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Lucian Kiggs Quotes
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“Sometimes the truth has difficulty breaching the city walls of our beliefs. A lie, dressed in the correct livery, passes through more easily.”
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“All the important parts, yes," I said firmly. "Maybe not all the eccentric details. Ask, and I will answer. What do you want to know?"
"Everything." He had been leaning on his elbows, but he pushed back now and gripped the balustrade with both hands. "It's always this way with me: if it can be known, I want to know it.”
― Seraphina
"Everything." He had been leaning on his elbows, but he pushed back now and gripped the balustrade with both hands. "It's always this way with me: if it can be known, I want to know it.”
― Seraphina
“She ran her hands, butterfly fashion, over the keys.
"A little morsel of Stravinski?" she said.
It was in the middle of the morsel that Adele came in and found Lucia playing Stravinski to Mr. Greatorex. The position seemed to be away, away beyond her orbit altogether, and she merely waited with undiminished faith in Lucia, to see what would happen when Lucia became aware to whom she was playing. . . . It was a longish morsel, too: more like a meal than a morsel, and it was also remarkably like a muddle. Finally, Lucia made an optimistic attempt at the double chromatic scale in divergent directions which brought it to an end, and laughed gaily.
"My poor fingers," she said. "Delicious piano, dear Adele. I love a Bechstein; that was a little morsel of Stravinski. Hectic perhaps, do you think? But so true to the modern idea: little feverish excursions: little bits of tunes, and nothing worked out. But I always say that there is something in Stravinski, if you study him. How I worked at that little piece, and I'm afraid it's far from perfect yet.”
― Lucia in London
"A little morsel of Stravinski?" she said.
It was in the middle of the morsel that Adele came in and found Lucia playing Stravinski to Mr. Greatorex. The position seemed to be away, away beyond her orbit altogether, and she merely waited with undiminished faith in Lucia, to see what would happen when Lucia became aware to whom she was playing. . . . It was a longish morsel, too: more like a meal than a morsel, and it was also remarkably like a muddle. Finally, Lucia made an optimistic attempt at the double chromatic scale in divergent directions which brought it to an end, and laughed gaily.
"My poor fingers," she said. "Delicious piano, dear Adele. I love a Bechstein; that was a little morsel of Stravinski. Hectic perhaps, do you think? But so true to the modern idea: little feverish excursions: little bits of tunes, and nothing worked out. But I always say that there is something in Stravinski, if you study him. How I worked at that little piece, and I'm afraid it's far from perfect yet.”
― Lucia in London
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