Feminine Beauty Quotes

“Never did the world make a queen of a girl who hides in houses and dreams without traveling.”
― Roman Payne, The Wanderess

“No one knows what you have been through or what your pretty little eyes have seen, but I can reassure you ~ whatever you have conquered, it shines through your mind.”
― Nikki Rowe

“...The fact that it's black transforms it. Has the same effect on women that black stockings have on men.”
― Daphne du Maurier

“The menopause of Sarah became her menostart; this is feminine beauty! The death plot against Mordecai became his life spring; this is masculine beauty! A kind of life lived in God's word is a life of miraculous beauty!”
― Israelmore Ayivor

“When a woman has truly embodied her sensuality, no labor is burdensome to her man. He finds great delight in making her happy no matter what.”
― Lebo Grand

“Frozen in time, captured in memories, filled in passion, she melted in love before his eyes.”
― Luffina Lourduraj

“Amid all the harsh words of a cruel world, let my voice speak out in tenderness. There is an inner light which must be nourished and cannot be replaced with a blind eye. Soft spirits are so much more than the simple result of hopeless romanticism. Each one is the soul of beauty and love combined.”
― Erin Forbes

“Holy Christ, how Win devastated him. He had starved for her for so long, dreamed of her so many nights, and woken to many bitter mornings without her at first he hadn't believed she was real.
He thought of Win's lovely face, and the softness of her mouth against his, and the way she had arched beneath his hands. She had felt different, her body supple and strong. But her spirit was the same, radiant with the endearing sweetness and honesty that had always pierced straight to his heart. It had taken all his strength not to go on his knees before her.”
― Lisa Kleypas, Seduce Me at Sunrise

“But Cassandra was even more breathtaking than he remembered. Her golden sunstruck beauty illuminated the sterile environment of the clinic. She was wonderfully dressed in a green velvet walking dress and a matching hooded cloak trimmed with white fur. Her hair, so shiny it looked molten, had been pinned up in a complex mass of coils and topped with a flirtatious little excuse for a hat. He felt her presence like a shock, every nerve tingling.”
― Lisa Kleypas, Chasing Cassandra

“His wife looked vulnerable and lovely, like a nymph sleeping in a wood. The fantastical profusion of her hair was like something from a mythological painting, curling golden locks spreading everywhere in lavish disarray.”
― Lisa Kleypas, Chasing Cassandra

“She took a deep breath and turned her face to the sky, where large white flakes drifted down, landing in her auburn hair, winter blooms on a field of red. She closed her eyes and let the flakes kiss her cheeks, eyelids, lips.
Never before in his life had he been jealous of snowflakes.”
― Amy E. Reichert, Once Upon a December

“I have never ceased to be fascinated by feminine beauty. In a man, beauty, if it exists, is usually simple; a complete harmony of physical qualities and behaviour all acting together as a whole. The slightest flaw causes it to disappear. In women, beauty is more complex. Often, in my experience, the impression of beauty is created by a single aspect of a woman and from that aspect beauty appears to spread outward through every part of them, rendering them beautiful in their entirety. Sometimes such beauty comes from a smile. Sometimes from a lovely pair of eyes. Sometimes from an attitude, or a form of movement, or a sentiment of goodness or happiness which reveals itself in a single expression. Sometimes it is the curve of a body from which beauty spreads, sometimes a tone of skin, or a river of glossy hair that catches the light and seems to shine like silk. Yet were that aspect removed and not replaced by something else, so too would the beauty it had brought to light disappear. Less often, beauty comes from several sources in the same person, all working together to increase the impression of overall beauty. If one of these aspects were to disappear, unlike a man, the woman would remain beautiful, though changed.”
― Yasmine Millett, The Erotic Notebooks

“Is it not their vulnerability that makes women charming to men and sans a semblance of timidity, won’t femininity suffer?”
― B.S. Murthy, Benign Flame: Saga of Love

“Mom's face healed soon enough, but her nose retained a slight bump from the break. I never got used to that bump; I felt uneasy when I caught it in profile. At the time, I didn't understand why this tiny disfigurement bothered me, but now it's clear. It was Mom's beauty that Teresa hated, that convinced her that Mom could disrupt her relationship with Tom. It was her beauty that she'd attacked so viciously, that she'd tried to stamp out. That bump on Mom's pretty face was a reminder that beauty wasn't only power. It was also danger.”
― Sarah Perry, After the Eclipse: A Mother's Murder, a Daughter's Search

