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  • #1
    Fyodor Dostoevsky
    “I've been sitting here now, and do you know what I was saying to myself? If I did not believe in life, if I were to lose faith in the woman I love, if I were to lose faith in the order of things, even if I were to become convinced, on the contrary, that everything is a disorderly, damned, and perhaps devilish chaos, if I were struck even by all the horrors of human disillusionment--still I would want to live, and as long as I have bent to this cup, I will not tear myself from it until I've drunk it all. However, by the age of thirty, I will probably drop the cup, even if I haven't emptied it, and walk away...I don't know where. But until my thirtieth year, I know this for certain, my youth will overcome everything--all disillusionment, all aversion to live. I've asked myself many times: is there such despair in the world as could overcome this wild and perhaps indecent thirst for life in me, and have decided that apparently there is not--that is, once again, until my thirtieth year, after which I myself shall want no more, so it seems to me. Some snotty-nosed, consumptive moralists, poets especially, often call this thirst for life base. True, it's a feature of the Karamazovs, to some extent, this thirst for life despite all; it must be sitting in you too; but why is it base? There is still an awful lot of centripetal force on our planet, Alyosha. I want to live, and I do live, even if it be against logic. Though I do not believe in the order of things, still the sticky little leaves that come out in the spring are dear to me, the blue sky is dear to me, some people are dear to me, whom one loves sometimes, would you believe it, without even knowing why; some human deeds are dear to me, which one has perhaps long ceased believing in, but still honors with one's heart, out of old habit...I want to go to Europe, Alyosha, I'll go straight from here. Of course I know that I will only be going to a graveyard, but to the most, the most previous graveyard, that's the thing! The precious dead lie there, each stone over them speaks of such ardent past life, of such passionate faith in their deeds, their truth, their struggle, and their science, that I--this I know beforehand--will fall to the ground and kiss those stones and weep over them--being wholeheartedly convinced, at the same time, that it has all long been a graveyard and nothing more. And I will not weep from despair, but simply because I will be happy in my shed tears. I will be drunk with my own tenderness. Sticky spring leaves, the blue sky--I love them, that's all! Such things you love not with your mind, not with logic, but with your insides, your guts, you love your first young strength...”
    Fyodor Dostoyevsky, The Brothers Karamazov

  • #2
    Rainer Maria Rilke
    “Let everything happen to you
    Beauty and terror
    Just keep going
    No feeling is final”
    Rainer Maria Rilke

  • #3
    نزار قباني
    “أكرهها وأشتهي وصلها
    وإنني أحبُ كرهي لها
    أحبُ هذا اللؤم في عينها
    وزورها إن زوّرت قولها
    عينٌ كعين الذئب محتالةٌ
    طافت أكاذيب الهوى حولها
    قد سكن الجنون أحداقها
    وأطفأت ثورتُها عقلَها
    أشُّكُ في شكي اذا أقبلت
    باكية.. شارحةً ذلها
    فإن ترفقت بها استكبرت
    وجررت ضاحكة ذيلها
    إن عانقتني كسرت أضلعي
    وأفرغت على فمي غلّها
    يحبها حقدي ويا طالما
    وددت إذ طوقتها.. قتلها”
    نزار قباني

  • #4
    Margaret Atwood
    “Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
    Margaret Atwood, The Robber Bride

  • #5
    Henry Scott Holland
    “Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just round the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!”
    Henry Scott Holland, Death is Nothing at All

  • #6
    Erica Jong
    “I have accepted fear as part of life – specifically the fear of change... I have gone ahead despite the pounding in the heart that says: turn back....”
    Erica Jong

  • #7
    إميل سيوران
    “قبل أن تولد الفيزياء والبسيكولوجيا بكثير, كان الألم يفتت المادة وكان الحزن يفتت الروح.”
    إميل سيوران, المياه كلها بلون الغرق

  • #8
    Jalal ad-Din Muhammad ar-Rumi
    “خارج مضمار كل الأفكار
    كل مفاهيم الخير والشر ، الفضيلة والخطيئة
    هناك مرج واسع بلا نهاية
    سألقاك هناك”
    جلال الدين الرومي, مثنوى - الكتاب الأول

