something of profound importance is happening.”
― Susan Stryker

“Because most people have great difficulty recognizing the humanity of another person if they can't recognize that person's gender, the gender-changing person can evoke in others a primordial fear of monstrosity, or loss of humanness.”
― Susan Stryker

“When people struggling against an injustice have no hope that anything will ever change, they use their strength to survive; when they think that their actions matter, that same strength becomes a force for positive change.”
― Susan Stryker, Transgender History

“Many people believe that gender identity...is rooted in biology...Many other people understand that gender is more like language than like biology; that is, while they understand us humans to have a biological capacity to use language, they point out we are not born with a hard-wired language "preinstalled" in our brains. Likewise, while we have a biological capacity to identify with and learn to "speak" from a particular location in a cultural gender system, we don't come into the world with a predetermined gender identity.”
― Susan Stryker, Transgender History

“Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I am writing because they told me to never start a sentence with because. But I wasn't trying to make a sentence—I was trying to break free. Because freedom, I am told, is nothing but the distance between the hunter and its prey.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I am writing you from inside a body that used to be yours. Which is to say, I am writing as a son.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“The most beautiful part of your body
is where it’s headed. & remember,
loneliness is still time spent
with the world.”
― Ocean Vuong

“Ma. You once told me that memory is a choice. But if you were god, you'd know it's a flood.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“How sweet. That rain. How something that lives only to fall can be nothing but sweet.”
― Ocean Vuong, Night Sky with Exit Wounds

“& remember, loneliness is still time spent with the world.”
― Ocean Vuong, Night Sky with Exit Wounds

“It is no accident, Ma, that the comma resembles a fetus— that curve of continuation. We were all once inside our mothers, saying with our entire curved and silenced selves, more, more, more. I want to insist that are being alive is beautiful enough to be worthy of replication. And so what? So what if all I ever made of my life was more of it?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“It’s the chemicals in our brains, they say. I got the wrong chemicals, Ma. Or rather, I don’t get enough of one or the other. They have a pill for it. They have an industry. They make millions. Did you know people get rich off of sadness? I want to meet the millionaire of American sadness. I want to look him in the eye, shake his hand, and say, “it’s been an honor to serve my country.”

The thing is, I don’t want my sadness to be othered from me just as I don’t want my happiness to be othered. They’re both mine. I made them, dammit. What if the elation I feel is not another “bipolar episode” but something I fought hard for? Maybe I jump up and down and kiss you too hard on the neck when I learn, upon coming home, that it’s pizza night because sometimes pizza night is more than enough, is my most faithful and feeble beacon. What if I’m running outside because the moon tonight is children’s-book huge and ridiculous over the pines, the sight of it a strange sphere of medicine?
It’s like when all you’ve been seeing before you is a cliff and then this bright bridge appears out of nowhere, and you run fast across it knowing, sooner or later, there’ll be another cliff on the other side. What if my sadness is actually my most brutal teacher? And the lesson is always this: you don’t have to be like the buffaloes.
You can stop.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Sometimes, when I’m careless, I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given, until something changes—or you realize, at last, that you can change without disappearing, that all you had to do was wait until the storm passes you over and you find that—yes—your name is still attached to a living thing.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I believe the wound is also the place where the skin reencounters itself, asking of each end, where have you been?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Dear God, if you are a season, let it be the one I passed through
to get here.

Here. That's all I wanted to be.

I promise.”
― Ocean Vuong, Night Sky with Exit Wounds

“My mother said I could be anything I wanted - but I chose to live.”
― Ocean Vuong, Night Sky with Exit Wounds

“Isn’t that the saddest thing in the world, Ma? A comma forced to be a period?”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“It's in these moments, next to you, that I envy words for doing what we can never do-- how they can tell all of themselves simply by standing still, simply by being. Imagine I could lie down beside you and my whole body, every cell, radiates a clear, singular meaning, not so much a writer as a word pressed down beside you.”
― Ocean Vuong, On Earth We're Briefly Gorgeous