Mollie > Mollie's Quotes

“We cheated, you and me, and someone noticed. I noticed you; someone else noticed me. It hurts us. That's not so bad. So many people cheat. Everywhere on every level. Everyone's cheated. I'm just saying that you don't need to see yourself as a cheater. Because that's not who you are. You're someone who cheated. There's a difference, and you should try to get that difference, or that's who you'll grow up to be.”
― Anne Lamott, Crooked Little Heart

“I wanted to be one of those people who have streaks to maintain, who scorch the ground with their intensity. But for now, at least I knew such people, and they needed me, just like comets need tails.”
― John Green, Looking for Alaska

“Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.”
― John Green

“When adults say, "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.”
― John Green, Looking for Alaska

“What a treacherous thing to believe that a person is more than a person.”
― John Green, Paper Towns

“So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.”
― John Green, Looking for Alaska

“Thomas Edison's last words were "It's very beautiful over there". I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.”
― John Green, Looking for Alaska

“The town was paper, but the memories were not.”
― John Green, Paper Towns

“When I turn around, he cups my face in his hands and he kisses me so deeply that I don't know who is breathing for who, but his mouth and tongue taste like warm honey. I don't know how long it lasts, but when I let go of him, I miss it already.”
― Melina Marchetta, On the Jellicoe Road

“It's funny how you can forget everything except people loving you. Maybe that's why humans find it so hard getting over love affairs. It's not the pain they're getting over, it's the love.”
― Melina Marchetta, On the Jellicoe Road

“My body becomes a raft and there's this part of me that wants just literally to go with the flow. To close my eyes and let it take me. But I know sooner or later I will have to get out, that I need to feel the earth beneath my feet, between my toes - the splinters, the bindi-eyes, the burning sensation of hot dirt, the sting of cuts, the twigs, the bites, the heat, the discomfort, the everything. I need desperately to feel it all, so when something wonderful happens, the contrast will be so massive that I will bottle the impact and keep it for the rest of my life.”
― Melina Marchetta, On the Jellicoe Road

“Sometimes Webb believed that he would never experience a better feeling than when he was looking at her, would never see anything or anybody bursting with more life and spirit. Sometimes he felt he needed to inhale it and place it in a storage area in his soul. Just in case. ”
― Melina Marchetta, On the Jellicoe Road

“Without looking at Jacob, I said slowly, 'Well, it seeps into you. It doesn't make you forget yourself, but totally the opposite.' I chance a glance at him. He was watching me intently. No glaze in his eyes. So I continued more bravely: 'It connect you with everything and fills you with awe that you share the same space with something that glorious. Like a sunrise on a clear blue day of the most extraordinary piece of glass. And then suddenly'--my hands escaped their tight grip in my lap, and now my fingers splayed wide like fireworks in the air--'you have this epiphany that there's more to the world than just you and what you want or even who you are.”
― Justina Chen Headley, North of Beautiful

“What swells inside me is a love so boundless, I am the sunrise and sunset. I am Liberty Bell in the Cascades. I am Beihai Lake. I am every beautiful, truly beautiful, thing I've ever seen, captured in my personal Geographia, the atlas of myself.”
― Justina Chen Headley, North of Beautiful

“Inertia is so easy—don't fix what's not broken. Leave well enough alone. So we end up accepting what is broken, mistaking complaining for action, procrastinating for deliberation.”
― Justina Chen Headley, North of Beautiful

“Holding hands, for example, is a way to remember how it feels to say nothing together.”
― Nicole Krauss

“So many words get lost. They leave the mouth and lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days, you can hear their chorus rushing past: IwasabeautifulgirlPleasedon’tgoItoobelievemybodyismadeofglass-I’veneverlovedanyoneIthinkofmyselfasfunnyForgiveme….

There was a time when it wasn’t uncommon to use a piece of string to guide words that otherwise might falter on the way to their destinations. Shy people carried a little bunch of string in their pockets, but people considered loudmouths had no less need for it, since those used to being overheard by everyone were often at a loss for how to make themselves heard by someone. The physical distance between two people using a string was often small; sometimes the smaller the distance, the greater the need for the string.

The practice of attaching cups to the ends of string came much later. Some say it is related to the irrepressible urge to press shells to our ears, to hear the still-surviving echo of the world’s first expression. Others say it was started by a man who held the end of a string that was unraveled across the ocean by a girl who left for America.

When the world grew bigger, and there wasn’t enough string to keep the things people wanted to say from disappearing into the vastness, the telephone was invented.

Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person’s silence.”
― Nicole Krauss, The History of Love

“That's how you know you really trust someone, I think; when you don't have to talk all the time to make sure they still like you or prove that you have interesting stuff to say.”
― Sara Zarr, Story of a Girl

“We'd walk home together in the foggy summer night and I'd tell her about sex; the good stuff, like how it could be warm and exciting--it took you away--and the not-so-good things, like how once you showed someone that part of yourself, you had to trust them one thousand percent and anything could happen. Someone you thought you knew could change and suddenly not want you, suddenly decide you made a better story than a girlfriend. Or how sometimes you might think you wanted to do it and then halfway through or afterward realize no, you just wanted the company, really; you wanted someone to choose you, and the sex part itself was like a trade-off, something you felt like you had to give to get the other part. I'd tell her that and help her decide. I'd be a friend.”
― Sara Zarr, Story of a Girl

“You're
swimming so hard in this ocean.
Don't you know
if you float,
it will always hold you up?”
― Terra Elan McVoy, After the Kiss

“writing, you are a girl on a trapeze, swinging high in the air. you know there is no one on the other side to catch you. but your costume is spangly and all eyes are on you and at some point you'll leap--at some point you'll flip. and there may be no net--though it may also be intact, you can't see--but at this point the jumping is everything--it's all that you've got. and as you write you understand this, you understand you won't hit send, but for now you are swinging, swinging, swinging wildly in the air. your eyes are open, your arms are outstretched.”
― Terra Elan McVoy, After the Kiss

“The paradox of love is that to have it is to want to preserve it because it's perfect in the moment but that preservation is impossible because the perfection is only ever an instant passed through. Love like travel is a series of moments that we immediately leave behind. Still we try to hold on and embalm against all evidence and common sense proclaiming our promises and plans. The more I loved him the more I felt hope. But hope acknowledges uncertainty and so I also felt my first premonitions of loss.”
― Elisabeth Eaves, Wanderlust: A Love Affair with Five Continents

“We jumped into water so clear and warm that it was like jumping from air to air. The sand rose up under us and we floated to where it met the sea and walked out of the water like creatures in an act of evolution.”
― Elisabeth Eaves, Wanderlust: A Love Affair with Five Continents

“Floating in the void free of gravity I made my way along the side of the ship. I listened to my own breaths. It was so dark and I was so weightless that I had to look for my bubbles to be sure which way was up. I swam backward a little away from the boat and into outer space and waved my arm through the water. Sure enough the phosphorescents appeared trailing my movement like the tail of a shooting star. I let myself tip upside down and floated there watching the gentle snowstorm marveling that a world of such strangeness existed here all the time just under the surface.”
― Elisabeth Eaves, Wanderlust: A Love Affair with Five Continents

“I know it's not strictly sex that accounts for my straying the motive usually attributed to men. I think it's just too tempting to have two lives rather than one. Some people think that too much travel begets infidelity: Separation and opportunity test the bonds of love. I think it's more likely that people who hate to make choices to settle on one thing or another are attracted to travel. Travel doesn't beget a double life. The appeal of the double life begets travel.”
― Elisabeth Eaves, Wanderlust: A Love Affair with Five Continents

“I begin to wonder how different "real" love is from my imaginary affair. In any relationship there's both reality and the perception of reality. As long as I see the other person as smart or sexy or handsome or good and as long as I can hang on to the feeling of loving and being loved then it's real. But somehow we're able to hang on to those feelings and beliefs even when objective reality diverges. Actions don't necessarily alter beliefs and beliefs matter more. Before you fall in love you begin to imagine the other person. You create your lover extrapolating on reality dusting him or her with gold. You embellish to the point of perfection and then fall hard for the image you've made. With all my traveling I may have spent more time imagining than others. But a huge amount of all love takes place in the head. In the middle of any relationship we can spend more time hour for hour thinking about the other person than we spend in his presence. And after any breakup there's no telling how long we might pine for someone. Love itself is in the mind's eye.”
― Elisabeth Eaves, Wanderlust: A Love Affair with Five Continents

“This is it--what all the hoopla is about, what Wuthering Heights is about--it all boils down to this feeling rushing through me in this moment with Joe as our mouths refuse to part. Who knew all this time I was one kiss away from being Cathy and Juliet and Elizabeth Bennet and Lady Chatterley!?”
― Jandy Nelson, The Sky Is Everywhere

“The sky is everywhere, it begins at your feet.”
― Jandy Nelson, The Sky Is Everywhere

“There were once two sisters
who were not afriad of the dark
because the dark was full of the other's voice
across the room,
because even when the night was thick
and starless
they walked home together from the river
seeing who could last the longest
without turning on her flashlight,
not afraid
because sometimes in the pitch of night
they'd lie on their backs
in the middle of the path
and look up until the stars came back
and when they did,
they'd reach their arms up to touch them
and did.”
― Jandy Nelson, The Sky Is Everywhere

“Remember how it was when we kissed? Armfuls and armfuls of light thrown right at us. A rope dropping down from the sky. How can the word love and the word life even fit in the mouth?”
― Jandy Nelson, The Sky Is Everywhere