Between The Lines Quotes
Quotes tagged as "between-the-lines"
Showing 1-17 of 17
“The question is not if you're willing to die for her. The question is, can you live without her?”
― Between the Lines
― Between the Lines
“Love is a tidal wave--not because it sweeps you off your feet, but because it pulls you down and drowns you.”
― Between the Lines
― Between the Lines
“This is why there was music. There were some feelings that just didn't have words big enough to describe them.”
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“Maybe the reason I've never died in this story is that I've never had something worth dying for before.”
― Between the Lines
― Between the Lines
“She's not like anyone I've ever seen before. When I'm not with her, I want to be. And when she opens the book and I see her face, I can barely remember what I'm supposed to say, much less how to speak at all." I test the words on my tongue. "I think I might be in love with her. But how can I really know, since the only love I've ever experienced was written for me?”
― Between the Lines
― Between the Lines
“Is it really worth dying for the person you love?”
[Maureen] thinks about this for a moment. “That’s not the real question, Oliver. What you should be asking is, Can you live without her?”
― Between the Lines
[Maureen] thinks about this for a moment. “That’s not the real question, Oliver. What you should be asking is, Can you live without her?”
― Between the Lines
“I sigh. “But if you’d talked to Jules—if she could hear you . . .” My voice trails off.
“Then you wouldn’t feel quite so crazy?” Oliver asks gently. “Can’t you believe in me, if I believe in you?”
― Between the Lines
“Then you wouldn’t feel quite so crazy?” Oliver asks gently. “Can’t you believe in me, if I believe in you?”
― Between the Lines
“One of the benchmarks of great communicators is their ability to listen not just to what's being said, but to what's not being said as well. They listen between the lines.”
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“There's a much deeper and meaningful conversation being conducted in the space between the lines.”
― Second Chance
― Second Chance
“Your father used to say that being scared just meant you had something worth coming back to" Queen Maureen said "And he used to tell me he was scared all the time.”
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“When Sam told this story to Sadie, she laughed, though she barely seemed to be listening. He had framed the story in a humorous way, smoothed off some of the edges of his hostility toward the woman in the park. But as he told it, he could feel himself back in that dog park. He could feel the dry California heat and the murderous pounding of his heart. Without warning, an anecdote he had meant to be amusing did not feel amusing. Anyone, who had truly looked at Tuesday could not have possibly seen a coyote. But the woman had not truly looked, and the injustice of this hit him. Why was is it acceptable for apparently well-meaning people to see the world in such a general way?
Sam was put off by Sadie's laughter. He asked her what was funny. She was confused for a moment---hadn't he wanted her to laugh?---and then she said, annoyed, "You get that this a story about you, right? That's why you lost your mind at a dog park. You're Tuesday. You're the incredibly special dog that no one can classify." It was not long after their huge argument, and things were quite strained between them.
Sam told her that she was being reductive, and that her interpretation was insulting to both him and the dog. "It's a story about Tuesday," he insisted. "Maybe it's a story about L.A., too. Maybe it's a story about the kind of people that go to the dog park in Silver Lake. But it's mainly a story about Tuesday."
"The text," she said, "perhaps.”
― Tomorrow, and Tomorrow, and Tomorrow
Sam was put off by Sadie's laughter. He asked her what was funny. She was confused for a moment---hadn't he wanted her to laugh?---and then she said, annoyed, "You get that this a story about you, right? That's why you lost your mind at a dog park. You're Tuesday. You're the incredibly special dog that no one can classify." It was not long after their huge argument, and things were quite strained between them.
Sam told her that she was being reductive, and that her interpretation was insulting to both him and the dog. "It's a story about Tuesday," he insisted. "Maybe it's a story about L.A., too. Maybe it's a story about the kind of people that go to the dog park in Silver Lake. But it's mainly a story about Tuesday."
"The text," she said, "perhaps.”
― Tomorrow, and Tomorrow, and Tomorrow
“I think that learning to read between the lines of traditional media is one way to stay informed, and also realizing that eventually you're going to have to cross-reference all sorts of different information coming from different sources.”
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