Sundance > Sundance's Quotes

“Few understand that procrastination is our natural defense, letting things take care of themselves and exercise their antifragility; it results from some ecological or naturalistic wisdom, and is not always bad -- at an existential level, it is my body rebelling against its entrapment. It is my soul fighting the Procrustean bed of modernity.”
― Nassim Nicholas Taleb, Antifragile: Things That Gain from Disorder

“If there is something in nature you don't understand, odds are it makes sense in a deeper way that is beyond your understanding. So there is a logic to natural things that is much superior to our own. Just as there is a dichotomy in law: 'innocent until proven guilty' as opposed to 'guilty until proven innocent', let me express my rule as follows: what Mother Nature does is rigorous until proven otherwise; what humans and science do is flawed until proven otherwise.”
― Nassim Nicholas Taleb, Antifragile: Things That Gain from Disorder

“Only the happy ones return to contentment. Those who were sad return to despair.”
― Kōbō Abe, The Woman in the Dunes

“I rather think the world is like sand. The fundamental nature of sand is very difficult to grasp when you think of it in its stationary state. Sand not only flows, but this very flow is the sand.”
― Kōbō Abe, The Woman in the Dunes

“Just as early industrial capitalism moved the focus of existence from being to having, post-industrial culture has moved that focus from having to appearing.”
― Guy Debord, The Society of the Spectacle

“The reigning economic system is a vicious circle of isolation. Its technologies are based on isolation, and they contribute to that same isolation. From automobiles to television, the goods that the spectacular system chooses to produce also serve it as weapons for constantly reinforcing the conditions that engender “lonely crowds.”
― Guy Debord, The Society of the Spectacle

“This society eliminates geographical distance only to produce a new internal separation.”
― Guy Debord, The Society of the Spectacle

“I was made for the library, not the classroom. The classroom was a jail of other people’s interests. The library was open, unending, free.”
― Ta-Nehisi Coates, Between the World and Me

“When sharing anything you’ve created with the world, you have to assume at the start that no one gives a damn about it. Well,”
― Alexis Ohanian, Without Their Permission: How the 21st Century Will Be Made, Not Managed

“Be yourself; no base imitator of another, but your best self. There is something which you can do better than another. Listen to the inward voice and bravely obey that. Do the things at which you are great, not what you were never made for.”
― Ralph Waldo Emerson, Self-Reliance and Other Essays

“Misunderstood! It is a right fool's word. Is it so bad then to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.”
― Ralph Waldo Emerson, Self-Reliance and Other Essays

“You will always find those who think they know what is your duty better than you know it.”
― Ralph Waldo Emerson, Self-Reliance and Other Essays

“Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, the will butting its blunt head against the world's wall, suchlike, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say shocking, realisation. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have ever truly ever wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky's indifferent gaze and the air's harsh damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.”
― John Banville, The Sea

“It was beyond him to resign himself to some simple, cynical generality about life. Had he been able to do so, he would have been more comfortable. But because he could not, the heaviness in his heart persisted.”
― Naoya Shiga, A Dark Night's Passing

“I remember that on the day before you left, I told you that I wanted to change my way of life, and you asked me why I didn’t resign from my company right away. This is no place for me to go into details, but I really do want another kind of life. But here, too, I seem incapable of doing anything. That I myself at times become tired of my own weakness is, I’m afraid, no consolation to you.”
― Naoya Shiga, A Dark Night's Passing

“The first candle will, of course, burn out in time. But before this happens, the light from it will be passed on to another candle, and then to another, so that though the candles may change, the light will burn forever, like the light on a Buddhist altar. As the candles change, so will the way in which two people love each other; yet their love, like the light, need never go out.”
― Naoya Shiga, A Dark Night's Passing

“I think of human existence as being like a two-story house. On the first floor people gather together to take their meals, watch television, and talk. The second floor contains private chambers, bedrooms where people go to read books, listen to music by themselves, and so on. Then there is a basement; this is a special place, and there are a number of things stored here. We don’t use this room much in our daily life, but sometimes we come in, vaguely hang around the place. Then, my thought is that underneath that basement room is yet another basement room. This one has a very special door, very difficult to figure out, and normally you can’t get in there—some people never get in at all. . . . You go in, wander about in the darkness, and experience things there you wouldn’t see in the normal parts of the house. You connect with your past there, because you have entered into your own soul. But then you come back. If you stay over there for long you can never get back to reality. My sense is that a novelist is someone who can consciously do that sort of thing.”29”
― Matthew Strecher, The Forbidden Worlds of Haruki Murakami

