Goblin King Quotes

“Through dangers untold and hardships unnumbered I have fought my way here to the castle beyond the Goblin City to take back the child you have stolen, for my will is as strong as yours and my kingdom as great. You have no power over me!”
― Jim Henson

“Once there was a little girl who played her music for a little boy in the wood. She was small and dark, he was tall and fair, and the two of them made a fancy pair as they danced together, dancing to the music the little girl heard in her head.”
― S. Jae-Jones, Wintersong

“Your music," he said at last. "Your music was the only thing that kept me sane, that kept me human instead of a monster.”
― S. Jae-Jones, Wintersong

“You didn’t tell me living would be one decision after another, some easy, some difficult. You didn’t tell me living wasn’t a battle, but a war. You didn’t tell me that living was a choice, and that every day I choose to continue was another victory, another triumph.”
― S. Jae-Jones, Shadowsong

“All due respect, Renny,” said Mary Jo, “I have a pretty freaking good idea of your capabilities. And I think Mr. Traegar’s decision to bring us in first was the correct one. We don’t really know what we’re dealing with when it comes to the fae—there is no way that the sheriff’s office would. We had two werewolves, Mercy and the goblin king out there—and if it weren’t for the goblin king we’d have failed to bring him in ourselves.”

He gave her a look. “I am going to ignore—just for a minute—how much my geek side is loving that apparently there is a goblin king in the world. And that he is—again apparently—here in the Tri-Cities. Even knowing that David Bowie is gone, I am giddy about this.” He said all that in a very dry, professional tone.

I was starting to really like this guy.”
― Patricia Briggs, Storm Cursed

“I am,’ he whispers, 'the monster I warned you against.’
'You are,’ I say hoarsely, 'the monster I claim.”
― S. Jae-Jones, Wintersong

“Choose to live, Elisabeth. There's a fire within you; keep it alight. Feed that flame with music and seasons and chocolate torte and strawberries and your Grandmother's Gugelhopf. Let it grow with your love for your family. Let it be a beacon to set your heart by, so that you remain true to yourself." He stroked my cheek. "Do this, so that I remember you like this: fierce and full of life.”
― S. Jae-Jones, Wintersong

“And at the center of the room, a girl. A woman. She sits at the klavier with eyes closed, playing their song. Their story.
Elisabeth.
Her image flickers, wavers, a reflection seen on the edges of a candle flame. The shadows wriggle and writhe with curiosity, and with tremendous effort, the monster holds them back.
Please, he whispers. Please, let me have this one thing.
As he plays, the darkness recedes. From his skin, from his hair, the weight of the rams' horns on his head lightening. Color returns to the world and to his eyes, a mismatched blue and green as the monster remembers what it is to be a man.
Elisabeth.
He sits down on the bench beside her, begging her- beseeching her- to open her eyes and see him. Be with him. But she keeps her eyes closed, hands trembling on the keyboard.
Elisabeth.
She stirs. He sucks in a sharp breath and lifts his hand to stroke her cheek with fingers that are still mangled, broken, strange. His touch passes through her like a knife through smoke, yet she shivers as if she can feel the brush of his fingers in the dark places of her soul, her body, her heart. She is as insubstantial as mist, but he cannot resist the urge, the itch, to kiss. He closes his eyes and leans in close, imagining the silk of her skin against his lips.
They are met.
A gasp. His eyes fly open but hers are still closed. Her hand lifts to her mouth, as though the tingle of their unexpected caress still lingered there.
"Mein Herr," she sighs. "Oh, mein Herr."
I'm here, he says. Look at me. Be with me. See me. Call me by name.
Yet when she opens her eyes, she stares through him, not at him. The darkness hisses and crawls, the shushing sound of branches in an icy wind. She drops her head into her hands, her shoulders hunched, and the sound of her crying is more bitter than even the coldest winter night.
No! he cries. He wants to comfort and caress her, but he cannot hold her, cannot touch her. He is a ghost in her mind, voiceless, silent, and incorporeal.”
― S. Jae-Jones, Shadowsong

“Those eyes. So pale, so startling, so different. His breath was hot against my face, and we stared at each other. I was stunned to see I was looking into the face of the austere young man, not Der Erlkönig, not the wolf, and suddenly I understood what he had been pleading.
Don't leave me.
A warmth spread from my center, turning my limbs liquid. But when that warmth reached my heart, it turned into pain.
"Never," I breathed.
At my word, his eyes transformed. Hardening into jewels, the mask of Der Erlkönig returned. He lowered his mouth to the column of my neck, a light touch of teeth, his hand moving to rest lightly against my collarbone.
"Good," he growled.
And then with one swift motion, he tore the fabric of my dress from the neck down.”
― S. Jae-Jones, Wintersong

