Taylor Ostrick > Taylor's Quotes

“Never trust anyone who has not brought a book with them.”
― Lemony Snicket, Horseradish: Bitter Truths You Can't Avoid

“So many books, so little time.”
― Frank Zappa

“A room without books is like a body without a soul.”
― Marcus Tullius Cicero

“I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.”
― Maya Angelou

“I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living.”
― Dr. Seuss

“Fantasy is hardly an escape from reality. It's a way of understanding it.”
― Lloyd Alexander

“Stories of imagination tend to upset those without one.”
― Terry Pratchett

“All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Éorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.”
― J.R.R. Tolkien

“I swear, my dear. Sometimes our conversations remind me of a broken sword."

She raised an eyebrow.

"Sharp as hell," Lightsong said, "but lacking a point.”
― Brandon Sanderson, Warbreaker

“It's like Dungeons and Dragons, but real."
Jace was looking at Simon as if he were some bizarre species of insect. "It's like what?"
"It's a game," Clary explained. She felt vaguely embarrassed. "People pretend to be wizards and elves, and they kill monsters and stuff."
Jace looked stupefied.
Simon grinned. "You've never heard of Dungeons and Dragons?"
"I've heard of dungeons," Jace said. "Also dragons. Although they're mostly extinct."
Simon looked disappointed. "You've never killed a dragon?"
"He's probably never met a six-foot-tall hot elf-woman in a fur bikini, either," Clary said irritably. "Lay off, Simon."
"Real elves are about eight inches tall," Jace pointed out. "Also, they bite.”
― Cassandra Clare, City of Bones

“His rage passes description - the sort of rage that is only seen when rich folk that have more than they can enjoy suddenly lose something that they have long had but have never before used or wanted.”
― J.R.R. Tolkien, The Hobbit, Or, There And Back Again

“The great joy and honour of my life has been to know you. To call you my family. And I am grateful - more than I can possibly say - that I was given this time with you all”
― Sarah J. Maas, A Court of Wings and Ruin

“Jiggery pokery!” said Harry in a fierce voice. “Hocus pocus — squiggly wiggly —”
“MUUUUUUM!” howled Dudley, “He’s doing you know what!”
― J.K. Rowling, Harry Potter and the Chamber of Secrets

“I know where you sleep, Bard." She smirked. "Then you know I sleep with knives.”
― V.E. Schwab, A Gathering of Shadows

“Eternity ended ten years ago.”
― Brandon Sanderson

“Tolkien, who created this marvellous vehicle, doesn't go anywhere in it. He just sits where he is. What I mean by that is that he always seems to be looking backwards, to a greater and more golden past; and what's more he doesn't allow girls or women any important part in the story at all. Life is bigger and more interesting than The Lord of the Rings thinks it is.”
― Philip Pullman

“And against whom is this censorship directed? By way of answer, think back to the big subcultural debates of 2011 – debates about how gritty fantasy isn’t really fantasy; how epic fantasy written from the female gaze isn’t really fantasy; how women should stop complaining about sexism in comics because clearly, they just hate comics; how trying to incorporate non-Eurocentric settings into fantasy is just political correctness gone wrong and a betrayal of the genre’s origins; how anyone who finds the portrayal of women and relationships in YA novels problematic really just wants to hate on the choices of female authors and readers; how aspiring authors and bloggers shouldn’t post negative reviews online, because it could hurt their careers; how there’s no homophobia in publishing houses, so the lack of gay YA protagonists can only be because the manuscripts that feature them are bad; how there’s nothing problematic about lots of pretty dead girls on YA covers; how there’s nothing wrong with SF getting called ‘dystopia’ when it’s marketed to teenage girls, because girls don’t read SF. Most these issues relate to fear of change in the genre, and to deeper social problems like sexism and racism; but they are also about criticism, and the freedom of readers, bloggers and authors alike to critique SFF and YA novels without a backlash that declares them heretical for doing so.


It’s not enough any more to tiptoe around the issues that matter, refusing to name the works we think are problematic for fear of being ostracized. We need to get over this crushing obsession with niceness – that all fans must act nicely, that all authors must be nice to each other, that everyone must be nice about everything even when it goes against our principles – because it’s not helping us grow, or be taken seriously, or do anything other than throw a series of floral bedspreads over each new room-hogging elephant.


We, all of us, need to get critical.

Blog post: Criticism in SFF and YA”
― Foz Meadows

“Fantasy is escapist, and that is its glory. If a soldier is imprisioned by the enemy, don't we consider it his duty to escape?. . .If we value the freedom of mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as we can!”
― J.R.R. Tolkien

“Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need.

First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind's way of protecting itself from pain by stepping through the first door.

Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying 'time heals all wounds' is false. Time heals most wounds. The rest are hidden behind this door.

Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.

Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.”
― Patrick Rothfuss, The Name of the Wind

“It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers.”
― Patrick Rothfuss, The Wise Man's Fear

“Do not meddle in the affairs of wizards, for they are subtle and quick to anger.”
― J.R.R. Tolkien, The Fellowship of the Ring

“When is a monster not a monster? Oh, when you love it.”
― Caitlyn Siehl, Literary Sexts: A Collection of Short & Sexy Love Poems

“Closed in a room, my imagination becomes the universe, and the rest of the world is missing out.”
― Criss Jami, Diotima, Battery, Electric Personality

“Sometimes we seek that which we are not yet ready to find.”
― Libba Bray, Rebel Angels

“Fantasy. Lunacy.
All revolutions are, until they happen, then they are historical inevitabilities.”
― David Mitchell, Cloud Atlas

“If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.”
― Patrick Rothfuss

“When you compare the sorrows of real life to the pleasures of the imaginary one, you will never want to live again, only to dream forever.”
― Alexandre Dumas, The Count of Monte Cristo

“Humans need fantasy to be human. To be the place where the falling angel meets the rising ape.”
― Terry Pratchett, Hogfather

“Men aren't an inexhaustible resource, even for a king. Soldiers must have faith that their sacrifices are worthwhile.”
― C.J. Brightley

“Once I finished reading a good book, it gives me a hard time coping up with reality.”
― Nathalie M. Llanto