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  • #1
    Fyodor Dostoevsky
    “I am a dreamer. I know so little of real life that I just can't help re-living such moments as these in my dreams, for such moments are something I have very rarely experienced. I am going to dream about you the whole night, the whole week, the whole year. I feel I know you so well that I couldn't have known you better if we'd been friends for twenty years. You won't fail me, will you? Only two minutes, and you've made me happy forever. Yes, happy. Who knows, perhaps you've reconciled me with myself, resolved all my doubts.

    When I woke up it seemed to me that some snatch of a tune I had known for a long time, I had heard somewhere before but had forgotten, a melody of great sweetness, was coming back to me now. It seemed to me that it had been trying to emerge from my soul all my life, and only now-

    If and when you fall in love, may you be happy with her. I don't need to wish her anything, for she'll be happy with you. May your sky always be clear, may your dear smile always be bright and happy, and may you be for ever blessed for that moment of bliss and happiness which you gave to another lonely and grateful heart. Isn't such a moment sufficient for the whole of one's life?”
    Fyodor Dostoevsky, White Nights

  • #2
    Melissa Broder
    “I wake up scared and I'm scared all day. I'm scared of being scared. Scared of "losing it". Scared of not being able to function. Scared of being hospitalized. Scared that I am not okay. Scared of what life is and if I am wasting mine. Scared that I have no home - that even the place I call home has no bottom to it and I will just keep falling under and under and under.”
    Melissa Broder, So Sad Today: Personal Essays

  • #3
    Jasmine Warga
    “Depression is like a heaviness that you can’t ever escape. It crushes down on you, making even the smallest things like tying your shoes or chewing on toast seem like a twenty-mile hike uphill. Depression is a part of you; it’s in your bones and your blood. If I know anything about it, this is what I know: It’s impossible to escape.”
    Jasmine Warga, My Heart and Other Black Holes

  • #4
    Jasmine Warga
    “Maybe we all have darkness inside of us and some of us are better at dealing with it than others.”
    Jasmine Warga, My Heart and Other Black Holes

  • #5
    Jasmine Warga
    “Sometimes I wonder if my heart is like a black hole--it's so dense that there's no room for light, but that doesn't mean it can't still suck me in.”
    Jasmine Warga, My Heart and Other Black Holes

  • #6
    Fyodor Dostoevsky
    “But how could you live and have no story to tell?”
    Fyodor Dostoevsky, White Nights

  • #7
    Fyodor Dostoevsky
    “My God, a moment of bliss. Why, isn't that enough for a whole lifetime?”
    Fyodor Dostoevsky, White Nights

  • #8
    Fyodor Dostoevsky
    “I don’t know how to be silent when my heart is speaking.”
    Fyodor Dostoyevsky, White Nights

  • #9
    Fyodor Dostoevsky
    “It suddenly seemed to me that I was lonely, that everyone was forsaking me and going away from me.”
    Fyodor Dostoevsky , White Nights

  • #10
    Franz Kafka
    “I am free and that is why I am lost.”
    Franz Kafka

  • #11
    Franz Kafka
    “I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself.”
    Franz Kafka, The Metamorphosis

  • #12
    Walt Whitman
    “Resist much, obey little.”
    Walt Whitman, Leaves of Grass

  • #13
    Walt Whitman
    “What is that you express in your eyes? It seems to me more than all the print I have read in my life.”
    Walt Whitman

  • #14
    Walt Whitman
    “Do I contradict myself?
    Very well then I contradict myself,
    (I am large, I contain multitudes.)”
    Walt Whitman, Leaves of Grass

  • #15
    Joan Didion
    “I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.”
    Joan Didion, Slouching Towards Bethlehem

  • #16
    Joan Didion
    “I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear.”
    Joan Didion

  • #17
    Joan Didion
    “We tell ourselves stories in order to live.”
    Joan Didion, The White Album

  • #18
    Joan Didion
    “Read, learn, work it up, go to the literature.

    Information is control.”
    Joan Didion, The Year of Magical Thinking

  • #19
    Joan Didion
    “The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.”
    Joan Didion, Slouching Towards Bethlehem

  • #20
    Ottessa Moshfegh
    “I did crave attention, but I refused to humiliate myself by asking for it.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #21
    Ottessa Moshfegh
    “The notion of my future suddenly snapped into focus: it didn't exist yet.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #22
    Ottessa Moshfegh
    “it was better to be alone than to be stuck with people who were supposed to love you, yet couldn’t.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #23
    Ottessa Moshfegh
    “Rejection, I have found, can be the only antidote to delusion”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #24
    Joan Didion
    “People with self-respect exhibit a certain toughness, a kind of moral nerve; they display what was once called *character,* a quality which, although approved in the abstract, sometimes loses ground to the other, more instantly negotiable virtues.... character--the willingness to accept responsibility for one's own life--is the source from which self-respect springs.”
    Joan Didion, Slouching Towards Bethlehem

  • #25
    Joan Didion
    “We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.”
    Joan Didion, Slouching Towards Bethlehem

  • #26
    Joan Didion
    “The ability to think for one's self depends upon one's mastery of the language.”
    Joan Didion, Slouching Towards Bethlehem

  • #27
    Joan Didion
    “It is the phenomenon somethings called "alienation from self." In its advanced stages, we no longer answer the telephone, because someone might want something; that we could say no without drowning in self-reproach is an idea alien to this game. Every encounter demands too much, tears the nerves, drains the will, and the specter of something as small as an unanswered letter arouses such disproportionate guilt that answering it becomes out of the question. To assign unanswered letters their proper weight, to free us from the expectations of others, to give us back to ourselves - there lies the great, the singular power of self-respect. Without it, one eventually discovers the final turn of the screw: one runs away to find oneself, and finds no one at home.”
    Joan Didion, Slouching Towards Bethlehem

  • #28
    Joan Didion
    “It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished.
    It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.”
    Joan Didion, Slouching Towards Bethlehem

  • #29
    Joan Didion
    “See enough and write it down, I tell myself, and then some morning when the world seems drained of wonder, some day when I am only going through the motions of doing what I am supposed to do... on that bankrupt morning I will simply open my notebook and there it will all be, a forgotten account with accumulated interest, paid passage back to the world out there...”
    Joan Didion, Slouching Towards Bethlehem

  • #30
    Joan Didion
    “I could tell you that I came back because I had promises to keep, but maybe it was because nobody asked me to stay.”
    Joan Didion, Slouching Towards Bethlehem



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