Emma > Emma's Quotes

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  • #1
    S.E. Hinton
    “...I knew he would be dead, because Dally Winston wanted to be dead and he always got what he wanted.”
    S.E. Hinton, The Outsiders

  • #2
    S.E. Hinton
    “Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.”
    S.E. Hinton, The Outsiders

  • #3
    S.E. Hinton
    “I´d rather have anybody´s hate than their pity”
    S.E. Hinton, The Outsiders

  • #4
    S.E. Hinton
    “It was too late to tell Dally. Would he have listened? I doubted it. Suddenly it wasn't only a personal thing to me. I could picture hundreds and hundreds of boys living on the wrong sides of cities, boys with black eyes who jumped at their own shadows. Hundreds of boys who maybe watched sunsets and looked at stars and ached for something better. I could see boys going under street lights because they were mean and tough and hated the world, and it was too late to tell them that there was still good in it, and they wouldn't believe you if you did. It was too much of a problem to be just a personal thing.”
    S.E. Hinton, The Outsiders

  • #5
    S.E. Hinton
    “Just don't forget that some of us watch the sunset too.”
    S.E. Hinton, The Outsiders

  • #6
    S.E. Hinton
    “...you don't just stop living because you lose someone. I thought you knew that by now. You don't quit!”
    S.E. Hinton, The Outsiders

  • #7
    S.E. Hinton
    “You still have a lot of time to make yourself be what you want. There's still a lot of good in the world.”
    S.E. Hinton, The Outsiders

  • #8
    S.E. Hinton
    “We saw the same sunset.”
    S.E. Hinton, The Outsiders

  • #9
    S.E. Hinton
    “I’m what you might call a Pepsi addict.”
    S.E. Hinton, The Outsiders

  • #10
    J.K. Rowling
    “I want to commit the murder I was imprisoned for.”
    J.K. Rowling, Harry Potter and the Prisoner of Azkaban

  • #11
    Voltaire
    “It is forbidden to kill; therefore all murderers are punished unless they kill in large numbers and to the sound of trumpets.”
    Voltaire

  • #12
    William S. Burroughs
    “Nobody owns life, but anyone who can pick up a frying pan owns death.”
    William S. Burroughs

  • #13
    Jim Morrison
    “The most loving parents and relatives commit murder with smiles on their faces. They force us to destroy the person we really are: a subtle kind of murder.”
    Jim Morrison

  • #14
    Derek Landy
    “The man had a smooth voice, like velvet. “I’m Detective Inspector Me. Unusual name, I know. My family were incredibly
    narcissistic. I’m lucky I escaped with any degree of humility at all, to be honest, but then I’ve always managed to exceed expectations. You are Kenny Dunne, are you not?”
    “I am.”
    “Just a few questions for you, Mr Dunne. Or Kenny. Can I call you Kenny? I feel we’ve become friends these past few seconds. Can I call you Kenny?”
    “Sure,” Kenny said, slightly baffled.
    “Thank you. Thank you very much. It’s important you feel comfortable around me, Kenny. It’s important we build up a level of trust. That way I’ll catch you completely unprepared when I
    suddenly accuse you of murder.”
    Derek Landy, Death Bringer

  • #15
    Suzanne Collins
    “Oh, no. It costs a lot more than your life. To murder innocent people?" says Peeta. "It costs everything you are.”
    Suzanne Collins, Mockingjay

  • #16
    “Please," he says. "I'm begging you to stop."

    I still.

    "I can't stomach your pain," he says. "I can feel it so strongly and it's making me crazy- please," he says to me. "Don't be sad. Or hurt. Or guilty. You've done nothing wrong."

    "I'm sorry-"

    "Don't be sorry, either," he says. "God, the only reason I'm not going to kill Kent for this is because I know it would only upset you more.”
    Tahereh Mafi, Ignite Me

  • #17
    Susan Elizabeth Phillips
    “The door closed behind her (Phoebe), and the two men regarded each other for a moment. Viktor spoke first. "I must have your promise, Coach, that you won't hurt her." Dan: "I won't." Viktor: "You spoke a little too quickly for my taste. I don't quite believe you." Dan: "I'm a man of my word, and I promise I won't hurt her." He flexed his hands. "When I murder her, I'll do it real quick so she won't feel a thing." Viktor sighed. "That's exactly what I was afraid of.”
    Susan Elizabeth Phillips, It Had to Be You

  • #18
    Mark  Lawrence
    “When they killed him, Mother wouldn't hold her peace, so they slit her throat. I was stupid then, being only nine, and I fought to save them both. But the thorns held me tight. I've learned to appreciate thorns since. The thorns taught me the game. They let me understand what all those grim and serious men who've fought the Hundred War have yet to learn. You can only win the game when you understand that it IS a game. Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him loose them all.”
    Mark Lawrence, Prince of Thorns

  • #19
    J.J. McAvoy
    “Liam, soon-to-be-fucking-dead, Callahan was walking down the stairs—my fucking stairs—with his sex hair high and his green eyes sharper than razor blades. He was beautiful, and I almost regretted the fact that I would have to put a bullet in his head and then smash it through a fucking wall.
    -Melody G.”
    J.J. McAvoy, Ruthless People

  • #20
    Dia Reeves
    “But what if the monsters come?"
    "Fancy." Kit looked away from the drama to stare at her sister, surprised. "We are the monsters.”
    Dia Reeves, Slice of Cherry

  • #21
    Dark Jar Tin Zoo
    “Our love was a two-person game. At least until one of us died, and the other became a murderer.
”
    Dark Jar Tin Zoo, Love Quotes for the Ages. Specifically Ages 19-91.

