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An Immense World:...
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The Women
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by Kristin Hannah (Goodreads Author)
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Debt: The First 5...
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  (page 251 of 534)
— Aug 24, 2026 09:20PM

 
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Sally Rooney
“You can do whatever you want with me. And he has, that is exactly what he has done, whatever he wanted. As if attempting to reach the end of his desires, to find out what is there at the end. Discovering instead with horror that his desires even when instantly and gorgeously gratified only make him increasingly unhappy and insane. Wanting too much. To love, to be loved. By her, yes, but not only.”
― Sally Rooney, Intermezzo

Richard Powers
“Without the ability to feel sad, a person could not be kind or thoughtful, because you wouldn't care or know how anybody else feels. Without sadness, you would never learn anything from history. Sadness is the key to loving what you love and to becoming better than you were. A person who never felt sad would be a monster.”
― Richard Powers, Playground

Sally Rooney
“Is the word 'passionate', or is it not, basically an obscene item of vocabulary? No, it isn't. But is it like a small bandage placed over an item of vocabulary that is in fact obscene? Maybe, yes. A word with blood running through it, a red word. In casual conversation it's better to use words that are grey or beige. Where did it come from then, this word 'passionate'? She knows where. From that so firmly suppressed feeling, present all along, that when he looks at her, when he speaks to her, he is addressing not only the superficial but also the deep concealed parts of her personality — without meaning to, without knowing how not to.”
― Sally Rooney, Intermezzo

Richard Powers
“The ocean was forever unfolding, forever exploring, forever tinkering with form, and every part of it was busy talking about what was all around. So was she. So was every being that came from those waters. Which meant every living thing.”
― Richard Powers, Playground

Richard Powers
“The world with all its bright and surprising contents was created out of boredom and emptiness. Everything started by holding still and waiting. The perfect story to tell such a dark and anxious child.”
― Richard Powers, Playground

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