“The lass was bonnie enough, he acknowledged as his gaze slid over the waves of strawberry blond hair that framed her heart-shaped face.”
― Lynsay Sands, Highland Wolf

“But I knew my hair was healthy and a pretty color, dark brown shot with red in certain lights. I'd always liked my eyes, which were large and framed by naturally long lashes, and if I used to wish they were violet instead of brown, I was mostly over it now. That had been a side effect of reading too many romance novels, I knew, where the heroine's eyes were always sparkling emerald or velvety indigo.”
― Alicia Thompson, Love in the Time of Serial Killers

“Nina's lids glittered with a creamy, blush-colored powder, her cheekbones were sharpened with highlighter and her lips were coated in a strawberry-pink glaze. She was as tempting as an éclair--- soft and delicious.”
― Erin La Rosa, For Butter or Worse

“Her throat interested him greatly, the lovely arc beneath her dainty earlobe, the milky skin, the silken cascade of her perfumed hair...
His mind drifted, the wine warming his senses. It had now been three days since he'd had a woman, and he had not forgotten the way she had felt beneath him last night. He still wanted her in spite of himself.
Her lips' dewy roses beguiled him, along with the teasing sparkle in those emerald green eyes beneath her black velvet lashes. The candlelight brought out a golden luster in the depths of her light brown hair and danced along the delicate lines of her bare shoulders.
Was it wrong to want to lick the caramel sauce out of her splendid cleavage instead of drizzling it politely on the cheesecake? He did his best to keep a tight rein on his dangerous hunger for her, even as his hands tingled with yearning to caress all her creamy, glowing skin.
As he took another large swallow of port, he contemplated the fact that there was one sure way to find out if she was really as innocent as she would have him believe.
If she was a part of her forebears' sinister conspiracy, it was unlikely that she was a virgin. He was keenly tempted to verify her status for himself by luring her into his bed and finishing what they had started last night.”
― Gaelen Foley, My Dangerous Duke

“When he reached the music room, he leaned in the open doorway for a moment and smiled as he studied the alluring arrangement of his darling mistress reclining on the light green settee.
Dressed in a pink gown with striped satin skirts, Kate was idly thumbing through her mother's book, open on her lap. She had loosed her soft brown hair; it flowed over her shoulders in crimped waves from her earlier chignon.
"There you are," he greeted her with a glow of appreciation in his eyes. "And don't you look pretty as a picture.”
― Gaelen Foley, My Dangerous Duke

“He suspected Susannah Makepeace might even become truly interesting... given a little encouragement.
She was pretty. Not in the usual way, the way the Carstairs sisters were pretty, the sort of beauty that would become distinct with age. But... well, Miss Makepeace's eyes seemed filled with colors, and with a spy's impulse toward investigation, he had an urge to get a look at them in the full light so he could see how many and which ones. And her mouth... it was plush, her mouth. Pink as the inside of a seashell.
The softest, softest shade of pink imaginable.”
― Julie Anne Long, Beauty and the Spy

“We live under ghe impression that we are freethinkers; the irony is that thinkers are generally not free when they think just like everyone else.”
― Carrie Gress, The Anti-Mary Exposed: Rescuing the Culture from Toxic Femininity

“He wanted her.
He closed his eyes.
These... urges were loathsome, and yet they plagued him constantly. He'd been in London over a month now with no remedy. Perhaps that was why he'd found himself drawn to the girl.
She was pretty and bright and innocent, and she had smelled of wild roses.”
― Elizabeth Hoyt, No Ordinary Duchess

“Julian turned deliberately to examine the de Moray girl. She was plumper than was fashionable. Her generously round hips overflowed the seat of her chair, and her pillowed breasts pushed against her stays as if they wanted freeing. She had full cheeks, pink against her white skin, and her hair was a glorious blond red like the dawn of a new day.”
― Elizabeth Hoyt, No Ordinary Duchess

