Farida Z > Farida Z's Quotes

“I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.”
― Kazuo Ishiguro, Never Let Me Go

“We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.”
― Kazuo Ishiguro, Never Let Me Go

“I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call.”
― Kazuo Ishiguro, Never Let Me Go

“I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel, world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go.”
― Kazuo Ishiguro, Never Let Me Go

“Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.”
― Kazuo Ishiguro, Never Let Me Go

“He died that day because his body had served its purpose. His soul had done what it came to do, learned what it came to learn, and then was free to leave.”
― Garth Stein, The Art of Racing in the Rain

“Somewhere, the zebra is dancing.”
― Garth Stein, The Art of Racing in the Rain

“To separate oneself from the burden, the angst, the anguish that we all encounter everyday. To say I am alive, I am wonderful, I am. I am. That is something to aspire to.”
― Garth Stein, The Art of Racing in the Rain

“The human language, as precise as it is with its thousands of words, can still be so wonderfully vague.”
― Garth Stein, The Art of Racing in the Rain

“The car goes where the eyes go.”
― Garth Stein, The Art of Racing in the Rain

“So much of language is unspoken. So much of language is compromised of looks and gestures and sounds that are not words. People are ignorant of the vast complexity of their own communication.”
― Garth Stein, The Art of Racing in the Rain

“When I return to the world, I will be a man. I will walk among you. I will lick my lips with my small, dexterous tongue. I will shake hands with other men, grasping firmly with my opposable thumbs. And I will teach all people that I know. And when I see a man or a woman or a child in trouble, I will extend my hand, both metaphorically and physically. I will offer my hand. To him. To her. To you. To the world. I will be a good citizen, a good partner in the endeavour of life that we all share.”
― Garth Stein, The Art of Racing in the Rain

“You should shine with all of your light all the time.”
― Garth Stein, The Art of Racing in the Rain

“But what is worse, smelling the roast and not feasting, or not smelling the roast at all?”
― Garth Stein, The Art of Racing in the Rain

“When two people are meant to be together, they will be together. It's fate.”
― sara gruen, Water for Elephants

“The more distressing the memory, the more persistent it's presence. ”
― Sara Gruen, Water for Elephants

“Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse.”
― Sara Gruen, Water for Elephants

“Being the survivor stinks.”
― Sara Gruen, Water for Elephants

“Although there are times I'd give anything to have her back, I'm glad she went first. Losing her was like being cleft down the middle. It was the moment it all ended for me, and I wouldn't have wanted her to go through that.”
― Sara Gruen, Water for Elephants

“I look after those who look after me." He smacks his lips, stares at me, and adds, "I also look after those who don't." - Sara Gruen (Water for Elephants)”
― Sara Gruen, Water for Elephants

“What else do I have to offer? Nothing happens to me anymore. That’s the reality of getting old, and I guess that’s really the crux of the matter. I’m not ready to be old yet.”
― Sara Gruen, Water for Elephants

“I just can't. I'm married. I made my bed and now I have to lie in it.”
― sara gruen, Water for Elephants

“So what if I'm ninety-three? So what if I'm ancient and cranky and my body's a wreck? If they're willing to accept me and my guilty conscience, why the hell shouldn't I run away with the circus?
It's like Charlie told the cop. For this old man, this is home.”
― Sara Gruen, Water for Elephants

“Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.”
― J.D. Salinger

“I am always saying "Glad to've met you" to somebody I'm not at all glad I met. If you want to stay alive, you have to say that stuff, though.”
― J.D. Salinger, The Catcher in the Rye

“It's funny. All you have to do is say something nobody understands and they'll do practically anything you want them to.”
― J.D. Salinger, The Catcher in the Rye

“I don't exactly know what I mean by that, but I mean it.”
― J.D. Salinger, The Catcher in the Rye

“The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way—I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.”
― J.D. Salinger, The Catcher in the Rye

“Almost every time somebody gives me a present, it ends up making me sad.”
― J.D. Salinger, The Catcher in the Rye

“People always clap for the wrong reasons.”
― J.D. Salinger, The Catcher in the Rye