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Fan Fiction Quotes

Quotes tagged as "fan-fiction" Showing 1-21 of 21
Lev Grossman
“I adore the way fan fiction writers engage with and critique source texts, by manipulating them and breaking their rules. Some of it is straight-up homage, but a lot of [fan fiction] is really aggressive towards the source text. One tends to think of it as written by total fanboys and fangirls as a kind of worshipful act, but a lot of times you’ll read these stories and it’ll be like ‘What if Star Trek had an openly gay character on the bridge?’ And of course the point is that they don’t, and they wouldn’t, because they don’t have the balls, or they are beholden to their advertisers, or whatever. There’s a powerful critique, almost punk-like anger, being expressed there—which I find fascinating and interesting and cool.”
Lev Grossman

“He looks like a poem. One of those mournfully beautiful ones with short, unfamiliar words that sound ethereal when spoken and completely nonsensical when thought.”
Velvetoscar, Young & Beautiful

Michael Montoure
“Keep in mind that in the whole long tradition of storytelling, from Greek myths through Shakespeare through King Arthur and Robin Hood, this whole notion that you can't tell stories about certain characters because someone else owns them is a very modern one - and to my mind, a very strange one.”
Michael Montoure, Slices

“I should like to be the sun. And you can be the moon.’
[...]
‘But then we’d never see each other.’
[...]
‘Not so, young one. The moon shines because of the sun, you know. Because the sun's always there. Just like me.”
Velvetoscar, Young & Beautiful

Allison van Diepen
“I'd been writing for as long as I could remember, but once I read Otherworld, I'd stopped writing original stories to focus on fan fiction. It was such a rich, exciting world that I couldn't think of writing anything else.”
Allison van Diepen, The Vampire Stalker

“I can’t grow attached to shadows. They’re gone as quickly as they come”
Velvetoscar, Young & Beautiful

“It's like watching a bird that's been caged its whole existence and is suddenly released, overwhelmed with freedom and life, filling its lungs with what it never dared breathe and filling its eyes with what it never dared see.”
Velvetoscar, Young & Beautiful

“but he can’t seem to look away as he stands among chrysanthemums and daisies on a cobblestone path, the tragic musk of roses settled in the air, staring up at dimly lit windows, searching for a boy who barely exists.”
Velvetoscar, Young & Beautiful

“Harry’s somewhere beyond the realm of existence, in the dark corners that get forgotten or shunned, and he’s far away from everybody, so far away, but Louis imagines himself reaching out, imagines stretching his hand into the bleak darkness, and imagines his fingers brushing against the bits of Harry that are still there. And that’s all he needs.”
Velvetoscar, Young & Beautiful

“He wants to take it back instantly. But he doesn’t. He just sits there, staring at this tornado of a boy with deep shadows and dark curls and holds his fucking hand like a child, unable to pry himself away”
Velvetoscar, Young & Beautiful

“It’s just how it is. Not everybody was born to be inherently ‘good’. The world is going to be filled with different characters, different flavours, different levels of respectability and whatnot, and Louis just so happens to be on the lower ranks. He’s not good, he’s not brave, and he’s not out to save anyone except himself. Even fairytales have their villains — it’s a part of life. And it’s always been that way. Louis’ always been a bit harsher around the edges. He certainly isn’t going to be winning any “Humanitarian of the Year” awards, that’s for sure. And he doesn’t mind it so much, being thoroughly unaffected by anything and everything and totally removed from his peers and their very trivial lives. Because he’s not like the rest of them. That’s the thing. They’re all the fucking same. With their money and their uppity attitudes and twattiness and their preconceived notions and recycled sentences that disappear as quickly as they come. The same.”
Velvetoscar

“Reading by the fire when it’s raining is the closest thing we have to a cure for the human condition”
isthisselfcare, Draco Malfoy and the Mortifying Ordeal of Being in Love

Michael  Grant
“You will have noticed that I didn’t give this story a pat conclusion, and that’s deliberate. Katherine (my wife and frequent coauthor, K. A. Applegate) and I were among the earliest authors to encounter fan fiction via the internet. We’ve embraced it from the start. And some part of me hopes that fanfic writers will carry this story forward. Don’t ask me what happens to these characters next, because I don’t know. Will Dekka find love, perhaps with Simone? Will Cruz and Armo? How will Sam and Astrid do in this terrifying extension of earlier trauma? Maybe you have some ideas. I built the sandbox; if you want to bring your pails and shovels and play in it, cool. It’s one of the best things about writing for young people: you are my collaborators in imagination. If I leave blanks it’s because I know you’ll fill them.”
Michael Grant, Hero

“Beams of moonlight catch on his face, illuminating his pallid skin, crimson lips, and the soft petals of the blossoms tucked in his hair”
Velvetoscar, Young & Beautiful

“Do you ever think about a future for us?" she asked. "I do, and I don't want us to have to hide. To run."
"I would rather run with you than walk alone," he said.”
Bex-chan, Isolation

“I think the closest thing I've ever felt to religion is when I'm with you.”
HeartOfAspen, The Eagle´s Nest

Rainbow Rowell
“Making people happy makes me feel good. If anything, it gives me more energy for the people I care about.”
Rainbow Rowell, Fangirl

“This is fan fiction, but it’s the fan fiction of a classical scholar who knows his stuff, even if he is a touch irreverent and unorthodox.”
Sarah Warning Potentially Off-Topic

Marty Barrett
“The slowed Kopell is saved with wood inventions.”
Marty Barrett, Limericks of Loss And Regret: Gripping And Poignant Interludes

“And for a moment, the honesty of it overwhelms her. The old saying echoes in her head. Malfoy never tried to catch his flies with honey. He never promised sweetness. He threw vinegar the whole time. She wonders if she’s preferred vinegar to honey all along.”
Onyx_and_Elm, Breath Mints / Battle Scars

Adam  Becker
Harry Potter and the Methods of Rationality (HPMOR), a novel running to 650,000 words (substantially longer than War and Peace), is among the most widely read pieces of Harry Potter fan fiction on the internet. Yudkowsky started working on it in 2010, posting chapters online as he wrote them for the next five years.
     Yudkowsky's Harry Potter is a wizard in training and a child prodigy with a set of interests and goals suspiciously similar to those of Yudkowsky himself: eliminating death is at the top of his list. The book has chapter titles like "Machiavellian Intelligence Hypothesis," "Bayes's Theorem," and "Personhood Theory." Yudkowsky's Potter is supposed to be eleven, but he talks much more like the adult Yudkowsky. And like Yudkowsky, he wants to save the world—his way. "World domination is such an ugly phrase," Yudkowsky's Potter says at one point. "I prefer to call it world optimisation.”
Adam Becker, More Everything Forever: AI Overlords, Space Empires, and Silicon Valley's Crusade to Control the Fate of Humanity