Cellar Quotes

“Everything free and decent in life is being locked away in filthy little cellars by beastly people who don't care.”
― John Fowles, The Collector

“Originally, the cellar served primarily as a coal store. Today it holds the boiler, idle suitcases, out-of-season sporting equipment, and many sealed cardboard boxes that are almost never opened but are always carefully transferred from house to house with every move in the belief that one day someone might want some baby clothes that have been kept in a box for twenty-five years.”
― Bill Bryson, At Home: A Short History of Private Life

“The sky was growing dangerously light when I left Lestat and made my way to the secret place, below an abandoned building where I kept the iron coffin in which I lie.

This is no unusual configuration among our kind-the sad old building, my title to it, or the cellar room cut off from the world above by iron doors no mortal could independently seek to lift.”
― Anne Rice, Merrick

“It’s just one of the old-world fears, carrying over.”
“What’s that?”
“The fear of the cellar.”
― Josh Malerman

“There's something about these obscure vignettes of former lives that's very powerful. Our woods are full of old cellar holes, tumbled-down chimneys, ancient scraggly lilacs absurdly tall still stretching toward the light.”
― Leslie Land, The 3,000 Mile Garden: An Exchange of Letters on Gardening, Food, and the Good Life

“Old Hubert must have had a premonition of his squalid demise. In October he said to me, ‘Forty-two years I’ve had this place. I’d really like to go back home, but I ain’t got the energy since my old girl died. And I can’t sell it the way it is now. But anyway before I hang my hat up I’d be curious to know what’s in that third cellar of mine.’

The third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow.

The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole.

Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the far
end, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap.

That’s all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert, ‘It’s of no interest. . .’ and kept this treasure for myself.

I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood’s surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I’ve kept quiet about my find. I’m biding my time.”
― Jacques Yonnet, Paris Noir: The Secret History of a City

“Wine ages gracefully in a cellar, but gets no wiser.”
― Rajesh`

“The tornado the alarms had screamed about ... hadn't actually happened, but around here you never know. Better safe in the cellar than sorry halfway up the sky.”
― Stephen Graham Jones, Night of the Mannequins