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  • #1
    Richard Siken
    “You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
    richard siken

  • #2
    Inio Asano
    “Isn't it better to regret things you've done, than regret things you've never even tried?”
    Inio Asano, Solanin

  • #3
    Richard Siken
    “I will come back from the dead for you.”
    Richard Siken

  • #4
    “We are going to hell together. But we're coming back alive. Don't forget that.”
    Atsuko Asano, No.6, Volume 4

  • #5
    “Is the love you have for me, and the feelings I have for you forever parallel, with no chance of intersecting?”
    Atsuko Asano, No.6, Volume 8

  • #6
    Rainbow Rowell
    “Snow kissed me last night until my mouth was sore. He kissed me so much, I was worried I’d Turn him with all my saliva. He held himself up on all fours above me and made me reach up for his mouth—and I did. I would again. I’d cross every line for him.
    I’m in love with him.
    And he likes this better than fighting.”
    Rainbow Rowell, Carry On

  • #7
    “This is where my heart is. I was human when my heart was stolen by him,
    and I was human when I longed to be by his side.”
    Atsuko Asano, No.6, Volume 4

  • #8
    “Shion sat down in front of the heater. His white hair, leaning more on transparent, was tinged red with the colours of the flame. His youthful hair had lost its colour, but still retained its shine. “It’s beautiful” Nezumi thought.”
    Atsuko Asano, No.6, Volume 2

  • #9
    Inio Asano
    “Freedom without any purpose feels a whole lot like boredom.”
    ASANO INIO

  • #10
    Inio Asano
    “I have no idea what to do with myself. And while I wait for my epiphany, I feel the toxins collecting in my body.”
    Inio Asano

  • #11
    “Thank you," he finally said. He couldn't say he meant thanks for all of it: the keys, the trust, the honesty and the kisses. Hopefully Andrew would figure it out eventually. "You were amazing.”
    Nora Sakavic, The King's Men

  • #12
    “He ended up in the dead center of the room, with Andrew on one side of him and Matt on the other. His thoughts should have kept him up all night, but with his friends this close Neil couldn't worry about anything. Neil studied Andrew's face until he couldn't keep his eyes open anymore. He dreamed of facing his father on an Exy court, and in his dream the Foxes won.”
    Nora Sakavic, The King's Men

  • #13
    Inio Asano
    “The world is drowning in weirdness and lies......and here we are, so used to it that we're actually bored!”
    Inio Asano, Solanin

  • #14
    Inio Asano
    “I wondered if the Demon that whispered "Why not be free?" was Freedom itself.”
    Inio Asano, Solanin

  • #15
    André Aciman
    “If I could have him like this in my dreams every night of my life, I'd stake my entire life on dreams and be done with the rest.”
    André Aciman, Call Me by Your Name

  • #16
    André Aciman
    “Is it better to speak or die?”
    André Aciman, Call Me by Your Name

  • #17
    André Aciman
    “He came. He left. Nothing else had changed. I had not changed. The world hadn't changed. Yet nothing would be the same. All that remains is dreammaking and strange remembrance.”
    André Aciman, Call Me by Your Name

  • #18
    Sarah Dessen
    “So you're always honest," I said.
    "Aren't you?"
    "No," I told him. "I'm not."
    "Well, that's good to know, I guess."
    "I'm not saying I'm a liar," I told him. He raised his eyebrows. "That's not how I meant it, anyways."
    "How'd you mean it, then?"
    "I just...I don't always say what I feel."
    "Why not?"
    "Because the truth sometimes hurts," I said.
    "Yeah," he said. "So do lies, though.”
    Sarah Dessen, Just Listen

  • #19
    Friedrich Nietzsche
    “I'm not upset that you lied to me, I'm upset that from now on I can't believe you.”
    Friedrich Nietzsche

  • #20
    Rainbow Rowell
    “You were the sun, and I was crashing into you.”
    Rainbow Rowell, Carry On

  • #21
    Rainbow Rowell
    “What you are is a fucking tragedy, Simon Snow. You literally couldn't be a bigger mess."
    He tries to kiss me, but I pull back- "And you like that?"
    "I love it." He says
    "Why?"
    "Because we match.”
    Rainbow Rowell, Carry On

  • #22
    Rainbow Rowell
    “I am going to die kissing Simon Snow. Aleister Crowley, I'm living a charmed life.”
    Rainbow Rowell, Carry On

  • #23
    Rainbow Rowell
    “You were the sun, and I was crashing into you. I'd wake up every morning and think, 'This will end in flames.”
    Rainbow Rowell, Carry On

  • #24
    Rainbow Rowell
    “Sharing a room with the person you want most is like sharing a room with an open fire.

    He's constantly drawing you in. And you're constantly stepping too close. And you know it's not good--that there is no good--that there's absolutely nothing that can ever come of it.

    But you do it anyway.
    And then...
    Well. Then you burn.”
    Rainbow Rowell, Carry On

  • #25
    Donna Tartt
    “We looked at each other. And it occurred to me that despite his faults, which were numerous and spectacular, the reason I’d liked Boris and felt happy around him from almost the moment I’d met him was that he was never afraid. You didn’t meet many people who moved freely through the world with such a vigorous contempt for it and at the same time such oddball and unthwartable faith in what, in childhood, he had liked to call “the Planet of Earth.”
    Donna Tartt, The Goldfinch

  • #26
    Donna Tartt
    “I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe.”
    Donna Tartt, The Goldfinch

  • #27
    Donna Tartt
    “You can look at a picture for a week and never think of it again. You can also look at a picture for a second and think of it all your life.”
    Donna Tartt, The Goldfinch

  • #28
    Donna Tartt
    “Stay away from the ones you love too much. Those are the ones who will kill you.”
    Donna Tartt, The Goldfinch

  • #29
    Donna Tartt
    “I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.

    Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?

    A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.

    Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."

    Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?”
    Donna Tartt, The Goldfinch

  • #30
    Donna Tartt
    “Sometimes we want what we want even if we know it’s going to kill us.”
    Donna Tartt, The Goldfinch



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