Chelsea > Chelsea's Quotes

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  • #1
    Holly Black
    “The easiest lies to tell are the ones you want to be true.”
    Holly Black, White Cat

  • #2
    Holly Black
    “Once someone's hurt you, it's harder to relax around them, harder to think of them as safe to love. But it doesn't stop you from wanting them.”
    Holly Black, White Cat

  • #3
    Holly Black
    “Those who really love you don't mean to hurt you and if they do, you can't see it in their eyes but it hurts them too.”
    Holly Black

  • #4
    Holly Black
    “The truth is messy. It's raw and uncomfortable. You can't blame people for preferring lies.”
    Holly Black, Red Glove

  • #5
    Holly Black
    “We are, largely, who we remember ourselves to be. That's why habits are so hard to break. If we know ourselves to be liars, we expect not to tell the truth. If we think of ourselves as honest, we try harder.”
    Holly Black, White Cat

  • #6
    Holly Black
    “Changing is what people do when they have no options left.”
    Holly Black, Red Glove

  • #7
    Holly Black
    “She knew what it felt like to tremble like that before touching someone -- desire so acute that it became despair.”
    Holly Black, Ironside

  • #8
    Holly Black
    “Kaye: You know what the sun looks like?
    Janet: No, What?
    Kaye: Like he slit his wrists in a bathtub and the blood is all over the water.
    Janet: That's gross, Kaye.
    Kaye: And the moon is just watching. She's just watching him die. She must have driven him to it.”
    Holly Black, Tithe

  • #9
    Holly Black
    “No trouble ever got fixed late at night," he said. "Midnight is for regrets.”
    Holly Black, Red Glove

  • #10
    Holly Black
    “I would remain nearer you for what time there is."

    "Gone in one faerie sigh," she quoted.

    Leather-clad fingers brushed over her short hair, rested on her cheek. "I can hold my breath.”
    Holly Black, Valiant

  • #11
    Holly Black
    “Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again.”
    Holly Black, Black Heart

  • #12
    Holly Black
    “whatever you love, that is your weakness”
    Holly Black, Ironside

  • #13
    Holly Black
    “She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes.”
    Holly Black, Black Heart

  • #15
    Holly Black
    “People said that video games were bad because they made you numb to death, made you register entrails splattering across a screen as a sign of success. In that moment, Val thought that the real problem with games was that the player was suppossed to try everything. If there was a cave, you went in it. If there was a mysterious stranger, you talked to him. If there was a map, you followed it. But in games, you had a hundred million billion lives and Val only had this one.”
    Holly Black, Valiant

  • #16
    Holly Black
    “Magic gives you a lot of choices," Grandad says. "Most of them are bad.”
    Holly Black, Red Glove

  • #17
    Holly Black
    “But now I wonder--what if everyone is pretty much the same and it's just a thousand small choices that add up to the person you are? No good or evil, no black and white, no inner demons or angels whispering the right answers in our ears like it's some cosmic SAT test. Just us, hour by hour, minute by minute, day by day, making the best choices we can.
    The thought is horrifying. If that's true, then there's no right choice. There's only choice.”
    Holly Black, Black Heart

  • #18
    Holly Black
    “The moment she was cursed, I lost her. Once it wears off- soon- she will be embarrassed to remember things that she said, things she did, things like this. No matter how solid she feels in my arms, she is made of smoke.”
    Holly Black, Red Glove

  • #19
    Holly Black
    “She thought of something her mother had told her when she'd finally broken up with one of her most dysfunctional boyfriends. When a man tells you he's going to hurt you, believe it. They always warn you and they're always right.
    Holly Black, Valiant

  • #20
    Holly Black
    “Someone could cut through the mess in our house and look at it like one might look at rings on a tree or layers of sediment. They'd find the black-and-white hairs of a dog we had when I was six, the acid-washed jeans my mother once wore, the seven blood-soaked pillowcases from the time I skinned my knee. All our family secrets rest in endless piles.”
    Holly Black, White Cat

  • #21
    Holly Black
    “Librarians are hot. They have knowledge and power over their domain...It is no coincidence how many librarians are portrayed as having a passionate interior, hidden by a cool layer of reserve. Aren't books like that? On the shelf, their calm covers belie the intense experience of reading one. Reading inflames the soul. Now, what sort of person would be the keeper of such books?”
    Holly Black

  • #22
    Holly Black
    Mine. The language of love is like that, possessive. That should be the first warning that it's not going to encourage anyone's betterment.”
    Holly Black, Black Heart

  • #23
    Holly Black
    “Love changes us, but we change how we love too.”
    Holly Black, Black Heart

  • #24
    Holly Black
    “There is something of yours I would like to return to you."
    "What?"
    He leaned across the distance between them and caught her mouth with his own. Her eyes fluttered closed and her lips parted easily as she felt the kiss sizzling through her nerves, rendering her thoughts to smoke.
    "Um..." Kaye stepped make, a little unsteadily. "Why does that belong to me?"
    "That was the kiss I stole from you when you were enchanted," he said patiently.
    "Oh...well, what if I didn't want it?"
    "You don't?"
    No," she said, letting a grin spread across her face, hoping her mother would take her time of the drive over. "I'd like you to take it back again, please."
    "I am your servant," the King of the Unseelie Court said, his lips a moment from her own, "Consider it done.”
    Holly Black, Tithe

  • #25
    Holly Black
    “You got a lot of ladies to get through. You’re still young. First love’s the sweetest, but it doesn’t last.”

    “Not ever?” I ask.

    Grandad looks at me with a seriousness he reserves for moments when he wants me to really pay attention. “When we fall that first time, we’re not really in love with the girl. We’re in love with being in love. We’ve got no idea what she’s really about—or what she’s capable of. We’re in love with our idea of her and of who we become around her. We’re idiots.”
    Holly Black, Black Heart

  • #26
    Annette Curtis Klause
    “I'd like to give you my heart, but since that might be inconvenient, I've brought you someone else's.”
    Annette Curtis Klause, Blood and Chocolate

  • #27
    Annette Curtis Klause
    “Why me?" she asked, holding on to him.

    "Because you cared," he whispered. "You cared so much for your people, it broke your heart to see the pack in ruins. You cared so much for your mother, you risked your life for hers. You cared enough to save someone who wanted you dead. And because you walk like a queen.”
    Annette Curtis Klause, Blood and Chocolate

  • #28
    Annette Curtis Klause
    “I had the taste of blood and chocolate in my mouth, one as hated as the other.”
    Annette Curtis Klause, Blood and Chocolate

  • #29
    Annette Curtis Klause
    “The Amoeba?" she asked Aiden.
    "The gang," he said, tossing his hand to indicate all around. "My
    people. A large amorphous mass that keeps on changing size, hasn't
    much apparent use, sometimes makes you sick, and occasionally breaks
    off into smaller parts that act exactly like the parent.”
    Annette Curtis Klause, Blood and Chocolate

  • #30
    Annette Curtis Klause
    “what red lips you have," he said in her ear. Did she dare say it? "All the better to kiss you with, my dear," she replied. And then their lips met.”
    Annette Curtis Klause, Blood and Chocolate

  • #31
    Annette Curtis Klause
    “When a boy's first romantic interlude is with Phoebe the Dog-Faced Girl, he feels a need to get out into the world and find a new life.”
    Annette Curtis Klause, Freaks: Alive, on the Inside!
    tags: humor



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