  • #22
    Judith Lewis Herman
    “The ORDINARY RESPONSE TO ATROCITIES is to banish them from consciousness. Certain violations of the social compact are too terrible to utter aloud: this is the meaning of the word unspeakable.

    Atrocities, however, refuse to be buried. Equally as powerful as the desire to deny atrocities is the conviction that denial does not work. Folk wisdom is filled with ghosts who refuse to rest in their graves until their stories are told. Murder will out. Remembering and telling the truth about terrible events are prerequisites both for the restoration of the social order and for the healing of individual victims.

    The conflict between the will to deny horrible events and the will to proclaim them aloud is the central dialectic of psychological trauma. People who have survived atrocities often tell their stories in a highly emotional, contradictory, and fragmented manner that undermines their credibility and thereby serves the twin imperatives of truth-telling and secrecy. When the truth is finally recognized, survivors can begin their recovery. But far too often secrecy prevails, and the story of the traumatic event surfaces not as a verbal narrative but as a symptom.

    The psychological distress symptoms of traumatized people simultaneously call attention to the existence of an unspeakable secret and deflect attention from it. This is most apparent in the way traumatized people alternate between feeling numb and reliving the event. The dialectic of trauma gives rise to complicated, sometimes uncanny alterations of consciousness, which George Orwell, one of the committed truth-tellers of our century, called "doublethink," and which mental health professionals, searching for calm, precise language, call "dissociation." It results in protean, dramatic, and often bizarre symptoms of hysteria which Freud recognized a century ago as disguised communications about sexual abuse in childhood. . . .”
    Judith Lewis Herman, Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror

  • #23
    Ai Yazawa
    “If you're that obsessed with someone, why would you kill her?
    Humans are full of contradictions.”
    Ai Yazawa

  • #24
    Alfred Hitchcock
    “Seeing a murder on television... can help work off one's antagonisms. And if you haven't any antagonisms, the commercials will give you some.”
    Alfred Hitchcock

  • #25
    Jim  Butcher
    “On the whole, we're a murderous race. According to Genesis, it took as few as four people to make the planet too crowded to stand, and the first murder was a fratricide. Genesis says that in a fit of jealous rage, the very first child born to mortal parents, Cain, snapped and popped the first metaphorical cap in another human being. The attack was a bloody, brutal, violent, reprehensible killing. Cain's brother Abel probably never saw it coming. As I opened the door to my apartment, I was filled with a sense of empathic sympathy and intuitive understanding. For freaking Cain.”
    Jim Butcher, Dead Beat

  • #26
    Johnny Cash
    “I shot a man in Reno just to watch him die.”
    Johnny Cash, The Very Best of Johnny Cash

  • #27
    Vladimir Nabokov
    “Nowadays you have to be a scientist if you want to be a killer. No, no, I was neither. Ladies and gentleman of the jury, the majority of sex offenders that hanker for some throbbing, sweet-moaning, physical but not necessarily coital, relation with a girl-child, are innocuous, inadequate, passive, timid strangers who merely ask the community to allow them to pursue their practically harmless, so-called aberrant behavior, their little hot wet private acts of sexual deviation without the police and society cracking down upon them. We are not sex fiends! We do not rape as good soldiers do. We are unhappy, mild, dog-eyed gentlemen, sufficiently well integrated to control our urge in the presence of adults, but ready to give years and years of life for one chance to touch a nymphet. Emphatically, no killers are we. Poets never kill.”
    Vladimir Nabokov, Lolita

  • #28
    Laurell K. Hamilton
    “The rule is that if they have a weapon and want to take you someplace else, it is so they can kill you slower--Peter”
    Laurell K. Hamilton, The Harlequin

  • #29
    Sue Grafton
    “Except for cases that clearly involve a homicidal maniac, the police like to believe murders are committed by those we know and love, and most of the time they're right - a chilling thought when you sit down to dinner with a family of five. All those potential killers passing their plates.”
    Sue Grafton, A Is for Alibi

  • #30
    Laurell K. Hamilton
    “He'd kill you all right. No sweat. But for the wrong reasons. Amateur's reasons. Of course, you'll be just as dead.”
    Laurell K. Hamilton, The Laughing Corpse



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