“She turned almost all the way around then and smiled at him, her cheeks flushed in the warmth of the fire, her pink lips curved sensuously, her hair falling like a red-gold waterfall over her shoulder. She might've been painted by Botticelli, a Venus emerging from the sea.
"Yes, snails," she replied teasingly, oblivious to his thoughts. "Snails are delicious. One pokes them out of their shell with a little prick."
He felt a tightening in his loins at the innocent remark. How could she not know the other meaning to the word?
He muttered under his breath before he could censor himself, "I'd think a large prick would be preferred.”
― Elizabeth Hoyt, No Ordinary Duchess

“Her hair was a nimbus, escaping her loose braid and curling about her face and ears. As she leaned over her meal, her breasts pushed dangerously against her bodice, swelling as if they might escape confinement entirely. Her skin was luminous in the firelight, the palest of pinks, shining like satin.
Julian could, if he tried, look at her without bias. See that she was plumper than was considered pretty. Shorter than was elegant. With a face that many would think ordinary. Someone who might be lost in a crowd.
But to him she was the sun in the sky, shining more brightly than anything else on earth.
He should be uneasy at such attraction. She was neither like the aristocratic ladies of London whom he encountered every day nor like the prostitutes he hired covertly on occasional nights.
Elspeth was a woman apart, unique unto herself.”
― Elizabeth Hoyt, No Ordinary Duchess

“Her hair glowed against the pillowcase, pooling like spilt ink. He wanted to bury his face in it, to breathe in the scent of what he imagined would be sugared violets, grape soda, blackberry jam. Her roots, up close, surprised him; they weren't bleached white but grew in that way, as if the shock of something had blanched her follicles.”
― Daria Lavelle, Aftertaste

“She was already showing the effects of our temperamental thermostat, her round, pale cheeks flushed, a delicate sweat on her hairline.
As if she sensed my thoughts, she took off her rucksack, enormous jacket, and the ocean-blue jumper underneath, revealing a brilliant yellow daffodil with a saffron heart unfurling up her forearm, and a short-sleeved forest green T-shirt that stretched across her... My eyes snapped up to her face, and my cheeks warmed.
It was the colors that made me notice her, I told myself. The blues and greens and yellows of her. Not her curves, not her peaches-and-cream skin. I hadn't looked at anyone like that in eons.
Now I saw her hazel eyes glance around, and for a moment, she looked uncertain, shy, a new girl on the first day of school. An effect that was amplified by the long chestnut-brown braid that dangled over her shoulder, flickering with bronze and copper.
I could tug it, not too hard, just enough to make her forget her nervousness.”
― Sarah Chamberlain, Love Walked In

“So this was Rosemary Shaw. The woman who had tried to get him pulled from the movie. She was nothing like Ellis had expected, when he'd imagined their meeting. No, instead, he was faced with a haughty little North American woman who looked like she'd just stepped out of a Pre-Raphaelite painting. Her long wavy copper hair was plaited back, exposing the smooth, pale column of her neck, and her face was framed with cat's-eye glasses that only served to accentuate her piercing gaze. She was young, younger than many of the screenwriters he knew. There was a sunniness about her that spoke of someone who wasn't yet as disillusioned with the industry as he was. Peachy, that's how he'd describe her.”
― Nadia El-Fassi, Love at First Fright

“Her hazel eyes danced with specks of forest green and rich deep brown, and I thought for a moment of a wood nymph out of a Pre-Raphaelite painting. That's what she would look like with her hair down, sweetly chaotic and not a little bit sensual.”
― Sarah Chamberlain, Love Walked In

“Madeline wasn't human.
There were suspicions when I first heard her voice. A voice that could move mountains and shake the seas, if only she knew how to use it properly. Now that I'd had a full-fledged conversation with her, I knew it for sure.
Madeline was a siren.
Fuck, she looked the part too. Every part of her was soft curves; those big doe eyes coupled with her unchecked power had undoubtedly been the downfall of more than a few unwitting partners. The way her lips parted when she was surprised was too enticing, and I had to keep my hands in my pockets so I wouldn't reach out to touch them. What would she look like if I slipped my thumb between those lips?
The image of her sucking on it, looking up at me through those soft, dark lashes was too dangerous to dwell on. A siren will do that to you--- drive you mad with want, and I wasn't going to fall for that.
But I was going to get her back to Atlantis, where she deserved to be worshipped with her sisters.”
― Sabrina Blackburry, Dirty Lying Sirens