  • #9
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #10
    Sylvia Plath
    “What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that's why I want to be everyone - so no one can blame me for being I. So I won't have to take the responsibility for my own character development and philosophy. People are happy - - - if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges - no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people "find themselves." But the very content that comes from finding yourself is overshadowed by the knowledge that by doing so you are admitting you are not only a grotesque, but a special kind of grotesque.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #11
    Sylvia Plath
    “I took a deep breath and listened to the old brag of my heart. I am, I am, I am.”
    Sylvia Plath, The Bell Jar

  • #12
    Sylvia Plath
    “And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #13
    Sylvia Plath
    “Kiss me, and you will see how important I am.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #14
    Sylvia Plath
    “let me live, love, and say it well in good sentences”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #15
    Sylvia Plath
    “Yes, I was infatuated with you: I am still. No one has ever heightened such a keen capacity of physical sensation in me. I cut you out because I couldn't stand being a passing fancy. Before I give my body, I must give my thoughts, my mind, my dreams. And you weren't having any of those.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #16
    Sylvia Plath
    “Remember, remember, this is now, and now, and now. Live it, feel it, cling to it. I want to become acutely aware of all I’ve taken for granted.”
    Sylvia Plath

  • #17
    Sylvia Plath
    “If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”
    Sylvia Plath, The Bell Jar

  • #18
    ميثم راضي
    “صنعتك من أخطائي ثم أحببتك .. كأنني أبررني”
    ميثم راضي, كلمات رديئة

  • #19
    فاروق جويدة
    “ولو ان ابليس يوما راك
    لقبل عينيك ثم اهتدى”
    فاروق جويدة, زمان القهر علمني

  • #20
    Lord Byron
    “Here’s a sigh to those who love me, And a smile to those who hate; And whatever sky’s above me, Here’s a heart for every fate.”
    Lord Byron

  • #21
    Sylvia Plath
    “This month is fit for little.
    The dead ripen in the grapeleaves.
    A red tongue is among us.
    Mother, keep out of my barnyard,
    I am becoming another.

    Dog-head, devourer:
    Feed me the berries of dark.
    The lids won't shut. Time
    Unwinds from the great umbilicus of the sun
    its endless glitter.

    I must swallow it all.

    Lady, who are those others in the moons' vat-
    Sleepdrunk, their limbs at odds?
    In this light the blood is black.
    Tell me my name.”
    Sylvia Plath, Crossing the Water: Sylvia Plath's Triumphant Poetry Collection Exploring Tensions Between Desire and Duty

  • #22
    Fyodor Dostoevsky
    “I exist.’ In thousands of agonies — I exist. I’m tormented on the rack — but I exist! Though I sit alone in a pillar — I exist! I see the sun, and if I don’t see the sun, I know it’s there. And there’s a whole life in that, in knowing that the sun is there.”
    Fyodor Dostoyevsky, The Brothers Karamazov

  • #23
    Fyodor Dostoevsky
    “And I seem to have such strength in me now, that I think I could stand anything, any suffering, only to be able to say and to repeat to myself every moment, " I exist". In thousands of agonies - I exist. I'm tormented on the rack - but I exist! Though I sit alone on a pillar - I exist!! I see the sun, and if I don't see the sun, I know it's there. And there's a whole life in that, in knowing that the sun is there.”
    Fyodor Dostoyevsky, The Brothers Karamazov

  • #24
    Margaret Atwood
    “She talks with wolves, without knowing what sort of beasts they are:
    Where have you been all my life? they ask.
    Where have I been all my life? she replies.”
    Margaret Atwood, Good Bones and Simple Murders

  • #25
    عبد العظيم فنجان
    “كانت تمطر ريشاً
    عندما رقصتِ في آخر مرة
    لأنك تحولت ِ من فرط الغبطة إلى حمامة
    و طرتِ”
    عبد العظيم فنجان, الحب حسب التقويم البغدادي

  • #26
    “بَلِّغُوْهَا إِذَا أَتَيْتُم حِمَاهَا أَنَّنِي مُت فِي الْغَرَام فِدَاهَا

    ***

    بِدْر عَلَى عَرْش الْجَمَال تِرِبَّعَا فَنَفَى الْرُّقَاد عَن الْعُيُون وَلُوْعَا
    أَشْكُو الْهَوَى فَيَصُدُّنِي مُتَمَنِّعَا مُلْك الْفُؤَاد فَمَا عَسَاي أَن أصُنْعا
    يَارَب حَشَاي بِجَوْرِه وبِغَلْبِه
    لَكِنَّنِي الْصَّب الْمُذَل فِي حَقْلِه
    أَلْقَى الْحَلَاوَة فِي مَرَارَة حُبِّه
    مَن لَم يَذُق ظللَم الْحَبِيْب كَظَلْمِه حُلْوَا فَقَد جَهِل الْمَحَبَّة وَإِدَّعَى

    ***

    بِرُوْحِي فَتَاة بِالْعَفْاف تَجَمَّلَت وَفِي خَدِّهَا حَب مِن الْمِسْك قَد نَبَت
    وَقَد ضَاع عَقْلِي وَقَد ضَاع رُشْدِي وَإِسْتَبَدت وَأَقْبَلَت
    وَلَمَّا طُلِبَت الْوَصْل مِنْهَا تَمَنَّعْت وَقَالَت أَمَّا تَخْشَى وَأَنْت إِمَام
    مَقَامَك يَاهَذَا مَقَام مُبَجَّل وَفِي الْدِّيْن وَالْدُّنْيَا عَلَيْك الْمُعَوَّل
    أَتَزْعُم ان الرِّيَق مِنِّي مُحَلَّل فَرِيْقَي مُدَام وَالْمُدَام حَرَام
    لَكِنَّنِي الْصَّب الْمُذَل فِي حَقْلِه
    أَلْقَى الْحَلَاوَة فِي مَرَارَة حُبِّه

    ***

    بَلِّغُوْهَا إِذَا أَتَيْتُم حِمَاهَا أَنَّنِي مُت فِي الْغَرَام فِدَاهَا
    وَأُذَكُرُوْنِي لَهَا بِكُل جَمِيْل فَعَسَاهَا تَحِن عَلَي عَسَاهَا
    وَبِحَق الْوَفَاء أُعِيْدُوْا عَلَيْهَا ماعَرِفْتم مِن عَذَابِي فِي هَوَاهَا
    وَإجَلُبُوْهَا لِتُرْبَتِي فَعِظَامِي تَشْتَهِي أَن تَدُوْسَهَا قَدَمَاهَا
    إِن رُوْحِي مِن الْضَّرِيح تُنَاجِيْهَا وَعَيْنِي تَسِيْر إِثْر خُطَاهَا
    لَم يَشُقْنَي يَوْم الْقِيَامَة لَوْلَا أَمَلِي أَنَّنِي هُنَاك أَرَاهَا”
    اديب الدايخ

  • #27
    Friedrich Nietzsche
    “I overcame myself, the sufferer; I carried my own ashes to the mountains; I invented a brighter flame for myself.”
    Friedrich Nietzsche

  • #28
    مريد البرغوثي
    “يكفي أن تبدأ حكايتك بثانياً حتى ينقلب العالم.
    ابدأ حكايتك من " ثانياً" تصبح سهام الهنود الحمر هي المجرمة الأصلية، وبنادق البيض هي الضحية الكاملة!
    يكفي أن تبدأ حكايتك من " ثانياً" حتى يصبح غضب السود على الرجل الأبيض هو الفعل الوحشي.
    يكفي أن تبدأ حكايتك من " ثانياً" حتى يصبح غاندي هو المسؤول عن مآسي البريطانيين.
    يكفي أن تبدأ حكايتك من " ثانياً" حتى يصبح الفيتنامي المحروق هو الذي اساء إلى إنسانية النابالم.
    وتصبح أغاني "فكتور هارا" هي العار وليس رصاص بينوشيه الذي حصد الآلاف في استاد سنتياجو.
    يكفي أن تبدأ حكايتك من " ثانياً" حتى تصبح ستي أم عطا هي المجرمة وآرييل شارون هو ضحيتها.
    رأيت رام الله”
    مريد البرغوثي, رأيت رام الله

  • #29
    Fernando Pessoa
    “My soul is impatient with itself, as with a bothersome child; its restlessness keeps growing and is forever the same. Everything interests me, but nothing holds me. I attend to everything, dreaming all the while. […]. I'm two, and both keep their distance — Siamese twins that aren't attached.”
    Fernando Pessoa , The Book of Disquiet

  • #30
    Fernando Pessoa
    “I feel as if I'm always on the verge of waking up.”
    Fernando Pessoa, The Book of Disquiet



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