“We don't say anything and I feel myself drifting to sleep, an inevitable, inexorable descent into dreams. But just before I fade from consciousness, I hear four words that are my undoing.
"I love you, Elisabeth."
I hold him tighter to me, even as my heart unravels.
"By God, I love you so.”
― S. Jae-Jones, Wintersong

“If- if I could find a way to free you," I whispered, "would you walk the world above with me?"
My back was to the Goblin King; I could not face him. It was a long time before he answered.
"Oh, Elisabeth," he said. "I would go anywhere with you."
I turned around. His eyes deepened in color and for a moment, just for the merest glimpse, I could see what he would have been like as a mortal man. If he had been allowed to live the course of his life, from the child he had been to the man he would have become. A musician- a violinist. I ran back into the circle of alder trees, wanting the circle of his arms around me. I reached out my hands, and his fingers brushed mine, but we passed through each other like water, like a mirage. We were each nothing but a shimmering illusion, a candle flame we could not hold.
And yet, the Goblin King was still here, in the Goblin Grove, with me. He stood in the Underground while I stood in the world above, but our hearts beat within the same space.
"Don't look back," he said.
I nodded. I love you, I wanted to say. But I knew these words would break me.
"Elisabeth."
The Goblin King was smiling. Not the pointed smile of the Lord of Mischief or Der Erlkönig, but a crooked one. Twisted to one side, lopsided and goofy, it cracked my heart open and I bled inside.
He mouthed a word at me. A name. "You've always had it, Elisabeth," he said softly. "For it is you I gave my soul.”
― S. Jae-Jones, Wintersong

“When I pull my hand away, my fingertips are not stained red, but silver. I stare at my nails, trying to make sense of what I see when out of the formless gloom, a monster emerges.
I do scream when a pair of blue-white eyes appear, a pinprick of black in their center. Slowly, a shape coalesces into being- a long, elegant face, whorls of inky shadows swirling over moon-pale skin, ram's horns curling around pointed, elfin ears. He is more terrifying and more real than the vision I experienced in the labyrinth. But worst of all are the hands, gnarled and curled and with one too many joints in each finger. With a silver ring around the base of one. A wolf's-head ring, with two gems of blue and green for eyes.
My ring. His ring. The symbol of our promise I had returned to the Goblin King back in the Goblin Grove.
Mein Herr?
For a brief moment, those blue-white eyes regain some color, the only color in this gray world. Blue and green, like the gems on the ring about his finger. Mismatched eyes. Human eyes. The eyes of my immortal beloved.
Elisabeth, he says, and his lips move painfully around a mouth full of sharpened teeth, like the fangs of some horrifying beast. Despite the fear knifing my veins, my heart grows soft with pity. With tenderness. I reach for my Goblin King, longing to touch him, to hold his face in my hands the way I had done when I was his bride.
Mein Herr. My hands lift to stroke his cheek, but he shakes his head, batting my fingers away.
I am not he, he says, and an ominous growl laces his words as his eyes return to that eerie blue-white. He that you love is gone.
Then who are you? I ask.
His nostrils flare and shadows deepen around us, giving shape to the world. He swirls a cloak about him as a dark forest comes into view, growing from the mist. I am the Lord of Mischief and the Ruler Underground. His lips stretch thin over that dangerous mouth in a leering smile. I am death and doom and Der Erlkönig.
No! I cry, reading for him again. No, you are he that I love, a king with music in his soul and a prayer in his heart. You are a scholar, a philosopher, and my own austere young man.
Is that so? The corrupted Goblin King runs a tongue over his gleaming teeth, those pale eyes devouring me as though I were a sumptuous treat to be savored. Then prove it. Call him by name.
A jolt sings through me- guilt and fear and desire altogether. His name, a name, the only link my austere young man has to the world above, the one thing he could not give me.
Der Erlkönig throws his head back in a laugh. You do not even know your beloved's name, maiden? How can you possibly call it love when you walked away, when you abandoned him and all that he fought for?
I shall find it, I say fiercely. I shall call him by name and bring him home.
Malice lights those otherworldly eyes, and despite the monstrous markings and horns and fangs and fur that claim the Goblin King's comely form, he turns seductive, sly. Come, brave maiden, he purrs. Come, join me and be my bride once more, for it was not your austere young man who showed you the dark delights of the Underground and the flesh. It was I.”
― S. Jae-Jones, Shadowsong

