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  • #1
    E.E. Cummings
    “l(a
    le
    af
    fa
    ll
    s)o
    ne
    li
    ne
    ss”
    e.e. cummings

  • #2
    E.E. Cummings
    “since feeling is first
    who pays any attention
    to the syntax of things
    will never wholly kiss you;

    wholly to be a fool
    while Spring is in the world

    my blood approves,
    and kisses are a far better fate
    than wisdom
    lady i swear by all flowers. Don't cry
    --the best gesture of my brain is less than
    your eyelids' flutter which says

    we are for eachother: then
    laugh, leaning back in my arms
    for life's not a paragraph

    And death i think is no parenthesis”
    E.E. Cummings

  • #3
    E.E. Cummings
    “One's not half of two; two are halves of one.”
    E.E. Cummings

  • #4
    E.E. Cummings
    “i do not know what it is about you that closes
    and opens;only something in me understands
    the voice of your eyes is deeper than all roses”
    e.e. cummings

  • #5
    E.E. Cummings
    “...remember one thing only: that it's you-nobody else-who determines your destiny and decides your fate. Nobody else can be alive for you; nor can you be alive for anybody else.”
    E.E. Cummings

  • #6
    E.E. Cummings
    “We can never be born enough.”
    E. E. Cummings

  • #7
    Dambudzo Marechera
    “As far as expressing the creative turmoil within my head was concerned, I took to the English language as a duck takes to water. I was therefore a keen accomplice and student in my own mental colonisation . . . For a black writer the language is very racist; you have to have harrowing fights and hair-raising panga duels with the language before you can make it do all that you want it to do . . . This may mean discarding grammar, throwing syntax out, subverting images from within, beating the drum and cymbals of rhythm, developing torture chambers of irony and sarcasm, gas ovens of limitless black resonance.”
    Dambudzo Marechera, The House of Hunger

  • #8
    Philip Roth
    “Nothing bad can happen to a writer. Everything is material.”
    Philip Roth



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