Noah M > Noah's Quotes

Showing 1-16 of 16
sort by

  • #1
    Charles Bukowski
    “I went to the worst of bars hoping to get killed but all I could do was to get drunk again.”
    Charles Bukowski

  • #2
    Albert Camus
    “But in the end one needs more courage to live than to kill himself.”
    Albert Camus

  • #3
    David Foster Wallace
    “The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
    David Foster Wallace

  • #4
    André Breton
    “L'union libre [Freedom of Love]"

    My wife with the hair of a wood fire
    With the thoughts of heat lightning
    With the waist of an hourglass
    With the waist of an otter in the teeth of a tiger
    My wife with the lips of a cockade and of a bunch of stars of the last magnitude
    With the teeth of tracks of white mice on the white earth
    With the tongue of rubbed amber and glass
    My wife with the tongue of a stabbed host
    With the tongue of a doll that opens and closes its eyes
    With the tongue of an unbelievable stone
    My wife with the eyelashes of strokes of a child's writing
    With brows of the edge of a swallow's nest
    My wife with the brow of slates of a hothouse roof
    And of steam on the panes
    My wife with shoulders of champagne
    And of a fountain with dolphin-heads beneath the ice
    My wife with wrists of matches
    My wife with fingers of luck and ace of hearts
    With fingers of mown hay
    My wife with armpits of marten and of beechnut
    And of Midsummer Night
    Of privet and of an angelfish nest
    With arms of seafoam and of riverlocks
    And of a mingling of the wheat and the mill
    My wife with legs of flares
    With the movements of clockwork and despair
    My wife with calves of eldertree pith
    My wife with feet of initials
    With feet of rings of keys and Java sparrows drinking
    My wife with a neck of unpearled barley
    My wife with a throat of the valley of gold
    Of a tryst in the very bed of the torrent
    With breasts of night
    My wife with breasts of a marine molehill
    My wife with breasts of the ruby's crucible
    With breasts of the rose's spectre beneath the dew
    My wife with the belly of an unfolding of the fan of days
    With the belly of a gigantic claw
    My wife with the back of a bird fleeing vertically
    With a back of quicksilver
    With a back of light
    With a nape of rolled stone and wet chalk
    And of the drop of a glass where one has just been drinking
    My wife with hips of a skiff
    With hips of a chandelier and of arrow-feathers
    And of shafts of white peacock plumes
    Of an insensible pendulum
    My wife with buttocks of sandstone and asbestos
    My wife with buttocks of swans' backs
    My wife with buttocks of spring
    With the sex of an iris
    My wife with the sex of a mining-placer and of a platypus
    My wife with a sex of seaweed and ancient sweetmeat
    My wife with a sex of mirror
    My wife with eyes full of tears
    With eyes of purple panoply and of a magnetic needle
    My wife with savanna eyes
    My wife with eyes of water to he drunk in prison
    My wife with eyes of wood always under the axe
    My wife with eyes of water-level of level of air earth and fire”
    Andre Breton, Poems of André Breton: A Bilingual Anthology

  • #5
    Ray Bradbury
    “Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

    It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.”
    Ray Bradbury, Fahrenheit 451

  • #6
    Fyodor Dostoevsky
    “Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.”
    Fyodor Dostoevsky, Crime and Punishment

  • #7
    Fyodor Dostoevsky
    “I love mankind, he said, "but I find to my amazement that the more I love mankind as a whole, the less I love man in particular.”
    Fyodor Dostoyevsky, The Brothers Karamazov

  • #8
    Fyodor Dostoevsky
    “Love one another, Fathers,’ said Father Zossima, as far as Alyosha could remember afterwards. ‘Love God’s people. Because we have come here and shut ourselves within these walls, we are no holier than those that are outside, but on the contrary, from the very fact of coming here, each of us has confessed to himself that he is worse than others, than all men on earth....

