Emma Matthews Quotes

Quotes tagged as "emma-matthews" Showing 1-11 of 11
“Sometimes it's as if I can shrink away to nothing. Sometimes I feel as pure and perfect as a ghost. The hunger, the headaches, the dizziness—these are the only things that are real.”
J.P. Delaney, The Girl Before

“That was Emma—she'd have enjoyed knowing she had something like that, something that could blow her whole fucking life and mine apart if it came out. Her little bit of power.”
J.P. Delaney, The Girl Before

“I don't want anything from you, Edward. If you'd only told me you were still in love with Emma—'

'You don't understand,' he interrupts. 'It was like an illness. I hated myself every second I was with her.”
J.P. Delaney, The Girl Before

“I'll tell you something that was unusual, though. When most people are caught lying to the police, they cave in pretty quickly. Emma's response was to tell another lie. It might have been planted in her head by her brief, but even so that's not a common reaction.”
J.P. Delaney, The Girl Before

“I know it must look odd, given that I didn't even know Emma. But it seems to me that almost no one really knew her. Everyone I speak to has a different version of what she was like.”
J.P. Delaney, The Girl Before

“The same goes for Edward Monkford. Yes, based on what you've told me, it seems Emma was the real narcissist, not him. But there's no doubting he's an extreme controller. What happens when a controller comes up against someone who's out of control? The combination could be explosive.”
J.P. Delaney, The Girl Before

“In my art history degree course, we did a module on palimpsests—medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view.

Sometimes I have a sense that this house—our relationship in it, with it, with each other—is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame.”
J.P. Delaney, The Girl Before

“Saul is as different from Simon Wakefield as it's possible to get, I find myself thinking. And Edward Monkford is utterly different from both of them. It seems incredible that Emma could have had relationships with all three men. Where Simon's eager to please, but also touchy and insecure, and Edward's calm and super-confident, Saul is pushy and brash and loud. He also has a habit of saying 'Yeah?' aggressively at the end of his sentences, as if trying to force me to agree with him.”
J.P. Delaney, The Girl Before

“But don't you see, I say, I don't care. I don't care what you've done or how bad you are. Edward, we belong together. We both know it. Now I know your worst secrets and you know mine. Isn't that what you've always wanted? For us to be completely honest with each other?”
J.P. Delaney, The Girl Before

“All these men who loved Emma, I think. For all her problems, men were fixated on her. Will anyone ever feel like that about me?”
J.P. Delaney, The Girl Before

“I will take what I can from Edward. And then I will let them fade into history, all the characters in this drama. Emma Matthews and the men who loved her, who became obsessed with her. They're not important to us now.”
J.P. Delaney, The Girl Before