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  • #1
    T.S. Eliot
    “I will show you fear in a handful of dust.”
    T.S. Eliot

  • #2
    T.S. Eliot
    “April is the cruelest month, breeding
    lilacs out of the dead land, mixing
    memory and desire, stirring
    dull roots with spring rain.”
    T.S. Eliot, The Waste Land

  • #3
    George Orwell
    “We shall meet in the place where there is no darkness.”
    George Orwell, 1984

  • #4
    William Shakespeare
    “Men at some time are masters of their fates. The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings.”
    William Shakespeare, Julius Caesar

  • #5
    Aeschylus
    “Oh, the torment bred in the race,
    the grinding scream of death
    and the stroke that hits the vein,
    the hemorrhage none can staunch, the grief,
    the curse no man can bear.

    But there is a cure in the house, and not outside it, no,
    not from others but from them,
    their bloody strife. We sing to you,
    dark gods beneath the earth.

    Now hear, you blissful powers underground --
    answer the call, send help.
    Bless the children, give them triumph now.”
    Aeschylus, The Oresteia Trilogy: Agamemnon, the Libation-Bearers and the Furies

  • #6
    John Green
    “And after, when we went outside to look at her finished lantern from the road, I said I liked the way her light shone through the face that flickered in the dark. —“Jack O’Lantern,” Katrina Vandenberg from Atlas”
    John Green, Paper Towns

  • #7
    John Green
    “As the tide washed in, the Dutch Tulip Man faced the Ocean:
    "Conjoiner rejoinder poisoner concealer revelator. Look at it, rising up and rising down, taking everything with it."

    "What’s that?" Anna asked.

    "Water," the Dutchman said. "Well, and time.”
    John Green, The Fault in Our Stars

  • #8
    Erin Morgenstern
    “Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.”
    Erin Morgenstern, The Night Circus

  • #9
    Erin Morgenstern
    “Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.”
    Erin Morgenstern, The Night Circus

  • #10
    Erin Morgenstern
    “The most difficult thing to read is time. Maybe because it changes so many things.”
    Erin Morgenstern, The Night Circus

  • #11
    Erin Morgenstern
    “You think, as you walk away from Le Cirque des Rêves and into the creeping dawn, that you felt more awake within the confines of the circus.
    You are no longer quite certain which side of the fence is the dream.”
    Erin Morgenstern, The Night Circus

  • #12
    William Shakespeare
    “Our revels now are ended. These our actors,
    As I foretold you, were all spirits and
    Are melted into air, into thin air:
    And, like the baseless fabric of this vision,
    The cloud-capp’d towers, the gorgeous palaces,
    The solemn temples, the great globe itself,
    Yea, all which it inherit, shall dissolve
    And, like this insubstantial pageant faded,
    Leave not a rack behind. We are such stuff
    As dreams are made on, and our little life
    Is rounded with a sleep.”
    William Shakespeare, The Tempest

  • #13
    William Shakespeare
    “O, wonder!
    How many goodly creatures are there here!
    How beauteous mankind is! O brave new world,
    That has such people in't!”
    William Shakespeare, The Tempest

  • #14
    Erin Morgenstern
    “Old stories have a habit of being told and retold and changed. Each subsequent storyteller puts his or her mark upon it. Whatever truth the story once had is buried in bias and embellishment. The reasons do not matter as much as the story itself.”
    Erin Morgenstern

  • #15
    Oscar Wilde
    “Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.”
    Oscar Wilde, The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything

  • #16
    Oscar Wilde
    “You will always be fond of me. I represent to you all the sins you never had the courage to commit.”
    Oscar Wilde, The Picture of Dorian Gray

  • #17
    Oscar Wilde
    “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.”
    Oscar Wilde, The Picture of Dorian Gray

  • #18
    Oscar Wilde
    “All art is quite useless.”
    Oscar Wilde, The Picture of Dorian Gray
    tags: art

  • #19
    Charlie Kaufman
    “I'm not a concept. Too many guys think I'm a concept or I complete them or I'm going to 'make them alive'…but I'm just a fucked up girl who's looking for my own peace of mind. Don't assign me yours.”
    Charlie Kaufman, Eternal Sunshine of the Spotless Mind: The Shooting Script

  • #20
    Alexander Pope
    “How happy is the blameless vestal’s lot!
    The world forgetting, by the world forgot.
    Eternal sunshine of the spotless mind!
    Each pray’r accepted, and each wish resign’d”
    Alexander Pope, Eloisa to Abelard

  • #21
    Friedrich Nietzsche
    “Blessed are the forgetful, for they get the better even of their blunders.”
    Friedrich Nietzsche

  • #22
    غسان كنفاني
    “إذا كنا مدافعين فاشلين عن القضية.. فالأجدر بنا أن نغير المدافعين..لا أن نغيرالقضية”
    غسان كنفاني

  • #23
    Jennifer Egan
    “Sure, everything is ending," Jules said, "but not yet.”
    Jennifer Egan, A Visit from the Goon Squad

  • #24
    Jennifer Egan
    “Time’s a goon, right? You gonna let that goon push you around?” Scotty shook his head. “The goon won.”
    Jennifer Egan, A Visit from the Goon Squad
    tags: time

  • #25
    Jennifer Egan
    “We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?”
    Jennifer Egan, A Visit from the Goon Squad

  • #26
    Jennifer Egan
    “Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.”
    Jennifer Egan, A Visit from the Goon Squad

  • #27
    Jennifer Egan
    “You kneel beside her, breathing the familiar smell of Sasha's sleep, whispering into her ear some mix of I'm sorry and I will never leave you, I'll be curled around your heart for the rest of your life, until the water pressing my shoulders and chest crushes me awake and I hear Sasha screaming into my face: Fight! Fight! Fight!
    Jennifer Egan, A Visit from the Goon Squad

  • #28
    Jennifer Egan
    “They resumed walking. Alex felt an ache in his eyes and throat. "I don't know what happened to me," he said, shaking his head. "I honestly don't."

    Bennie glanced at him, a middle-aged man with chaotic silver hair and thoughtful eyes. "You grew up, Alex," he said, "just like the rest of us.”
    Jennifer Egan, A Visit from the Goon Squad

  • #29
    Jennifer Egan
    “Sometimes I imagine myself looking back on right now and I think like where will I be standing when I look back Will right now look like the beginning of a great life or... or what”
    Jennifer Egan, A Visit from the Goon Squad

  • #30
    Jennifer Egan
    “And for an instant he would remember Naples: sitting with Sasha in her tiny room; the jolt of surprise and delight he'd felt when the sun finally dropped into the center of her window and was captured inside her circle of wire.
    Now he turned to her, grinning. Her hair and face were aflame with orange light.
    "See," Sasha muttered, eyeing the sun. "It's mine.”
    Jennifer Egan, A Visit from the Goon Squad



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