King Leopold S Ghost Quotes

“In a pattern of misrepresentation that is repeated on other issues, Hochschild at first mentions this inconvenient fact and then proceeds to say the opposite for the entirety of the book. The fiefdom “was shared in no way with the Belgian government,” which “had no legal authority over [Léopold] as ruler of the Congo,” he alerts readers. Yet not only the subtitle of the book but laced throughout are constant smears against European colonialism.”
― Bruce Gilley, King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.

“Congo reformers like Morel, much to the annoyance of Hochschild, advocated either German or British colonization of the area (Congo). Morel’s view, according to Hochschild, speaking ex cathedra from the hallowed seat of modern California, “seems surprising to us today” and was among his “faults” and “political limitations.” Quite the opposite. The moment the Belgians colonized the Congo in 1908, a miraculous improvement was noted on all fronts. Seeking to debunk colonialism, Hochschild’s book demonstrates the opposite. This is the first and biggest lie at the heart of King Leopold’s Ghost.”
― Bruce Gilley, King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.

“The second, but more visible, untruth is the claim that for 23 years, EIC officials throughout the territory sponsored violent actions such as chopping off hands to force natives to collect rubber, leaving millions dead in a horror that should be directly compared to the Holocaust. There are about a dozen little cheats here, one embedded in the other like Russian nesting dolls.”
― Bruce Gilley, King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.

“The abuses were first reported by an American missionary in The Times of London in 1895 and quickly brought Léopold’s censure: “If there are these abuses in the Congo, we must stop them,” he warned EIC officials in 1896. “If they continue, it will be the end of the state.” For the next ten years, reforming the Congo’s rubber industry absorbed an inordinate amount of attention in the British and American press and legislatures, not to mention within Belgium and the EIC itself, leading to formal Belgian colonization in 1908. Hochschild thus takes a very limited, unintentional, unforeseen, and perhaps unavoidable problem of native-on-native conflict over rubber harvesting and blows it up into a “forgotten Holocaust” to quote the subtitle given to the French edition of his book. Inside this great invention are many more perfidious Russian dolls.”
― Bruce Gilley, King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.

“Most memorably for readers, Hochschild reprints staged photographs taken by the English missionary Alice Seeley Harris and supplied to the anti-Léopold campaign through the English missionary John Weeks. The missionaries knew that showing these fake photos at “lantern shows” in community halls in Britain won more attention and donations than their detailed accounts of cannibalism and sleeping sickness ravaging their areas. Hochschild does not tell the reader that the photographs are staged, nor does he explain that the photographs of people with severed hands were victims of gangrene, tribal vendettas, or cannibalism having nothing to do with rubber. In the most famous photo of them all, a man whom Seeley got to sit on the veranda of her mission station with a severed hand and foot before him, the original caption given by Morel reads: “Sala of Wala and remains of his five year old daughter; both wife and child were eaten by king’s soldiers at a cannibal feast. Until Hochschild, no one had suggested that the girl or her mother were killed for rubber, only that the EIC had failed to control the eating habits of its citizens. Hochschild, however, captions the photo thus: “Nsala, of the district of Wala, looking at the severed hand and foot of his five-year-old daughter, Boali, a victim of the Anglo-Belgian India Rubber Company (A.B.I.R.) militia.”
― Bruce Gilley, King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.

“As a self-proclaimed human rights activist, Hochschild can be forgiven for his economic illiteracy. But since it is the keystone that begins his tale, it is another fib worth correcting. The EIC’s large trade surplus (more physical goods going out than coming in) was because virtually none of the revenue from the goods sold in Europe was sent back to pay for labor, which was “paid for” as a fulfillment of the EIC labor obligation. Instead, the revenue paid for European administration, infrastructure, and trade services in the Congo as well as profits that were parked in Belgium (an overall payments deficit). For Hochschild to claim that Africans were getting “little or nothing” for the goods they produced because fewer goods were being sent to Africa displays a stunning economic ignorance. It is like saying that the empty container ships returning to China from today’s port of Long Beach show that China’s workers are being paid “little or nothing.”
― Bruce Gilley, King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.

“On another point: King Leopold’s Ghost reproduces some of the photographs of Congo atrocities that fueled the worldwide protests against Leopold’s rule during the first decade of the twentieth century. These “fake photos,” Gilley declares, were “staged” by the photographer. Yes, some images appear posed—something true of most photos everywhere in an era when cameras were bulky contraptions on tripods whose subjects had to remain still for a few seconds.”
― Adam Hochschild, The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind

“Adam Hochschild has enjoyed a long run of success with King Leopold’s Ghost, his distortionary 1998 tale about the État Indépendant du Congo (EIC). So long, in fact, that he appears unable to come clean about its many fabrications. It is not just the doctoring of the quotation that anchors the story of “chopped hands for red rubber” (which I am grateful he has admitted), but the vast skein of distortion in which that little dodge is embedded.”
― Bruce Gilley, The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind