Beautiful Prose Quotes

“The moon hung over the planet Earth, a dead thing over a dying thing.”
― John Fowles

“But aren't all great quests folly? El Dorado and the Fountain of Youth and the search for intelligent life in the cosmos-- we know what's out there. It's what isn't that truly compels us. Technology may have shrunk the epic journey to a couple of short car rides and regional jet lags-- four states and twelve hundred miles traversed in an afternoon-- but true quests aren't measured in time or distance anyway, so much as in hope. There are only two good outcomes for a quest like this, the hope of the serendipitous savant-- sail for Asia and stumble on America-- and the hope of scarecrows and tin men: that you find out you had the thing you sought all along.”
― Jess Walter, Beautiful Ruins

“It was a sumptuous, oh, truly sumptuous autumn day, all Byzantine coppers and golds under a Tiepolo sky of enamelled blue, the countryside all fixed and glassy, seeming not so much itself as its own reflection in the still surface of the lake. It was the kind of day on which, latterly, the sun for me is the world’s fat eye looking on in rich enjoyment as I writhe in misery.”
― John Banville, The Sea

“The sound of the trumpets died away and Orlando stood stark naked. No human being since the world began, has ever looked more ravishing. His form combined in one the strength of a man and a woman’s grace. As he stood there, silver trumpets prolonged their note, as if reluctant to leave the lovely sight which their blast had called forth; and Chastity, Purity, and Modesty, inspired, no doubt, by Curiosity, peeped in at the door and threw a garment like a towel at the naked form which, unfortunately, fell short by several inches. Orlando looked at himself up and down in a long looking-glass, without showing any signs of discompose, and went presumably, to his bath.

We many take advantage of this pause in the narrative to make certain statements. Orlando had become a woman - there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change in sex, though it altered their future, did nothing whatever to alter their identity. Their faces remained, as their portraits prove, practically the same. His memory - but in the future we must, for convention’s sake, say ‘her’ for ‘his’, and ‘she’ for ‘he’ - her memory then, went back through all the events of her past life without encountering any obstacle. Some slight haziness there may have been, as if a few dark spots had fallen into the clear pool of memory; certain things had become a little dimmed; but that was all. The change seemed to have been accomplished painlessly and completely and in such a way that Orlando herself showed no surprise at it. Many people, taking this into account, and holding that such a change in sex is against nature, have been at great pains to prove (1) that Orlando has always been a woman, (2) that Orlando is at this moment a man. Let biologists and psychologists determine. It is enough for us to state the simple fact; Orlando was a man till the age of thirty; when he became a woman and has remained so ever since.”
― Virginia Woolf, Orlando

“One thing she realized soon was that the rain here was eternal. The weather must have changed since the Emperor's time, because now the tower loomed constantly in its cloud of drizzle; all the long afternoons rain trickled in runnels and gutters and spouts, spattering through gargoyles of hideous beasts and goblins that spat far down on the heads of hurrying clerks. Always the roofs ran with water; it dripped and plopped and splashed through culverts and drains, or sheeted down, a relentless liquid gurgle that never stopped, until she started to imagine that this was the song the tower sang, through all the throats and mouths and pipes of its endless body.”
― Catherine Fisher, The Lost Heiress

“She stood watching a ritual she had seen many times before, yet which now seemed odd and extremely archaic; as if everything - the hill, the ox, the Mage, the cauldron, the king, the people looking on - everything belonged to a time so far away, so obscurely ancient that it could no longer be comprehended, only felt in the pulse of blood that flowed through her veins.”
― stephen r. lawhead, Taliesin

“We both knew we were speaking about the effortlessness with which one falls in love without intending to, as if we were two stalks of bamboo bend toward each other by the chance of the wind. And then we bent toward each other and kissed, lost in the nowhere of being together.”
― Amy Tan, The Bonesetter's Daughter

“It was like staring into a clear pool that seemed shallow, inches deep, but you might toss a coin in that glassy water and it would fall and fall, spiralling down forever without even striking the bottom.”
― Donna Tartt, The Little Friend

“She stared out. She saw a vastness, a rising shape, indistinct in the rain, gray in the misty drizzle. At first she had thought it was a cloud, a great bank of fog drifting up over the mountains, but now she realized with a cold awe that it was real, a vast building climbing the mountainside, rising in a countless series of rooms, stairways, balconies, and galleries, far away and immense, its topmost roofs white with snow. And up there, like a needle sharp with ice, one uttermost pinnacle flew the remote black pennant of the Watch.

The Tower of Song.”
― catherine fisher, The Lost Heiress

“A distant, eerie howl had risen out of the floor, from far beneath. Silent, absolutely still, she waited, and at last it came again, indefinably closer, but muffled, as if layers of stone-rooms, dungeons, cellars-were between her and it. Not human. She crouched down with her ear to the stone slabs. Somewhere down there, unguessable levels below,something prowled.”
― Catherine Fisher, The Lost Heiress