Hiba > Hiba's Quotes

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  • #1
    هرمان هيسه
    “ما كان ينعشني ويقويني هو التقدم الذي أحرزته في اكتشاف نفسي والثقة المتزايدة في أحلامي وأفكاري وتطلعاتي والمعرفة المتزايدة بالقوة التي كنت أمتلكها في داخلي”
    هيرمان هيسه

  • #2
    فيودور دوستويفسكي
    “إنه ليشق على هؤلاء الناس أن يفقدوا بعد ذلك أوهامهم، يشق عليهم ذلك لشعورهم بأنهم أنفسهم مذنبون .. لما تنتظر أن تُعطى أكثر مما يمكن أن تعطي ؟ إن الخيبة تتربص بهؤلاء الناس من لحظة إلى لحظة..والأفضل أن يظلوا في زاويتهم هادئين، لا يخرجون منها ...”
    فيودور دوستويفسكي, The Insulted and Humiliated

  • #3
    Erik Pevernagie
    “Expectations are at war, if good feeling and discomfort clash. When we are expecting zest and joy, our good karma may be ousted by distress and frustration, if negative downbeat waves are emitted. Just with a feel of realism, without prejudice, should we step into the future. What will be, will be. Only the fortune of war will tell, since life may be war or peace. ("Fish for silence.")”
    Erik Pevernagie

  • #4
    Louisa May Alcott
    “You are the gull, Jo, strong and wild, fond of the storm and the wind, flying far out to sea, and happy all alone.”
    Louisa May Alcott, Little Women

  • #5
    Louisa May Alcott
    “She preferred imaginary heroes to real ones, because when tired of them, the former could be shut up in the tin kitchen till called for, and the latter were less manageable.”
    Louisa May Alcott, Little Women

  • #6
    Louisa May Alcott
    “I’m not like the rest of you; I never made any plans about what I’d do when I grew up; I never thought of being married, as you did. I couldn’t seem to imagine myself anything but stupid little Beth, trotting about at home, of no use anywhere but there. I never wanted to go away, and the hard part now is leaving you all. I’m not afraid, but it seems as if I should be homesick for you even in heaven.”
    Louisa May Alcott, Little Women

  • #7
    Louisa May Alcott
    “I think she is growing up, and so begins to dream dreams, and have hopes and fears and fidgets, without knowing why or being able to explain them.”
    Louisa May Alcott, Little Women

  • #8
    Louisa May Alcott
    “Wouldn't it be fun if all the castles in the air which we make could come true and we could live in them?”
    Louisa May Alcott, Little Women

  • #9
    Louisa May Alcott
    “Jo had learned that hearts, like flowers, cannot be rudely handled, but must open naturally…”
    Louisa May Alcott, Little Women

  • #10
    Louisa May Alcott
    “I have nothing to give but my heart so full and these empty hands."

    "They're not empty now.”
    Louisa May Alcott, Little Women

  • #11
    Haruki Murakami
    “Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.”
    Haruki Murakami, Kafka on the Shore

  • #12
    Haruki Murakami
    “In everybody’s life there’s a point of no return. And in a very few cases, a point where you can’t go forward anymore. And when we reach that point, all we can do is quietly accept the fact. That’s how we survive.”
    Haruki Murakami, Kafka on the Shore

  • #13
    Haruki Murakami
    “When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.”
    Haruki Murakami, Kafka on the Shore

  • #14
    Haruki Murakami
    “If you think God’s there, He is. If you don’t, He isn’t. And if that’s what God’s like, I wouldn’t worry about it.”
    Haruki Murakami, Kafka on the Shore

  • #15
    Haruki Murakami
    “Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.”
    Haruki Murakami, Kafka on the Shore

  • #16
    Milan Kundera
    “Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
    Milan Kundera, The Unbearable Lightness of Being

  • #17
    Milan Kundera
    “But when the strong were too weak to hurt the weak, the weak had to be strong enough to leave.”
    Milan Kundera, The Unbearable Lightness of Being

  • #18
    Milan Kundera
    “She had an overwhelming desire to tell him, like the most banal of women. Don't let me go, hold me tight, make me your plaything, your slave, be strong! But they were words she could not say.

