Tiffany > Tiffany's Quotes

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  • #1
    Oscar Wilde
    “To live is the rarest thing in the world. Most people exist, that is all.”
    Oscar Wilde

  • #2
    Patrick Süskind
    “...talent means nothing, while experience, acquired in humility and with hard work, means everything.”
    Patrick Süskind, Perfume: The Story of a Murderer

  • #3
    Patrick Süskind
    “Odors have a power of persuasion stronger than that of words, appearances, emotions, or will. The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally. There is no remedy for it.”
    Patrick Süskind, Perfume: The Story of a Murderer

  • #4
    Patrick Süskind
    “…in that moment, as he saw and smelled how irresistible its effect was and how with lightning speed it spread and made captives of the people all around him—in that moment his whole disgust for humankind rose up again within him and completely soured his triumph, so that he felt not only no joy, but not even the least bit of satisfaction. What he had always longed for—that other people should love him—became at the moment of his achievement unbearable, because he did not love them himself, he hated them. And suddenly he knew that he had never found gratification in love, but always only in hatred—in hating and in being hated.”
    Patrick Süskind, Perfume: The Story of a Murderer

  • #5
    Patrick Süskind
    “There was only one thing the perfume could not do. It could not turn him into a person who could love and be loved like everyone else. So, to hell with it he thought. To hell with the world. With the perfume. With himself”
    Patrick Süskind, Perfume: The Story of a Murderer

  • #6
    Friedrich Nietzsche
    “And those who were seen dancing were thought to be insane by those who could not hear the music.”
    Friedrich Nietzsche

  • #7
    Langston Hughes
    “Life is for the living.
    Death is for the dead.
    Let life be like music.
    And death a note unsaid.”
    Langston Hughes, The Collected Poems

  • #8
    Friedrich Nietzsche
    “We should consider every day lost on which we have not danced at least once.”
    Friedrich Wilhelm Nietzsche

  • #9
    Jonathan Safran Foer
    “Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #10
    Pablo Neruda
    “I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.”
    Pablo Neruda, 100 Love Sonnets

  • #11
    John Milton
    “What hath night to do with sleep?”
    John Milton, Paradise Lost

  • #12
    John Milton
    “Into this wild Abyss/ The womb of Nature, and perhaps her grave--/ Of neither sea, nor shore, nor air, nor fire,/ But all these in their pregnant causes mixed/ Confusedly, and which thus must ever fight,/ Unless the Almighty Maker them ordain/ His dark materials to create more worlds,--/ Into this wild Abyss the wary Fiend/ Stood on the brink of Hell and looked a while,/ Pondering his voyage; for no narrow frith/ He had to cross. ”
    John Milton, Paradise Lost

  • #13
    Pablo Neruda
    “I crave your mouth, your voice, your hair.
    Silent and starving, I prowl through the streets.
    Bread does not nourish me, dawn disrupts me, all day
    I hunt for the liquid measure of your steps.

    I hunger for your sleek laugh,
    your hands the color of a savage harvest,
    hunger for the pale stones of your fingernails,
    I want to eat your skin like a whole almond.

    I want to eat the sunbeam flaring in your lovely body,
    the sovereign nose of your arrogant face,
    I want to eat the fleeting shade of your lashes,

    and I pace around hungry, sniffing the twilight,
    hunting for you, for your hot heart,
    Like a puma in the barrens of Quitratue.”
    Pablo Neruda

  • #14
    Antoine de Saint-Exupéry
    “It is the time you have wasted for your rose that makes your rose so important.”
    Antoine de Saint-Exupéry, The Little Prince

  • #15
    Antoine de Saint-Exupéry
    “You become responsible, forever, for what you have tamed.”
    Antoine de Saint-Exupéry, The Little Prince

  • #16
    Lemony Snicket
    “I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
    I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
    I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
    I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.”
    Lemony Snicket

  • #17
    Mark Z. Danielewski
    “Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer.”
    Mark Z. Danielewski, House of Leaves

  • #18
    Mark Z. Danielewski
    “It may be the wrong decision, but fuck it, it's mine.”
    Mark Z. Danielewski, House of Leaves

  • #19
    Mark Z. Danielewski
    “Little solace comes
    to those who grieve
    when thoughts keep drifting
    as walls keep shifting
    and this great blue world of ours
    seems a house of leaves

    moments before the wind.”
    Mark Z. Danielewski, House of Leaves

  • #20
    Mark Z. Danielewski
    “We all create stories to protect ourselves.”
    Mark Z. Danielewski, House of Leaves

  • #21
    Mark Z. Danielewski
    “This is not for you.”
    Mark Z. Danielewski, House of Leaves

  • #22
    Mark Z. Danielewski
    “Prometheus, thief of light, giver of light, bound by the gods, must have been a book.”
    Mark Z. Danielewski, House of Leaves

  • #23
    Mark Z. Danielewski
    “Some people reflect light, some deflect it, you by some miracle, seem to collect it.”
    Mark Z. Danielewski, House of Leaves

  • #24
    Mark Z. Danielewski
    “To read" actually comes from the Latin reri "to calculate, to think" which is not only the progenitor of "read" but of "reason" as well, both of which hail from the Greek arariskein "to fit." Aside from giving us "reason," arariskein also gives us an unlikely sibling, Latin arma meaning "weapons." It seems that "to fit" the world or to make sense of it requires either reason or arms.”
    Mark Z. Danielewski, House of Leaves

  • #25
    Mark Z. Danielewski
    “I must read.
    I must read.
    I must read.”
    Mark Z. Danielewski, House of Leaves

  • #26
    Mark Z. Danielewski
    “I want something else. I’m not even sure what to call it anymore except I know it feels roomy and it’s drenched in sunlight and it’s weightless and I know it’s not cheap. It’s probably not even real.”
    Mark Z. Danielewski, House of Leaves
    tags: deep

  • #27
    Mark Z. Danielewski
    “Here then - the after math of meaning. A lifetime finished between the space of two frames.”
    Mark Z. Danielewski, House of Leaves

  • #28
    Mark Z. Danielewski
    “My dear girl, is it that you are so lonely that you had to create this?”
    Mark Z. Danielewski, House of Leaves

  • #29
    Mark Z. Danielewski
    “Stories heard but not recalled. Letters too. Words filling my head. Fragmenting like artillery shells. Shrapnel, like syllables, flying everywhere. Terrible syllables. Sharp cracked. Traveling at murderous speed. Tearing through it all in a very, very bad inreparable way.”
    Mark Z. Danielewski, House of Leaves

  • #30
    Mark Z. Danielewski
    “Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off color of my own tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound, hers screeching, mine – I didn’t hear mine – only hears, probably counter-pointing mine, a high-pitched cry, then a whisper dropping unexpectedly to practically a bark, a grunt, whatever, no sense any more, and suddenly no more curves either, just the straight away, some line crossed, where every fractured sound already spoken finally compacts into one long agonizing word, easily exceeding a hundred letters, even thunder, anticipating the inevitable letting go, when the heat is ultimately too much to bear, threatening to burn, scar, tear it all apart, yet tempting enough to hold onto for even one second more, to extend it all, if we can, as if by getting that much closer to the heat, that much more enveloped, would prove … - which when we did clutch, hold, postpone, did in fact prove too much after all, seconds too much, and impossible to refuse, so blowing all of everything apart, shivers and shakes and deep in her throat a thousand letters crashing in a long unmodulated fall, resonating deep within my cochlea and down the cochlear nerve, a last fit of fury describing in lasting detail the shape of things already come.
    Too bad dark languages rarely survive.”
    Mark Z. Danielewski, House of Leaves



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