Janhvi Singh > Janhvi's Quotes

“For, after all, you do grow up, you do outgrow your ideals, which turn to dust and ashes, which are shattered into fragments; and if you have no other life, you just have to build one up out of these fragments. And all the time your soul is craving and longing for something else. And in vain does the dreamer rummage about in his old dreams, raking them over as though they were a heap of cinders, looking in these cinders for some spark, however tiny, to fan it into a flame so as to warm his chilled blood by it and revive in it all that he held so dear before, all that touched his heart, that made his blood course through his veins, that drew tears from his eyes, and that so splendidly deceived him!”
― Fyodor Dostoevsky, White Nights and Other Stories

“Vincent Van Gogh used to eat yellow paint because he thought it would get the happiness inside him. Many people thought he was mad and stupid for doing so because the paint was toxic, never mind that it was obvious that eating paint couldn't possibly have any direct correlation to one's happiness, but i never saw that.
If you were so unhappy that even the maddest ideas could possibly work, like painting the walls of your internal organs yellow, then you are going to do it. It's really no different than falling in love or taking drugs. There is a greater risk of getting your heart broken or overdosing, but people still do ir everyday because there was always that chance it could make things better.
Everyone has their own yellow paint.”
― Alexandra Timmer

“This book is dedicated to the voices inside my head, the most remarkable of my friends.
And to my wife, who lives with us.”
― Fredrik Backman, Anxious People

“She just smiled, said that she loved books more than anything, and started telling him excitedly what each of the ones in her lap was about. And Ove realised that he wanted to hear her talking about the things she loved for the rest of his life.”
― Fredrik Backman, A Man Called Ove

“Behind every exquisite thing that existed, there was something tragic.”
― Oscar Wilde, The Picture of Dorian Gray

“Which of all my important nothings shall I tell you first?”
― Jane Austen

“Maybe we're just born to love and worry about the people we know, and to go on loving and worrying even when there are more important things we should be doing.”
― Sally Rooney, Beautiful World, Where Are You

“I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day and another year. And we would be changed perhaps, never sitting quite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny little fragment of time he would never remember, never think about again…For them it was just after lunch, quarter-past-three on a haphazard afternoon, like any hour, like any day. They did not want to hold it close, imprisoned and secure, as I did. They were not afraid.”
― Daphne du Maurier, Rebecca

“They say that a person’s personality is the sum of their experiences. But that isn’t true, at least not entirely, because if our past was all that defined us, we’d never be able to put up with ourselves. We need to be allowed to convince ourselves that we’re more than the mistakes we made yesterday. That we are all of our next choices, too, all of our tomorrows.”
― Fredrik Backman, Anxious People

“You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“And we hate people for making mistakes so much more than we love them for doing good that the easiest way to live is to do nothing, say nothing, and love no one.”
― Sally Rooney, Beautiful World, Where Are You

“I am still so naïve; I know pretty much what I like and dislike; but please, don’t ask me who I am. A passionate, fragmentary girl, maybe?”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“A beast can never be as cruel as a human being, so artistically, so picturesquely cruel.”
― Fyodor Dostoyevsky, The Brothers Karamazov

“Love is what makes a person human, as well as what makes a monster.”
― Won-pyung Sohn, Almond

“I spend a lot of time wondering what dying feels like. What dying sounds like. If I’ll burst like those notes, let out my last cries of pain, and then go silent forever. Or maybe I’ll turn into a shadowy static that’s barely there, if you just listen hard enough.”
― Jasmine warga, My Heart and Other Black Holes

“Is anyone anywhere happy?”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“Clarissa had a theory in those days - they had heaps of theories, always theories, as young people have. It was to explain the feeling they had of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not 'here, here, here'; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoke to, some women in the street, some man behind a counter - even trees, or barns. It ended in a transcendental theory which, with her horror of death, allowed her to believe, or say that she believed (for all her scepticism), that since our apparitions, the part of us which appears, are so momentary compared with the other, the unseen part of us, which spreads wide, the unseen might survive, be recovered somehow attached to this person or that, or even haunting certain places, after death. Perhaps - perhaps.”
― Virginia Woolf, Mrs. Dalloway

“If you want to keep a secret, you must also hide it from yourself.”
― George Orwell, 1984

“When one is alone, imperfection must be endured every minute of the day; a couple, however, does not have to put up with it. Aren’t our eyes made to be torn out, and our hearts for the same purpose? At the same time it’s really not that bad; that’s an exaggeration and a lie, everything is exaggeration, the only truth is longing. But even the truth of longing is not so much its own truth; it’s really an expression for everything else, which is a lie. This sounds crazy and distorted, but it’s true. Moreover, perhaps it isn’t love when I say you are what I love the most - you are the knife I turn inside myself, this is love. This, my dear, is love.”
― Franz Kafka, Letters to Milena

“(But he could not bring himself to say he loved her; not in so many words.)”
― Virginia Woolf, Mrs. Dalloway

“Artists are people driven by the tension between the desire to communicate and the desire to hide.”
― Donald Woods Winnicott

“How much can you change and get away with it, before you turn into someone else, before it's some kind of murder?”
― Richard Siken, War of the Foxes

“Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.”
― Sylvia Plath, The Journals of Sylvia Plath

“We always think there's enough time to do things with other people. Time to say things to them. And then something happens and then we stand there holding on to words like 'if'.”
― Fredrik Backman, A Man Called Ove

“You know your problem, Quentin? You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman, and for, like, never asking me about how it's going with my girlfriend - but I don't give a shit, man, because you're you. My parents have a shit ton of black Santas, but that's okay. They're them. I'm too obsessed with a reference website to answer my phone sometimes when my friends call, or my girlfriend. That's okay, too. That's me. You like me anyway. And I like you. You're funny, and you're smart, and you may show up late, but you always show up eventually.”
― John Green, Paper Towns

“To love someone is like moving into a house," Sonja used to say. "At first you fall in love in everything new, you wonder every morning that this is one's own, as if they are afraid that someone will suddenly come tumbling through the door and say that there has been a serious mistake and that it simply was not meant to would live so fine. But as the years go by, the facade worn, the wood cracks here and there, and you start to love this house not so much for all the ways it is perfect in that for all the ways it is not. You become familiar with all its nooks and crannies. How to avoid that the key gets stuck in the lock if it is cold outside. Which floorboards have some give when you step on them, and exactly how to open the doors for them not to creak. That's it, all the little secrets that make it your home.”
― Fredrik Backman, A Man Called Ove

“Like most misery, it started with apparent happiness.”
― Markus Zusak, The Book Thief

“The town was paper, but the memories were not.”
― John Green, Paper Towns

“Ove had never been asked how he lived before he met her. But if anyone had asked him, he would have answered that he didn’t.”
― Fredrik Backman, A Man Called Ove

“All art is autobiographical; the pearl is the oyster's autobiography.”
― Federico Fellini