Isobel > Isobel's Quotes

“Of course he wasn't dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see.”
― Zora Neale Hurston, Their Eyes Were Watching God

“Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.”
― Zora Neale Hurston, Their Eyes Were Watching God

“There is a basin in the mind where words float around on thought and thought on sound and sight. Then there is a depth of thought untouched by words, and deeper still a gulf of formless feelings untouched by thought.”
― Zora Neale Hurston, Their Eyes Were Watching God

“It is so easy to be hopeful in the daytime when you can see the things you wish on. But it was night, it stayed night. Night was striding across nothingness with the whole round world in his hands . . . They sat in company with the others in other shanties, their eyes straining against cruel walls and their souls asking if He meant to measure their puny might against His. They seemed to be staring at the dark, but their eyes were watching God.”
― Zora Neale Hurston, Their Eyes Were Watching God

“Then you must tell 'em dat love ain't somethin' lak uh grindstone dat's de same thing everywhere and do de same thing tuh everything it touch. Love is lak de sea. It's uh movin' thing, but still and all, it takes its shape from de shore it meets, and it's different with every shore.”
― Zora Neale Hurston, Their Eyes Were Watching God

“Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place.”
― Zora Neale Hurston, Their Eyes Were Watching God

“He looked like the love thoughts of women.”
― Zora Neale Hurston, Their Eyes Were Watching God

“She often spoke to falling seeds and said, "Ah hope you fall on soft ground," because she had heard seeds saying that to each other as they passed. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.”
― Zora Neale Hurston, Their Eyes Were Watching God

“Sometimes I think the purpose of life is to reconcile us to its eventual loss by wearing us down, by proving, however long it takes, that life isn't all it's cracked up to be.”
― Julian Barnes, The Sense of an Ending

“Does character develop over time? In novels, of course it does: otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change, we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that character peaks a little later: between twenty and thirty, say. And after that, we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also—if this isn't too grand a word—our tragedy.”
― Julian Barnes, The Sense of an Ending

“I thought of the things that had happened to me over the years, and of how little I had made happen.”
― Julian Barnes, The Sense of an Ending

“In the letter he left for the coroner he had explained his reasoning (for suicide): that life is a gift bestowed without anyone asking for it; that the thinking person has a philosophical duty to examine both the nature of life and the conditions it comes with; and that if this person decides to renounce the gift no one asks for, it is the moral and human duty to act on the consequences of that decision. ... Alex showed me a clipping from the Cambridge Evening News. 'Tragic Death of "Promising" Young Man.' ... The verdict of the coroner's inquest had been that Adrian Flinn (22) had killed himself 'while the balance of his mind was disturbed.' ... The law, and society, and religion all said it was impossible to be sane, healthy, and kill yourself. Perhaps those authorities feared that the suicide's reasoning might impugn the nature and value of life as organised by the state which paid the coroner?”
― Julian Barnes, The Sense of an Ending

“We look at the world once, in childhood. The rest is memory.”
― Louise Gluck

“From the beginning of time, in childhood, I thought that pain meant I was not loved. It meant I loved.”
― Louise Gluck

“It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.”
― Ian McEwan, Atonement

“This is how the entire course of a life can be changed: by doing nothing.”
― Ian McEwan, On Chesil Beach

“Peter never wore underwear, Connie had complained, and the fact grew in my mind, making me nauseous in a not unpleasant way. The sleepy crease of his eyes from his permanent high. Connie paled in comparison: I didn't really believe that friendship could be an end in itself, not just the background fuzz to the dramatics of boys loving you or not loving you.”
― Emma Cline, The Girls

“Twisting the nipple so I inhaled audibly, and he hesitated for a moment but kept going. His dick smearing at my bare thighs. I would be shunted along whatever would happen, I understood. However he piloted the night. And there wasn't fear, just a feeling adjacent to excitement, a viewing from the wings. What would happen to Evie?”
― Emma Cline, The Girls

“Let's just give her a ride into town," Suzanne said.
She spoke briskly, like I was a mess that needed to be cleaned up. Even so, I was glad. I was used to thinking about people who never thought about me.”
― Emma Cline, The Girls

“I may have smiled to myself as I watched the familiar pattern of the town pass, the bus cruising through shade to sunshine. I'd grown up in this place, had the knowledge of it so deep in me that I didn't even know most street names, navigating instead by landmarks, visual or memorial. The corner where my mother had twisted her ankle in a mauve pantsuit. The copse of trees that always looked vaguely attended by evil. The drugstore with its torn awning. Through the window of that unfamiliar bus, the burr of old carpet under my legs, my hometown seemed scrubbed clean of my presence. It was easy to leave it behind.”
― Emma Cline, The Girls

“She must have already forgiven him for leaving her behind. Girls were good at colouring in those disappointing blank spots. I thought of the night before, her exaggerated moans.”
― Emma Cline, The Girls

“Sadness at that age had the pleasing texture of imprisonment: you reared and sulked against the bonds of parents and school and age, things that kept you from the certain happiness that awaited. When I was a sophomore in college, I had a boyfriend who spoke breathlessly of running away to Mexico - it didn't occur to me that we could no longer run away from home.”
― Emma Cline, The Girls

“And now I was older, and the wishful props of future selves had lost their comforts.”
― Emma Cline, The Girls

“A lot of things in the house were broken or forgotten: the kitchen clock stopped, a closet doorknob coming off in my hand. The sparkly mess of flies I'd swept from the corners. It took sustained, constant living to ward off decay.”
― Emma Cline, The Girls

“Poor Sasha. Poor girls. The world fattens them on the promise of love. How badly they need it, and how little most of them will ever get.”
― Emma Cline, The Girls

“They didn't have very far to fall - I knew just being a girl in the world handicapped your ability to believe yourself. Feelings seemed completely unreliable, like faulty gibberish scraped from a Ouija board. My childhood visits to the family doctor were stressful events for that reason. He'd ask me gentle questions: How was I feeling? How would I describe the pain? Was it more sharp or more spread out? I'd just look at him with desperation. I needed to be told, that was the whole point of going to the doctor. To take a test, be put through a machine that could comb my insides with radiated precision and tell me what the truth was. Of course the girls didn't leave the ranch: there is a lot that can be borne. When I was nine, I'd broken my wrist falling from a swing. The shocking crack, the blackout pain. But even then, even with my wrist swelling with a cuff of trapped blood, I insisted I was fine, that it was nothing, and my parents believed me right up until the doctor showed them the X-ray, the bones snapped clean.”
― Emma Cline, The Girls

“But it was something else, too, that I wanted to extend: the taut and pleasant silence in the car, the stale heat raising vapours of leather. The warped image of myself in the side mirrors, so I caught only the quantity of hair, the freckled skin of my shoulder. I took on the shape of a girl.”
― Emma Cline, The Girls

“But I could not fully admit it, even then. The way Suzanne's face looked as she watched him - I wanted to be with her. I thought that loving someone acted as a kind of protective measure, like they'd understand the scale and intensity of your feelings and act accordingly.”
― Emma Cline

“No-one had ever looked at me before Suzanne, not really, so she had become my definition. Her gaze softening my centre so easily that even photographs of her seemed aimed at me, ignited with private meaning.”
― Emma Cline, The Girls

“We had been with the men, we had let them do what they wanted. But they would never know the parts of ourselves we hid from them - they would never sense the lack or even know there was something more they should be looking for.”
― Emma Cline, The Girls