Mojave Desert Quotes

“Things will get really screwed up, right?"
"Erm...maybe."
"Maybe, like how?"
"Ever wanted to go sledding in the Mojave Desert?”
― Julie Kagawa, The Iron Daughter

“Unmolested and with grass to eat, a tortoise can live eighty years. Their populations have plummeted in the Mojave in recent years, victims of a perfect storm of drought, sprawl development, solar energy projects, off-road vehicle enthusiasts (who crush them under their wheels), poaching, vandals with pistols (who use them for target practice), and, not least, livestock grazing.”
― Christopher Ketcham, This Land: How Cowboys, Capitalism, and Corruption are Ruining the American West

“We passed the great arid deserts of the West, driving through canyons and beneath rocky outcroppings and over great crevasses. We drove through the Mojave Desert, Owens Valley and Death Valley, and the dust entered our bloodstream and flowed through to every part of our body. The West was both eerie and breathtakingly beautiful, and we wanted to live there forever.”
― Karl Wiggins, Wrong Planet - Searching for your Tribe

“The Mojave Desert is a harsh, but very spiritual, place. It’s as much a matrix as anything else in my life has been. Growing up in the desert has a different gestalt than growing up in a temperate zone, with its humidity and rainfall. As children growing up in the Mojave, we chased lizards and snakes, instead of frogs and squirrels. There is an arid openness about it, and a true feeling of being alone, that you don’t get in any other type of environment.”
― James Stanford, Shimmering Zen

“It has occurred to me that when one is raised in the absence of culture – without access to galleries and museums – one has to fill the void. I turned to books, album covers, magazines, slides and prints – anything visually stimulating that I could lay my hands on.”
― James Stanford

“After graduation, I dealt blackjack in Las Vegas to make ends meet. When I wasn’t working, to straighten out my head, I would go out into the desert – up to Red Rock and Pine Creek. I would hike those creek beds and find a comfortable red-sandstone boulder, where I could sit and draw. In those days before cell phones, I could spend hours undisturbed, drawing or painting”
― James Stanford

“I developed a thirst for great art, but it wasn’t until I was 20 that I finally visited my first museum, the Prado in Madrid. There, in 1968, my interest was caught by the paintings of Luis de Morales, a 16th-century artist from the harsh Extremadura region of Spain.

Morales was a Mannerist, like El Greco or Parmigianino, who painted very graceful figures with long necks and limbs. He did a magnificently smooth sfumato modelling. But the effect that impressed me the most was a fine line that he applied around all of his figures. He didn’t need those illustrative lines, but they really made his figures ‘pop’ off the background.”
― James Stanford

“The gestalt of living in the desert, surrounded by the desert, was a big influence in my life and in the lives of other artists in this community. There are many artists and musicians who grew up as lonely kids in the desert with nothing to do, and who chose to channel their focus inward. In the Mojave Desert, numinous, mystical experiences are not as rare as one might think. The numinous is a part of the whole artistic experience for the desert artist.”
― James Stanford