Big Red Son Quotes

Quotes tagged as "big-red-son" Showing 1-5 of 5
David Foster Wallace
“It is difficult to describe how it feels to gaze at living human beings whom you’ve seen perform in hard-core porn. To shake the hand of a man whose precise erectile size, angle, and vasculature are known to you. That strange I-think-we’ve-met-before sensation one feels upon seeing any celebrity in the flesh is here both intensified and twisted. It feels intensely twisted to see reigning industry queen Jenna Jameson chilling out at the Vivid booth in Jordaches and a latex bustier and to know already that she has a tattoo of a sundered valentine with the tagline HEART BREAKER on her right buttock and a tiny hairless mole just left of her anus. To watch Peter North try to get a cigar lit and to have that sight backlit by memories of his artilleryesque ejaculations.13 To have seen these strangers’ faces in orgasm—that most unguarded and purely neural of expressions, the one so vulnerable that for centuries you basically had to marry a person to get to see it.”
David Foster Wallace

David Foster Wallace
“Vivid is one of the [porn] industry’s great powers, a company famous for having billboards that
sometimes cause traffic accidents in downtown LA.”
David Foster Wallace, Consider the Lobster and Other Essays

David Foster Wallace
“Not unlike urban gangs, police, carnival workers, and certain other culturally marginalized guilds, the US porn industry is occluded and insular in a way that makes it seem like high school.”
David Foster Wallace, Consider the Lobster and Other Essays

David Foster Wallace
“Your correspondents elect here to submit an opinion. Dark’s and Black’s movies are not for men who want to be aroused and maybe masturbate. They are for men who have problems with women and want to see them humiliated. Whether Bizarro-Sleaze might conceivably help armchair misogynists “work out” some of their anger at females is irrelevant. Catharsis is not these films’ intent. Their intent is to capitalize on a market-demand that quite clearly exists — these directors’ products, like Max Hardcore’s, are near-constant presences in Adult Video News’s Top Sellers and Renters lists.
Dark’s and Black’s movies are vile. They are meant to be. And the truth is that inyour-face vileness is part of the schizoid direction porn’s been moving in all decade. For just as adult entertainment has become more “mainstream” — meaning more widely available, more acceptable, more lucrative, more chic: Boogie Nights — it has become also more “extreme,” and not just on the Bizarro margins. In nearly all hetero porn now there is a new emphasis on anal sex, painful penetrations, degrading tableaux, and the (at least) psychological abuse of women. In certain respects, this extremism may simply be porn’s tracing Hollywood entertainment’s own arc: It’s hardly news that TV and legit film have also gotten more violent and explicit and raw in the last decade. So maybe. And yet there’s something else.”
David Foster Wallace, Consider the Lobster and Other Essays

David Foster Wallace
“Q. $4,000,000,000 and 8,000 new releases a year — why is adult video so popular in this country?
[...]
A. Industry journalist Harold Hecuba: “It’s the new Barnum. Nobody ever goes broke overestimating the rage and misogyny of the average American male.”
David Foster Wallace, Consider the Lobster and Other Essays