“She played her song for the Goblin King every spring, every year, to bring the world from death back into life. And when the little girl's gnarled and aged fingers could no longer hold her bow, her children and students picked up her song and continued to play, one long, unbroken melody that stretched across time and memory. On and on and on, for as long as the seasons turn and the living remember all that is good and beautiful and worthwhile in the world. For love is our only immortality, and when memory is faded and gone, it is our legacies that endure.”
― S. Jae-Jones, Shadowsong

“This time, I made myself look him directly in the eyes. In the bright moonlight, they were two different colors: one as gray as a winter sky, the other a hazel-green, the color of moss peeking through dead loam. Wolf's eyes. The Devil's eyes. He could see into the darkness. He could see into me.”
― S. Jae-Jones, Wintersong

“The Goblin King moved closer. His hand cupped my chin, and I raised my eyes to his multicolored gaze. "I shall enjoy playing with you," he said in a low voice. He bent down, and the touch of his breath against my lips was cold.
Viel Glück, Elisabeth.
Then he was gone.”
― S. Jae-Jones, Wintersong

“Now," he said, turning me to face him. "Let us dance, Elisabeth."
The musicians struck up another song, one I didn't recognize. The tempo was slow and in a minor key, seductive and sinister. The Goblin King pulled me into his embrace.
He pressed his hand to my lower back, pushing our hips close together. Our hands met palm to palm, fingers intertwined. He was not masked and neither was I. Our eyes met. Despite the closeness of our bodies, it was the touch of our eyes that made me blush.
"Mein Herr," I demurred. "I don't think-"
"You think too much, Elisabeth," he said. "Too much about propriety, too much about duty, too much about everything but music. For once, don't think." The Goblin King smiled. It was a wicked grin, one that made me feel unsafe and excited at the same time. "Don't think. Feel.”
― S. Jae-Jones, Wintersong

“Elisabeth.
A breath on the back of my neck. I am dizzy, I sway, but I stand. A breath, then a kiss. I cannot see, but I know it is him. The Goblin King.
I lean into him, but he holds me upright. He murmurs my name down my neck, down my spine, his long, elegant fingers traveling along the curves of my hips, my waist.
Elisabeth.
I do not know what to call him, but I cry out his name.
My fingers reach, but he is gone.”
― S. Jae-Jones, Wintersong

“And you?" My scalp tingled, and an ache began at the base of my spine, fear or eagerness, I did not know. "What would you ask of me?"
His eyes held mine. "I would ask the impossible."
I struggled to let the Goblin King hold my gaze as heat stained my cheeks. "Bear in mind that I am no saint," I said, "and cannot work miracles."
His lips twitched. "Then I would ask for your friendship."
Startled, I removed my hands from the table.
"Oh, Elisabeth," he said. "I would ask that you remember me. Not as we are now, but as we were then."
I frowned. I thought back to our Goblin Grove dances, to the simple wagers we had made when I was a little girl. I struggled to find the truth hidden within my past, but I was unsure which was memory and which was make-believe.
"You do remember." He shifted closer in his seat. There was something like hope in his voice, and I could not bear it.
The Goblin King lifted his hand. The table beneath us vanished, swallowed up by the earth once more.
He placed a finger against my temple. "Somewhere within that remarkable mind of yours, you kept those memories safe. Too safe. Hidden away."
Was the Goblin King the friend I had imagined- remembered- as a child? Or was he truly the Lord of Mischief, blurring the lines between fantasy and reality? I was restless and itchy within my own mind.
He left his seat and kneeled before me. His hands rested on the armrests of my chair, but he was careful not to touch me.
"All I ask, Elisabeth," the Goblin King said, "is that you remember." His words were a bass, their notes resonating in my bones. "Please, remember.”
― S. Jae-Jones, Wintersong

“Give up, Elisabeth," Der Erlkönig crooned. "Let go, my dear. Lay down your flute and rest. Stay with me."
I closed my eyes. I could no longer feel the instrument between my numb fingers. I was tired, out of breath, and out of ideas.
"Yes," he hissed. "Gently, slowly-”
― S. Jae-Jones, Wintersong

