Herritage Quotes

“Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.”
― Michael Tobert, Karna's Wheel

“His world closes in. The sky is endless no longer but pieced into squares of brick and bright cloths hanging down to dry. Underfoot, no longer stone but rubble, earth, the peelings and rotted scraps of the inedible. He smells the smoke of cooking fires, he hears men arguing and babies screaming like seagulls, he sees young women looking shyly down from high windows, exchanging glances. Now, he is no longer the watcher. Watched. Shouts echo in the dark between twisted walls and back alleys. A twisted smile in a doorway. A stranger’s voice. A stranger’s language.”
― Michael Tobert, Karna's Wheel

“Lathis rattle against steel railings. Drenched half-naked men, some with torn shirts, jump up and down waving their fists. Some chant ‘Bande Mataram,’ others ‘Mazdur ki jai,’ whatever is their preference, the motherland or the brotherhood of workers. The hammer and sickle, red but limp, flaps like a half-dead fish against the trunk of a banyan tree. The sky cries monsoon tears; it has been crying all night.”
― Michael Tobert, Karna's Wheel

“That evening Vaselik stood at his window watching Leah leave, her baby swaddled in the shaw tied over her shoulder. Leah looked like an apparition from another world.”
― Beverly Magid, Sown in Tears: A Historical Novel of Love and Struggle

“It was not too farfetched to see this moment as the beginning of an intense communion with Nature; mind and body willingly rendered into a vessel through which She could enact her cures. ”
― Kate Rose, The Angel and the Apothecary

“Jeremiah has come to see life as a serious of motions he must enact towards its conclusion.”
― Kate Rose, The Angel and the Apothecary

“Love is but a reflection of oneself in the looking glass.”
― Kate Rose, The Angel and the Apothecary