“He made it a rule never to tell anyone the contents of stories he was still writing. It would be like a jinx. The moment the words left his mouth, a certain something would vanish like the morning dew. Subtle nuances would become superficial scenes. Secrets would no longer be secrets.34”
― Matthew Strecher, The Forbidden Worlds of Haruki Murakami

“Barthes constructed his theory of what he called “myth,” describing essentially the same thing as we mean here by “narrative.” Barthes argues that modern, industrialized societies are governed in large part by such myths, constructed by each society’s political arm and disseminated via the mass media (the political arm’s propaganda machine) as commonsensical, therefore as absolutely real. For Barthes, myth is always political, always constructed, and at the same time always constitutive of our view of the world, and yet myth nearly always seeks to masquerade as something timeless, eternal, and “natural.” He says: Semiology has taught us that myth has the task of giving a historical intention a natural justification, and making contingency appear eternal. . . . The world enters language as a dialectical relation between activities, between human actions; it comes out of myth as a harmonious display of essences. A conjuring trick has taken place; it has turned reality inside out, it has emptied it of history and has filled it with Nature, it has removed from things their human meaning so as to make them signify a human insignificance. The function of myth is to empty reality: it is, literally, a ceaseless flowing out, a hemorrhage, or perhaps an evaporation, in short, a perceptible absence.42”
― Matthew Strecher, The Forbidden Worlds of Haruki Murakami

“This is why he urges Haida, despite the banality of the world around him, to live fully and find meaning in that process where he can. Midorikawa is not Mephistopheles tempting Haida with a choice, but an arhat acting out of an abundance of compassion; his purpose—to judge from the results—is to awaken Haida to his own special ability.”
― Matthew Strecher, The Forbidden Worlds of Haruki Murakami

“What few knew at the beginning, but many of us know now, is that this was a typical response on the part of this intensely individualistic man, who had attended Waseda in the late 1960s, at the height of the student riots in Tokyo, and joined in the violence but strictly as an independent; he refused to join any political group or faction but hurled stones at the police in his own right. Today we know Murakami as the man who went to Jerusalem to accept the Jerusalem Prize from the Israeli government and in his acceptance speech criticized the Israeli state for its military actions against civilians in Gaza, declaring to his hosts, in effect, that if they chose to bring their massive military and political power against the individuals protesting in the Gaza Strip, then, right or wrong, he would stand against them. This was his now famous declaration of the “wall and eggs” metaphor, in which powerful political systems are seen as a great stone wall, and individuals as eggs, hopelessly and rather suicidally hurling themselves against its implacable strength.”
― Matthew Strecher, The Forbidden Worlds of Haruki Murakami

“Each of us is, more or less, an egg. Each of us is a unique, irreplaceable soul enclosed in a fragile shell. This is true of me, and it is true of each of you. And each of us, to a greater or lesser degree, is confronting a high, solid wall. The wall has a name: It is The System. The System is supposed to protect us, but sometimes it takes on a life of its own, and then it begins to kill us and cause us to kill others—coldly, efficiently, systematically. . . . Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg.2”
― Matthew Strecher, The Forbidden Worlds of Haruki Murakami

“To be great is to be misunderstood.”
― Ralph Waldo Emerson, Self-Reliance and Other Essays

“Nothing can bring you peace but yourself.”
― Ralph Waldo Emerson, Self-Reliance and Other Essays

“Man is timid and apologetic; he is no longer upright; he dares not say "I think," "I am," but quotes some saint or sage. He is ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God to-day. There is no time to them. There is simply the rose; it is perfect in every moment of its existence. Before a leaf-bud has burst, its whole life acts; in the full-blown flower there is no more; in the leafless root there is no less. Its nature is satisfied, and it satisfies nature, in all moments alike. But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround him, stands on tiptoe to foresee the future. He cannot be happy and strong until he too lives with nature in the present, above time.”
― Ralph Waldo Emerson, Self-Reliance and Other Essays

“Speak your latent conviction. . . Else tomorrow a stranger will say with masterly good sense precisely what we have thought and felt all the time, and we shall be forced to take with shame our own opinion from another.”
― Ralph Waldo Emerson, Self-Reliance and Other Essays

“What harbor can receive you more securely than a great library?”
― Italo Calvino, If on a Winter’s Night a Traveler

“One reads alone, even in another's presence.”
― Italo Calvino, If on a Winter’s Night a Traveler

“As you consider building your own minimum viable product, let this simple rule suffice: remove any feature, process, or effort that does not contribute directly to the learning you seek.”
― Eric Ries, The Lean Startup: How Today's Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses

“The big question of our time is not Can it be built? but Should it be built? This places us in an unusual historical moment: our future prosperity depends on the quality of our collective imaginations.”
― Eric Ries, The Lean Startup: How Today's Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses