Madeleine George > Madeleine's Quotes

Showing 1-30 of 109
« previous 1 3 4
sort by

  • #1
    David Foster Wallace
    “... That no single, individual moment is in and of itself unendurable.”
    David Foster Wallace, Infinite Jest

  • #2
    Ray Bradbury
    “You must stay drunk on writing so reality cannot destroy you.”
    Ray Bradbury, Zen in the Art of Writing: Releasing the Creative Genius Within You

  • #3
    Rainer Maria Rilke
    “I hold this to be the highest task of a bond between two people: that each should stand guard over the solitude of the other.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #4
    “Those were the years when I was truly happy. Knowing that is both a blessing and a curse. It's good to acknowledge that you found true happiness in your life - in that sense your life has not been wasted. But to admit that you will never be happy like that again is hard.”
    William Boyd, Any Human Heart

  • #5
    Saul Bellow
    “You never have to change anything you got up in the middle of the night to write.”
    Saul Bellow

  • #6
    James Baldwin
    “Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word "love" here not merely in the personal sense but as a state of being, or a state of grace - not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”
    James Baldwin, The Fire Next Time

  • #7
    Susan Sontag
    “None of us can ever retrieve that innocence before all theory when art knew no need to justify itself, when one did not ask of a work of art what it said because one knew what it did. From now to the end of consciousness, we are stuck with the task of defending art.”
    Susan Sontag, Against Interpretation and Other Essays

  • #8
    Anaïs Nin
    “We write to taste life twice, in the moment and in retrospect.”
    Anais Nin

  • #9
    David Foster Wallace
    “That dead-eyed anhedonia is but a remora on the ventral flank of the true predator, the Great White Shark of pain. Authorities term this condition clinical depression or involutional depression or unipolar dysphoria. Instead of just an incapacity for feeling, a deadening of soul, the predator-grade depression Kate Gompert always feels as she Withdraws from secret marijuana is itself a feeling. It goes by many names — anguish, despair, torment, or q.v. Burton's melancholia or Yevtuschenko's more authoritative psychotic depression — but Kate Gompert, down in the trenches with the thing itself, knows it simply as It.

    It is a level of psychic pain wholly incompatible with human life as we know it. It is a sense of radical and thoroughgoing evil not just as a feature but as the essence of conscious existence. It is a sense of poisoning that pervades the self at the self's most elementary levels. It is a nausea of the cells and soul. It is an unnumb intuition in which the world is fully rich and animate and un-map-like and also thoroughly painful and malignant and antagonistic to the self, which depressed self It billows on and coagulates around and wraps in Its black folds and absorbs into Itself, so that an almost mystical unity is achieved with a world every constituent of which means painful harm to the self. Its emotional character, the feeling Gompert describes It as, is probably mostly indescribable except as a sort of double bind in which any/all of the alternatives we associate with human agency — sitting or standing, doing or resting, speaking or keeping silent, living or dying — are not just unpleasant but literally horrible.

    It is also lonely on a level that cannot be conveyed. There is no way Kate Gompert could ever even begin to make someone else understand what clinical depression feels like, not even another person who is herself clinically depressed, because a person in such a state is incapable of empathy with any other living thing. This anhedonic Inability To Identify is also an integral part of It. If a person in physical pain has a hard time attending to anything except that pain, a clinically depressed person cannot even perceive any other person or thing as independent of the universal pain that is digesting her cell by cell. Everything is part of the problem, and there is no solution. It is a hell for one.

    The authoritative term psychotic depression makes Kate Gompert feel especially lonely. Specifically the psychotic part. Think of it this way. Two people are screaming in pain. One of them is being tortured with electric current. The other is not. The screamer who's being tortured with electric current is not psychotic: her screams are circumstantially appropriate. The screaming person who's not being tortured, however, is psychotic, since the outside parties making the diagnoses can see no electrodes or measurable amperage. One of the least pleasant things about being psychotically depressed on a ward full of psychotically depressed patients is coming to see that none of them is really psychotic, that their screams are entirely appropriate to certain circumstances part of whose special charm is that they are undetectable by any outside party. Thus the loneliness: it's a closed circuit: the current is both applied and received from within.”
    David Foster Wallace, Infinite Jest

  • #10
    Ray Bradbury
    “You must write every single day of your life... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads... may you be in love every day for the next 20,000 days. And out of that love, remake a world.”
    Ray Bradbury

  • #11
    Rainer Maria Rilke
    “How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.

