E B White Quotes

Quotes tagged as "e-b-white" Showing 1-8 of 8
E.B. White
“The sea answers all questions, and always in the same way; for when you read in the papers the interminable discussions and the bickering and the prognostications and the turmoil, the disagreements and the fateful decisions and agreements and the plans and the programs and the threats and the counter threats, then you close your eyes and the sea dispatches one more big roller in the unbroken line since the beginning of the world and it combs and breaks and returns foaming and saying: "So soon?"
E. B. White "On A Florida Key”
E. B. White

E.B. White
“All I hope to say in books, all that I ever hope to say, is that I love the world.”
E.B. White

William Strunk Jr.
“Writers will often find themselves steering by stars that are disturbingly in motion.”
William Strunk Jr., The Elements of Style

E.B. White
“Write with nouns and verbs, not with adjectives and adverbs. The adjective hasn't been built that can pull a weak or inaccurate noun out of a tight place.”
E.B. White

E.B. White
“To confront death, in any guise, is to identify with the victim and face what is unsettling and sobering”
E.B. White

E.B. White
“His face looked shrewd and wise, as if he knew many things, many of them not worth knowing.”
E.B. White The Trumpet of the Swan

E.B. White
“The use of language begins with imitation. The infant imitates the sounds made by its
parents; the child imitates first the spoken language, then the stuff of books. The imitative life continues long after the writer is secure in the language, for it is almost impossible to avoid imitating what one admires. Never imitate consciously, but do not worry about being an imitator; take pains instead to admire what is good. Then when you write in a way that comes naturally, you will echo the halloos that bear repeating.”
E. B. White

Sarah Freligh
“I’m driving home from school when the radio talk
turns to E.B. White, his birthday, and I exit
the here and now of the freeway at rush hour,

travel back into the past, where my mother is reading
to my sister and me the part about Charlotte laying her eggs
and dying, and though this is the fifth time Charlotte

has died, my mother is crying again, and we’re laughing
at her because we know nothing of loss and its sad math,
how every subtraction is exponential, how each grief

multiplies the one preceding it, how the author tried
seventeen times to record the words She died alone
without crying, seventeen takes and a short walk during

which he called himself ridiculous, a grown man crying
for a spider he’d spun out of the silk thread of invention —
wondrous how those words would come back and make

him cry, and, yes, wondrous to hear my mother’s voice
ten years after the day she died — the catch, the rasp,
the gathering up before she could say to us, I’m OK.”
Sarah Freligh