“Light shone through a large crack in the wall of the maze ahead of us. A slim, slender silhouette cast a shadow against the passage floors. Der Erlkönig. I did not marvel then that I knew the shape of his body as well as my own reflection.
I watched the Goblin King's shadow play his violin, his right arm moving in a smooth, practiced bowing motion. Käthe tried to pull me away, but I did not go with her. I moved closer to the light, and pressed my face to the crack. I had to look, I had to see. I had to watch him play.
The Goblin King's back was turned to me. He wore no fancy coat, no embroidered dressing gown. He was simply dressed in trousers and a fine cambric shirt, so fine I could see the play of muscles in his back.
He played with precision and with considerable skill. The Goblin King was not Josef; he did not have my brother's clarity of emotion or my brother's transcendence. But the Goblin King had his own voice, full of passion, longing, and reverence, and it was unexpectedly... vibrant. Alive.
I could hear the slight fumblings, the stutters and starts in tempo, the accidental jarring note that marked his playing as human, oh so human. This was a man- a young man?- playing a song he liked on the violin. Playing it until it sounded perfect to his imperfect ears. I had stumbled upon something private, something intimate. My cheeks reddened.
"Liesl."
My sister's voice sliced through the sound of the Goblin King's playing like a guillotine, stopping the music mid-phrase. He glanced over his shoulder, and our eyes met.
His mismatched gaze was unguarded, and I felt both ashamed and emboldened. I had seen him unclothed in his bedchamber, but he was even more naked now. Propriety told me I should look away, but I could not, arrested by the sight of his soul bared to me.
We stared at each other through the crack in the wall, unable to move. The air between us changed, like a world before a storm: hushed, quiet, waiting, expectant.”
― S. Jae-Jones, Wintersong

“What did you think the answer would be, Elisabeth? I toy with you because I can. Because it gives me great pleasure. Because I was bored."
An inarticulate scream of rage strangled me. I wanted to destroy something, to spend my anger against the unfairness of everything. I wanted nothing more than to grapple with the Goblin King, to tear him limb to limb, a Maenad against Orpheus. I tightened my hands into fists.
"Yes," he murmured. "Go ahead. Hit me. Strike me." The invitation was not just in his words, but his voice. He advanced. "Use your rage against me."
We stared at each other, scarcely half a breath between us. This close, I could see that his gray eye was flecked with silver and blue, his green one ringed with amber and gold. Those eyes mocked me, inviting and inciting me into a passion. If I were a smoldering ember, he was the poker, stirring me into flames.
I retreated. I was afraid. Afraid to touch him for fear of starting a fire within me.
"What," I asked tightly, "do you want from me, mein Herr?"
"I already told you what I want," he said. "You, entire."
We did not relinquish each other's gaze. Let go, his eyes seemed to say. But I couldn't; if I surrendered to my fury, I wasn't certain what else I would give up.
"Why?" My voice was hoarse.
"Why what, Elisabeth?"
"Why me?" My words were barely audible, but the Goblin King heard them. He had always heard me.
"Why you?" Those sharp, pointed teeth glistened. "Who else but you?" Even his words were sharp, each slicing through me like a knife. "You, who have always been my playmate?”
― S. Jae-Jones, Wintersong

“It isn't just the life of a maiden I needed, you know," the Goblin King said quietly. I glanced sharply at him, his tone had changed. "It was what a maiden can give me."
"And what is that?"
His smile was crooked. "Passion."
Heat flared in my cheeks.
"Not that sort of passion," he said quickly. Did I imagine things, or were his cheeks tinged a faint pink? "Well, yes, that too. Passion of all sorts," he said. "Intensity.”
― S. Jae-Jones, Wintersong

“Hours, or days, or minutes passed before I felt the light touch of a hand on my head.
"Elisabeth."
A young man looked down at me, his mismatched eyes soft, the tilt of his mouth tender. It was the tenderness that undid me, undid the strings I'd bound about my heart. Longing, fear, grief, resentment, and desire came tumbling out. I began to cry.
The young man reached out to wipe my tears away, and in his touch there was nothing but kindness. I wanted to take his compassion and wrap it about me for comfort.”
― S. Jae-Jones, Wintersong

