Jacques Pockette > Jacques's Quotes

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  • #1
    Bret Easton Ellis
    “Do you wear a diaphragm everywhere you go?' I want to scream, but stop myself because the idea really excites me.”
    Bret Easton Ellis, The Rules of Attraction

  • #2
    Bret Easton Ellis
    “No I’m not,” I whisper to myself. “I’m a fucking evil psychopath.”
    Bret Easton Ellis, American Psycho

  • #3
    Bret Easton Ellis
    “I think about other things while she describes her recent past: air, water, sky, time, a moment, a point somewhere when I wanted to show her everything beautiful in the world.”
    Bret Easton Ellis, American Psycho

  • #4
    Chuck Palahniuk
    “There are worse things than finding your wife and child dead.
    You can watch the world do it. You can watch your wife get old and bored. You can watch your kids discover everything in the world you've tried to save them from. Drugs, divorce, conformity, disease. All the nice clean books, music, television. Distraction.”
    Chuck Palahniuk, Lullaby

  • #5
    Chuck Palahniuk
    “The world will always punish the few people with special talents the rest of us don’t recognize as real.”
    Chuck Palahniuk, Haunted

  • #6
    Chuck Palahniuk
    “The most boring thing in the entire world is nudity. The second most boring thing is honesty.”
    Chuck Palahniuk, Invisible Monsters

  • #7
    Chuck Palahniuk
    “I'm a toxic waste byproduct of God's creation.”
    Chuck Palahniuk, Fight Club

  • #8
    Douglas Coupland
    “Inasmuch as I am a spiritual man, I do believe in God - I think that He created an
    order for the world; I believe that, in constantly bombarding Him with requests for miracles,
    we're also asking that He unravel the fabric of the world. A world of continuous miracles
    would be a cartoon, not a world.”
    Douglas Coupland, Hey Nostradamus!

  • #9
    Douglas Coupland
    “At what point in our lives do we stop blurring? When do we become crisp individuals? What must we do in order to end these fuzzy identities - to clarify just who it is we really are?
    -Richard”
    Douglas Coupland, Girlfriend in a Coma

  • #10
    Douglas Coupland
    “Life is maybe like deep-sea fishing. We wake up in the morning, we cast our nets into the water, an, if we are lucky, at day's end we will have netted one-- maybe two-- small fish. Occasionally we will net a seahorse or sometimes a shark-- or a life preserver or an iceberg, or a monster. And in our dreams at night we assess our Catch of the Day-- the treasures of this long, slow process of accumulation...”
    Douglas Coupland, Shampoo Planet

  • #11
    Douglas Coupland
    “Once he entered my life, I promptly forgot all my years of putting on a brave face while browsing
    at bookstores until closing time, and of having one, two, three beers while watching crime shows
    and CNN. I completely forgot the hateful sensation of loneliness, like thirst and hunger together
    pressing on my stomach.”
    Douglas Coupland

  • #12
    Douglas Coupland
    “You are paralyzed by the fact that cruelty is often amusing.”
    Douglas Coupland, Shampoo Planet

  • #13
    Anthony Burgess
    “I wanted music very bad this evening, that singing devotchka in the Korova having perhaps started me off. I wanted like a big feast of it before getting my passport stamped, my brothers, at sleep’s frontier and the stripy shest lifted to let me through.”
    Anthony Burgess, A Clockwork Orange

  • #14
    Anthony Burgess
    “Oh, era suntuoso, y la suntuosidad hecha carne. Los trombones crujían como láminas de oro bajo mi cama, y detrás de mi golová las trompetas lanzaban lenguas de plata, y al lado de la puerta los timbales me asaltaban las tripas y brotaban otra vez como un trueno de caramelo. Oh, era una maravilla de maravillas. Y entonces, como un ave de hilos entretejidos del más raro metal celeste, o un vino de plata que flotaba en una nave del espacio, perdida toda gravedad, llegó el solo de violín imponiéndose a las otras cuerdas, y alzó como una jaula de seda alrededor de mi cama. Aquí entraron la flauta y el oboe, como gusanos platinados, en el espeso tejido de plata y oro. Yo volaba poseído por mi propio éxtasis, oh hermanos.”
    Anthony Burgess, A Clockwork Orange

  • #15
    Anthony Burgess
    “To turn a decent young man into a piece of clockwork should not, surely, be seen as any triumph for any government, save one that boasts of its repressiveness.”
    Anthony Burgess, A Clockwork Orange

  • #16
    Anthony Burgess
    “Regional dialects have to become national tongues before they can attain lasting glory. As with America, as with Australia. Scottish is different because Scotland considers itself to be a nation. Its language deserves a chapter to itself.”
    Anthony Burgess

  • #17
    Martin Amis
    “Senza mai guardare dove sta andando, la gente si muove attraverso qualcosa di predisposto, armata di bugie. Non vede l'ora di raggiungere luoghi dai quali è appena tornata, o si rammarica di aver fatto cose che non ha ancora fatto. Signori delle bugie e della spazzatura - di ogni sorta di merda e di spazzatura.

    [...]

    Lo prendiamo ancora in culo ogni mattina come tutti gli altri - ma in questi giorni la cosa finisce in un baleno.”
    Martin Amis, Time's Arrow

  • #18
    Martin Amis
    “In the last months of the war, when I raped in uniform – we were, by then, so full of death (and the destruction of everything we had and knew) that the act of love, even in travesty, felt like a spell against the riot of murder.”
    Martin Amis, House of Meetings

  • #19
    Martin Amis
    “Nuclear weapons could bring about the Book of Revelation in a matter of hours; they could do it today. Of course, no dead will rise; nothing will be revealed (nothing meaning two things, the absence of everything and a thing called nothing). Events that we call "acts of God"--floods, earthquakes, eruptions--are flesh wounds compared to the human act of nuclear war: a million Hiroshimas. Like God, nuclear weapons are free creations of the human mind. Unlike God, nuclear weapons are real. And they are here.”
    Martin Amis, Einstein's Monsters

  • #20
    Iain Banks
    “People can be teachers and idiots; they can be philosophers and idiots; they can be politicians and idiots ... in fact I think they have to be ... a genius can be an idiot. The world is largely run for and by idiots; it is no great handicap in life and in certain areas is actually a distinct advantage and even a prerequisite for advancement.”
    Iain Banks, The Crow Road

  • #21
    Iain Banks
    “All I said was that I thought it was a judgement from God that Blyth had first lost his leg and then had the replacement become the instrument of his downfall. All because of the rabbits. Eric, who was going through a religious phase at the time which I suppose I was to some extent copying, thought this was a terrible thing to say; God wasn't like that. I said the one I believed in was.”
    Iain Banks, The Wasp Factory

  • #22
    Iain Banks
    “It was a war scripted by Heller from a story by Orwell, and somebody would be bombing their own airfield before too long, no doubt.”
    Iain Banks, The Crow Road

  • #23
    Iain Banks
    “Look on the happy side, think of the good things. Hadn't it been clever? Yes, it had.”
    Iain M. Banks, Consider Phlebas

  • #24
    Iain Banks
    “Or maybe they're the only sane ones. After all, they're the ones with all the power and riches. They're the ones who get everybody else to do what they want them to do, like die for them and work for them and get them into power and protect them and pay taxes and buy them toys, and they're the ones who'll survive another big war, in their bunkers and tunnels. So, given things being the way they are, who's to say they're the loonies because they don't do things the way Joe Punter thinks they ought to be done? If they thought the same way as Joe Punter, they'd be Joe Punter, and somebody else would be having all the fun.”
    Iain Banks, The Wasp Factory

  • #25
    “Sus rostros eran absolutamente similares en un detalle: parecían extremadamente incompletos, como cuadros con agujeros por ojos o como un rompecabezas al que le faltase una pieza nimia. Y eso que echaba en falta, pensó Richards, era el aire de desesperación. En sus estómagos no aullaban los lobos. Sus mentes no estaban llenas de sueños viciados, de esperanzas insensatas.”
    Richard Bachman, The Running Man

  • #26
    “Just go on dancing with me like this forever, Garraty, and I'll never tire. We'll scrape our shoes on the stars and hang upside down from the moon.”
    Richard Bachman, The Long Walk

  • #27
    “Which one hadn't he walked down? Was it Barkovitch? Collie Parker? Percy What'shisname? Who was it? 'GARRATY!' the crowd screamed deliriously. 'GARRATY, GARRATY, GARRATY!'
    Was it Scramm? Gribble? Davidson? A hand on his shoulder. Garraty shook it off impatiently. The dark figure beckoned, beckoned in the rain, beckoned for him to come and walk, to come and play the game. And it was time to get started. There was still so far to walk.”
    Stephen King as Richard Bachman

  • #28
    Irvine Welsh
    “As the late afternoon darkness falls, the lights look tacky and sinister.”
    Irvine Welsh, Filth

  • #29
    Irvine Welsh
    “It was, as the song said, ‘call to arms music,’ and seemed to have little to do with Scotland and New Year. It was fighting music. Stevie didn’t want to fight anyone. But it was also beautiful music.”
    Irvine Welsh, Trainspotting

  • #30
    Irvine Welsh
    “Rents bir keresinde, polisin ve yargıçların görev duygusunu tetiklemek için esmer bi tenden daha iyisi yoktur, demişti; çok doğru.”
    Irvine Welsh



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