Evelyn Waugh Quotes

“I was near-delirious. Gazing up at the pillared skyline, I knew that I was surveying a tremendous work of man. Buying myself a drink in the smaller warrens below, in all their ethnic variety (and willingness to keep odd and late hours, and provide plentiful ice cubes, and free matchbooks in contrast to English parsimony in these matters), I felt the same thing in a different way. The balance between the macro and the micro, the heroic scale and the human scale, has never since ceased to fascinate and charm me. Evelyn Waugh was in error when he said that in New York there was a neurosis in the air which the inhabitants mistook for energy. There was, rather, a tensile excitement in that air which made one think—made me think for many years—that time spent asleep in New York was somehow time wasted. Whether this thought has lengthened or shortened my life I shall never know, but it has certainly colored it.”
― Christopher Hitchens, Hitch 22: A Memoir

“I was extremely shy of approaching my hero but he, as I found out, was sorely in need of company. By then almost completely blind, he was claustrated and even a little confused and this may help explain the rather shocking attitude that he took to the blunt trauma that was being inflicted in the streets and squares around him. 'This was my country and it might be yet,' he intoned to me when the topic first came up, as it had to: 'But something came between it and the sun.' This couplet he claimed (I have never been able to locate it) was from Edmund Blunden, whose gnarled hand I had been so excited to shake all those years ago, but it was not the Videla junta that Borges meant by the allusion. It was the pre-existing rule of Juan Perón, which he felt had depraved and corrupted Argentine society. I didn't disagree with this at all—and Perón had victimized Borges's mother and sister as well as having Borges himself fired from his job at the National Library—but it was nonetheless sad to hear the old man saying that he heartily preferred the new uniformed regime, as being one of 'gentlemen' as opposed to 'pimps.' This was a touch like listening to Evelyn Waugh at his most liverish and bufferish. (It was also partly redeemed by a piece of learned philology or etymology concerning the Buenos Aires dockside slang for pimp: canfinflero. 'A canfinfla, you see,' said Borges with perfect composure, 'is a pussy or more exactly a cunt. So a canfinflero is a trafficker in cunt: in Anglo-Saxon we might say a 'cunter."' Had not the very tango itself been evolved in a brothel in 1880? Borges could talk indefinitely about this sort of thing, perhaps in revenge for having had an oversolicitous mother who tyrannized him all his life.)”
― Christopher Hitchens, Hitch 22: A Memoir

“Impotence and sodomy are socially O.K. but birth control is flagrantly middle-class.”
― Evelyn Waugh, Noblesse Oblige: An Enquiry into the Identifiable Characteristics of the English Aristocracy

“Oh yes, I believe that. It's a lovely idea."

"But you can't believe things because they're a lovely idea."

"But I do. That's how I believe.”
― Evelyn Waugh, Brideshead Revisited

“They had scraped up fresh river fish, and stewed them with white wine and aubergines; also a rare local bird which combined the tender flavour of partridge with the solid bulk of the turkey; they had roasted it and stuffed it with bananas, almonds, and red peppers; also a baby gazelle which they had seethed with truffles in its mother's milk; also a dish of feathery Arab pastry and a heap of unusual fruits. Mr Baldwin sighed wistfully. "Well," he said, "I suppose it will not hurt us to rough it for once.”
― Evelyn Waugh, Scoop

“...but it was not until Sebastian idly turning the page of Clive Bell's Art, read: '“Does anyone feel the same kind of emotion for a butterfly or a flower that he feels for a cathedral or a picture?” Yes. I do,' that my eyes were opened.”
― Evelyn Waugh, Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder

“The novelist Evelyn Waugh noticed at the time that Evans and his collaborators blended contemporary styles into antique ones: they had “tempered their zeal for accurate reconstruction with a somewhat inappropriate predilection for covers of Vogue.”
― Stefanos Geroulanos, The Invention of Prehistory: Empire, Violence, and Our Obsession with Human Origins