    So you must not be frightened if a sadness rises up before you larger than any you have ever seen; if a restiveness, like light and cloudshadows, passes over your hands and over all you do. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any uneasiness, any miseries, or any depressions? For after all, you do not know what work these conditions are doing inside you.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #12
    Marilynne Robinson
    “But every memory is turned over and over again, every word, however chance, written in the heart in the hope that memory will fulfill itself, and become flesh, and that the wanderers will find a way home, and the perished, whose lack we always feel, will step through the door finally and stroke our hair with dreaming, habitual fondness, not having meant to keep us waiting long.”
    Marilynne Robinson, Housekeeping

  • #13
    David Foster Wallace
    “The truth will set you free. But not until it is finished with you.”
    David Foster Wallace, Infinite Jest

  • #14
    Ray Bradbury
    “Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them.”
    Ray Bradbury, Dandelion Wine

  • #15
    Rainer Maria Rilke
    “Let everything happen to you
    Beauty and terror
    Just keep going
    No feeling is final”
    Rainer Maria Rilke

  • #16
    David Foster Wallace
    “You are what you love. No? You are, completely and only, what you would die for without, as you say, the thinking twice.”
    David Foster Wallace, Infinite Jest

  • #17
    Walt Whitman
    “Stranger, if you passing meet me and desire to speak to me, why should you not speak to me?
    And why should I not speak to you?”
    Walt Whitman, Leaves of Grass

  • #18
    Joseph Brodsky
    “For darkness restores what light cannot repair.”
    Joseph Brodsky

  • #19
    Eve Babitz
    “Women want to be loved like roses. They spend hours perfecting their eyebrows and toes and inventing irresistible curls that fall by accident down the back of their necks from otherwise austere hair-dos. They want their lover to remember the way they held a glass. They want to haunt.”
    Eve Babitz, Slow Days, Fast Company: The World, the Flesh, and L.A.

  • #20
    Richard Siken
    “Sorry about the blood in your mouth. I wish it was mine.

    I couldn't get the boy to kill me, but I wore his jacket for the longest time.”
    Richard Siken, Crush

  • #21
    “When it's mutual, a man and a woman know, instinctively, wordlessly. They may do nothing about it, but the knowledge of that shared desire is out there in the world - as obvious as neon, saying: I want you, I want you, I want you.”
    William Boyd, Any Human Heart

  • #22
    Robert A. Heinlein
    “Love is that condition in which the happiness of another person is essential to your own.”
    Robert A. Heinlein, Stranger in a Strange Land

  • #23
    Cyril Connolly
    “Better to write for yourself and have no public, than to write for the public and have no self."

    [The New Statesman, February 25, 1933]”
    Cyril Connolly

  • #24
    Tom Stoppard
    “We are tied down to a language which makes up in obscurity what it lacks in style.”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #25
    David Foster Wallace
    “That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating on anything is very hard work.”
    David Foster Wallace, Infinite Jest

  • #26
    Ray Bradbury
    “Why is it," he said, one time, at the subway entrance, "I feel I've known you so many years?"
    "Because I like you," she said, "and I don't want anything from you.”
    Ray Bradbury, Fahrenheit 451

  • #27
    Roald Dahl
    “A whizzpopper!" cried the BFG, beaming at her. "Us giants is making whizzpoppers all the time! Whizzpopping is a sign of happiness. It is music in our ears! You surely is not telling me that a little whizzpopping if forbidden among human beans?”
    Roald Dahl, The BFG

  • #28
    Walt Whitman
    “Passing stranger! You do not know how longingly I look upon you,
    You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
    I have somewhere surely lived a life of joy with you,
    All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
    You grew up with me, were a boy with me, or a girl with me,
    I ate with you, and slept with you—your body has become not yours only, nor left my body mine only,
    You give me the pleasure of your eyes, face, flesh, as we pass—you take of my back, breast, hands, in return,
    I am not to speak to you—I am to think of you when I sit alone, or wake at night alone,
    I am to wait—I do not doubt I am to meet you again,
    I am to see to it that I do not lose you.”
    Walt Whitman Leaves of Grass

  • #29
    Roald Dahl
    “Don't gobblefunk around with words.”
    Roald Dahl, The BFG

  • #30
    Don DeLillo
    “I've got death inside me. It's just a question of whether or not I can outlive it.”
    Don DeLillo, White Noise



Rss
« previous 1 3 4