    The only thing she said when he released her from his embrace was, "You don't know how happy I am to be with you." That was the most her reserved nature allowed her to express.”
    Milan Kundera, The Unbearable Lightness of Being

  • #19
    Milan Kundera
    “People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.”
    Milan Kundera

  • #20
    Milan Kundera
    “We all need someone to look at us. we can be divided into four categories according to the kind of look we wish to live under. the first category longs for the look of an infinite number of anonymous eyes, in other words, for the look of the public. the second category is made up of people who have a vital need to be looked at by many known eyes. they are the tireless hosts of cocktail parties and dinners. they are happier than the people in the first category, who, when they lose their public, have the feeling that the lights have gone out in the room of their lives. this happens to nearly all of them sooner or later. people in the second category, on the other hand, can always come up with the eyes they need. then there is the third category, the category of people who need to be constantly before the eyes of the person they love. their situation is as dangerous as the situation of people in the first category. one day the eyes of their beloved will close, and the room will go dark. and finally there is the fourth category, the rarest, the category of people who live in the imaginary eyes of those who are not present. they are the dreamers.”
    Milan Kundera

  • #21
    Naguib Mahfouz
    “عرفت الحب لأول مرة في حياتي. إنه كالموت تسمع عنه كل حين خبراولكنك لاتعرفه إلا إذا حضر. وهو قوة طاغية،يلتهم فريسته،يسلبه أي قوة دفاع،يطمس عقله وإدراكه،يصب الجنون في جوفه حتى يطفح به،إنه العذاب والسرور واللانهائي.”
    نجيب محفوظ, الحب فوق هضبة الهرم

  • #22
    “أنت أحمق برأيي .. وهل تعرف مصدر حماقتك ؟ إنها طيبتك ! طيبتك المثيرة للسخرية !”
    حفلة التفاهة ... ميلان كونديرا

  • #23
    Milan Kundera
    “Perhaps all the questions we ask of love, to measure, test, probe, and save it, have the additional effect of cutting it short. Perhaps the reason we are unable to love is that we yearn to be loved, that is, we demand something (love) from our partner instead of delivering ourselves up to him demand-free and asking for nothing but his company.”
    Milan Kundera, The Unbearable Lightness of Being
    tags: love

  • #24
    Milan Kundera
    “Yes, it's a well-known fact about you: you're like death, you take everything.”
    Milan Kundera, Laughable Loves

  • #25
    Milan Kundera
    “When we want to give expression to a dramatic situation in our lives, we tend to use metaphors of heaviness. We say that something has become a great burden to us. We either bear the burden or fail and go down with it, we struggle with it, win or lose. And Sabina - what had come over her? Nothing. She had left a man because she felt like leaving him. Had he persecuted her? Had he tried to take revenge on her? No. Her drama was a drama not of heaviness but of lightness. What fell to her lot was not the burden, but the unbearable lightness of being.”
    Milan Kundera, The Unbearable Lightness of Being

  • #26
    Milan Kundera
    “Does he love me? Does he love anyone more than me? Does he love me more than I love him? Perhaps all the questions we ask of love, to measure, test, probe, and save it, have the additional effect of cutting it short. Perhaps the reason we are unable to love is that we yearn to be loved, that is, we demand something (love) from our partner instead of delivering ourselves up to him demand-free and asking for nothing but his company.”
    Milan Kundera, The Unbearable Lightness of Being
    tags: love

  • #27
    Milan Kundera
    “Human life occurs only once, and the reason we cannot determine which of our decisions are good and which bad is that in a given situation we can make only one decision; we are not granted a second, third, or fourth life in which to compare various decisions.”
    Milan Kundera, The Unbearable Lightness of Being
    tags: 241

  • #28
    ميلان كونديرا
    “يبدو أن في الدماغ منطقة خاصة تماماً ويمكن تسميتها بـ«الذاكرة الشعرية»، وهي التي تسجّل كل الأشياء التي سحرتنا أو التي جعلتنا ننفعل أمامها، وكل ما يعطي لحياتنا جمالها. مذ تعرّف توماس إلى تيريزا، لم يعد لأي امرأة الحق في أن تترك أثراً ولو عابراً في هذه المنطقة من دماغه.”
    ميلان كونديرا, The Unbearable Lightness of Being

  • #29
    فيودور دوستويفسكي
    “أي شيء أشد صعوبة على المرء من صنع المعروف مع من لا يبالي به مطلقا !”
    دوستويفسكي, الجريمة والعقاب 1

  • #30
    هرمان هيسه
    “ولكن كل شيء وحتى أكثر الأمور عادية، كان يشبه الضرب المستمر بمطرقة على النقطة ذاتها في داخلي وهذه كلها ساعدتني على سلخ طبقات الجلد، على كسر قشرة البيضة وبعد كل ضربة كنت أرفع رأسي الى الأعلى قليلاً وأصبح أكثر حرية بقليل”
    هيرمان هيسه



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