“The Goblin King gripped my shoulders tight and pulled me against him. One arm snaked across my neck, the other wrapped around my waist. I felt every last bit of him through the thin cloth of my wedding gown. He trembled as he held me. I was breathing hard, my breathing made harder by his arm pressing against my throat.
I arched my back and closed my eyes. I covered his hand about my waist with my own, and brought my other hand up to touch his face. Beneath my fingers, the feathery pieces of his hair, the curve of a cheekbone, the strength of his jaw. His head bent, bringing his mouth to graze against where my neck met my shoulder. A soft kiss, a light bite. A nip. I moaned. The echoes of that moan ran up and down his body.”
― S. Jae-Jones, Wintersong

“I missed him.
I missed our conversations by the fire, when he had read aloud from the writings of Erasmus and Kepler and Copernicus, when I had set aside my self-consciousness and performed for him the works of occasional poetry I had learned. I missed our childish games of Truth or Forfeit, his hand tricks and jests. I missed working with him on our Wedding Night Sonata, but most of all I missed his smile, his mismatched eyes, and those long, elegant fingers of his that worked both music and magic.”
― S. Jae-Jones, Wintersong

“But Elisabeth..."
I held my breath.
"She was never a hothouse flower. She is a sturdy oak tree. If her leaves have fallen, then she will bloom again come spring. She was not ready to die when she gave her life to me. But she did anyway, because she loved, and loved deeply.”
― S. Jae-Jones, Wintersong

“Then, one day, he came across a maiden in the wood."
"A brave maiden?" I ventured.
"Brave," he agreed. "And beautiful."
I scoffed. "This is a fairy tale indeed."
"Shush." He touched a finger to my lips. "The maiden was both brave and beautiful, beautiful in ways that she did not see. Could not see, for all her beauty was locked away inside, magic and music, waiting to be set free.”
― S. Jae-Jones, Wintersong

“Mein Herr?
For a brief moment, those blue-white eyes regain some color, the only color in this gray world. Blue and green, like the gems on the ring about his finger. Mismatched eyes. Human eyes. The eyes of my immortal beloved.
Elisabeth, he says, and his lips move painfully around a mouth full of sharpened teeth, like the fangs of some horrifying beast. Despite the fear knifing my veins, my heart grows soft with pity. With tenderness. I reach for my Goblin King, longing to touch him, to hold his face in my hands the way I had done when I was his bride.
Mein Herr. My hands lift to stroke his cheek, but he shakes his head, batting my fingers away.
I am not he, he says, and an ominous growl laces his words as his eyes return to that eerie blue-white. He that you love is gone.
Then who are you? I ask.
His nostrils flare and shadows deepen around us, giving shape to the world. He swirls a cloak about him as a dark forest comes into view, growing from the mist. I am the Lord of Mischief and the Ruler Underground. His lips stretch thin over that dangerous mouth in a leering smile. I am death and doom and Der Erlkönig.
No! I cry, reading for him again. No, you are he that I love, a king with music in his soul and a prayer in his heart. You are a scholar, a philosopher, and my own austere young man.
Is that so? The corrupted Goblin King runs a tongue over his gleaming teeth, those pale eyes devouring me as though I were a sumptuous treat to be savored. Then prove it. Call him by name.
A jolt sings through me- guilt and fear and desire altogether. His name, a name, the only link my austere young man has to the world above, the one thing he could not give me.
Der Erlkönig throws his head back in a laugh. You do not even know your beloved's name, maiden? How can you possibly call it love when you walked away, when you abandoned him and all that he fought for?
I shall find it, I say fiercely. I shall call him by name and bring him home.
Malice lights those otherworldly eyes, and despite the monstrous markings and horns and fangs and fur that claim the Goblin King's comely form, he turns seductive, sly. Come, brave maiden, he purrs. Come, join me and be my bride once more, for it was not your austere young man who showed you the dark delights of the Underground and the flesh. It was I.”
― S. Jae-Jones, Shadowsong

“A monster stands on the far shore of a glowing lake, waiting for the barge bearing his bride to return. He had stood in this very spot before, when he was a man and a king, when he played on his violin the image of a young woman through her music—her thoughts, her passions, her dreams. He had stood in this spot several times before that, greeting each bride as she made that last journey from life to death, but he never played his violin for them.”
― S. Jae-Jones, Shadowsong

“Once there was a little girl who played her music for a little boy in the wood. She was the genius, he was the interpreter, and they were each the gardeners of the other's heart, taming, tilling, and tending the fertile soil of their souls until they blossomed into a far-reaching forest that encompassed the world.”
― S. Jae-Jones, Shadowsong