Kinski Quotes

“It’s a great metaphor. For what? I don’t know to this day. But I know it’s a great metaphor.”
― Werner Herzog

“This is one of the most remarkable erotic books of our time – an eruptive demonstration of the latest human possibilities! I place Kinski next to Henry Miller.
- Hans Hellmut Kirst”
― Klaus Kinski, Ich bin so wild nach deinem Erdbeermund: Erinnerungen

“Jazz!
A manifesto of survivors!
Insanity is shattered to pieces!
future of colours! red lemons! blue blood vesicle of black oranges!
The only ailment is the fever!
Revolution!
Amok run of the trumpets!
Overflow!
Plate streamed with blood!
A bitten heart!
Lung rupture!
Jazz! Jazz
Immortality of the nerves!"

Snippet from the poem "JAZZ"
by Klaus Kinski - Fever- Diary Of A Leper: Poems”
― Klaus Kinski, Fieber: Tagebuch eines Aussätzigen : ein Bildband mit bisher unbekannten Gedichten und Fotografien

“This Satan who ruled over the lush dreams of the female sex.”
― Klaus Kinski, Paganini (Heyne allgemeine Reihe)

“Most likely, my film could have been compared to a highly sensible musical clip. An operatic musical clip. At that time, I had no idea of this expression. I did not puzzle my head over the form of my film, the structure arose, as I said before, from alone and urged me to commit this structure to paper.
Indications, suggestions, just sufficed. The audience should have the liberty to keep on thinking, conceiving, living. My film had to remain a fragment. Abstract it its form. Yet harmonical and first hand. It would have never occurred to me to lash up what I wanted to express into a waist coat of idiotically trimmed up film plots for the audience: with their meticulous and dictarioral logic and continutity. The attempt to wedge Paganini into the usual form of a movie, would have resulted in immuring him alive. For he did live – in me.”
― Klaus Kinski, Paganini (Heyne allgemeine Reihe)

“In my fortress, in the Via Appia Antica in Rome, I wrote the first script for my film PAGANINI. It was not a script in the common sense. Not even a testament. And yet it was more than that: A shorthand note, which I had received on a wavelength of an earlier life over the distance of centuries away .
For the time being, I did not require more. The structure of my film originated in the instinct: Notes. Notes of music. Notes of captured images (and dialogues). Notes of feelings. Everything else I would decide in the course of the actual shooting.”
― Klaus Kinski, Paganini (Heyne allgemeine Reihe)

“Six days and six nights I was writing in a paranoid impulse. Full of fear, that the commenced metamorphosis – the reincarnation of the spirit of a dead – might have been disrupted.”
― Klaus Kinski, Paganini (Heyne allgemeine Reihe)