    And the longer the monk lives in his seclusion, the more keenly he must recognise that. Else he would have had no reason to come here. When he realises that he is not only worse than others, but that he is responsible to all men for all and everything, for all human sins, national and individual, only then the aim of our seclusion is attained. For know, dear ones, that every one of us is undoubtedly responsible for all men — and everything
    on earth, not merely through the general sinfulness of creation, but each one personally for all mankind and
    every individual man. This knowledge is the crown of life for the monk and for every man. For monks are not a special sort of men, but only what all men ought to be. Only through that knowledge, our heart grows soft with infinite, universal, inexhaustible love. Then every one of you will have the power to win over the whole world by love and to wash away the sins of the world with your tears....

    Each of you keep watch over your heart and confess your sins to yourself unceasingly. Be not afraid of your sins, even when perceiving them, if only there be penitence, but make no conditions with God. Again, I say, be not proud. Be proud neither to the little nor to the great. Hate not those who reject you, who insult you, who abuse and slander you. Hate not the atheists, the teachers of evil, the materialists — and I mean not only the good ones — for there are many good ones among them, especially in our day — hate not even the wicked ones. Remember them in your prayers thus: Save, O Lord, all those who have none to pray for them, save too all those who will not pray. And add: it is not in pride that I make this prayer, O Lord, for I am lower than all men....

    Love God’s people, let not strangers draw away the flock, for if you slumber in your slothfulness and disdainful pride, or worse still, in covetousness, they will come from all sides and draw away your flock. Expound the Gospel to the people unceasingly... be not extortionate.... Do not love gold and silver, do not hoard them.... Have faith. Cling to the banner and raise it on high.”
    Fyodor Dostoyevsky, The Brothers Karamazov

  • #9
    Osamu Dazai
    “The weak fear happiness itself. They can harm themselves on cotton wool. Sometimes they are wounded even by happiness”
    Osamu Dazai, No Longer Human

  • #10
    Ursula K. Le Guin
    “Only in silence the word, only in dark the light, only in dying life: bright the hawk's flight on the empty sky.”
    Ursula K. Le Guin, A Wizard of Earthsea

  • #11
    Ursula K. Le Guin
    “Do you see how an act is not, as young men think, like a rock that one picks up and throws, and it hits or misses, and that's the end of it. When that rock is lifted, the earth is lighter; the hand that bears it heavier. When it is thrown, the circuits of the stars respond, and where it strikes or falls, the universe is changed. On every act the balance of the whole depends. The winds and seas, the powers of water and earth and light, all that these do, and all that the beasts and green things do, is well done, and rightly done. All these act within the Equilibrium. From the hurricane and the great whale's sounding to the fall of a dry leaf and the gnat's flight, all they do is done within the balance of the whole.

    But we, insofar as we have power over the world and over one another, we must learn to do what the leaf and the whale and the wind do of their own nature. We must learn to keep the balance. Having intelligence, we must not act in ignorance. Having choice, we must not act without responsibility.”
    Ursula K. Le Guin, The Farthest Shore

  • #12
    Ursula K. Le Guin
    “It is very hard for evil to take hold of the unconsenting soul.”
    Ursula K. Le Guin, A Wizard of Earthsea

  • #13
    Ursula K. Le Guin
    “From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.”
    Ursula K. Le Guin, A Wizard of Earthsea

  • #14
    Ursula K. Le Guin
    “It is no secret. All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man's hand and the wisdom in a tree's root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is very slowly spoken by the shining of the stars. There is no other power. No other name.”
    Ursula K. Le Guin, A Wizard of Earthsea

  • #15
    Ursula K. Le Guin
    “In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight.”
    Ursula K. Le Guin, A Wizard of Earthsea

  • #16
    Seneca
    “The greatest obstacle to living is expectancy, which hangs upon tomorrow and loses today. You are arranging what is in Fortune's control and abandoning what lies in yours.”
    Seneca, On the Shortness of Life: Life Is Long if You Know How to Use It



Rss