Pacific Northwest Quotes

“The richness of the rain made me feel safe and protected; I have always considered the rain to be healing—a blanket—the comfort of a friend. Without at least some rain in any given day, or at least a cloud or two on the horizon, I feel overwhelmed by the information of sunlight and yearn for the vital, muffling gift of falling water.”
― Douglas Coupland, Life After God

“I miss it if I’m not in it for any length of time; I don’t feel comfortable. I want trees and I want frequent rain.”
― Murray Morgan

“The larger question for the Northwest, where the cities are barely a hundred years old but contain three-fourths of the population, is whether the wild land can provide work for those who need it as their source of income without being ruined for those who need it as their source of sanity.”
― Timothy Egan, The Good Rain: Across Time and Terrain in the Pacific Northwest

“Here in the corner attic of America, two hours’ drive from a rain forest, a desert, a foreign country, an empty island, a hidden fjord, a raging river, a glacier, and a volcano is a place where the inhabitants sense they can do no better, nor do they want to.”
― Timothy Egan, The Good Rain: Across Time and Terrain in the Pacific Northwest

“We need a new ethic of place, one that has room for salmon and skyscrapers, suburbs and wilderness, Mount Rainier and the Space Needle, one grounded in history.”
― Matthew Klingle, Emerald City: An Environmental History of Seattle

“Rain in the Northwest is not the pounding, flashing performance enjoyed by the eastern part of the nation. Nor is it the festive annual soaking I'd been used to in Southern California. Rather, it's a seven-month drizzle that darkens the sky, mildews the bath towels, and propels those already prone to depression into the dim comforts of antihistamines and a flask.”
― Melissa Hart, Wild Within: How Rescuing Owls Inspired a Family

“Though it was mid-July, the morning was brisk, the sky a gray cotton of clouds, and Puget Sound a steely, cold blue. Most of Seattle grumbled, worn with winterish weather, impatient for the elusive summer sun. With umbrellas tucked away in the trunks of cars, sunglasses lost and separated from their original purchasers, the Pacific Northwest was a bastion of misty air and pale, complaining residents.”
― Courtney Kirchoff, Jaden Baker

“If we treat our forests right, we can at least ameliorate the declines in forest extent and diversity and the consequent impoverishment of the aesthetic, economic, climatic, and spiritual benefits we count on from them.”
― Daniel Mathews, Trees in Trouble: Wildfires, Infestations, and Climate Change

“In planting trees, aim to perpetuate an ecosystem, not a plantation.”
― Daniel Mathews, Trees in Trouble: Wildfires, Infestations, and Climate Change

“Americans seem to want the product, at the cheapest possible price, while objecting loudly to its harvest.”
― William Dietrich

“My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss.

Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things.

Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs.

Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster.

Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.”
― Tom Robbins, Wild Ducks Flying Backward

“My home is in Georgia, but my soul is at home here.”
― Leah Myers, Thinning Blood: A Memoir of Family, Myth, and Identity

“We'd drive west to the fog of the coast. In Oregon, nobody calls it the beach, maybe to discourage false hopes of warm and sun.”
― Ari Shapiro, The Best Strangers in the World: Stories from a Life Spent Listening―A Poignant Journey Through Journalism, Global Connections, and Human Resilience in Today's World

“The object of all who came to Oregon in early times was to avail themselves of the privilege of a donation claim, and my opinion to-day is that every man and woman fully earned and merited all they got, but we have a small class of very small people here now who have no good word for the old settler that so bravely met every danger and privation, and by hard toil acquired, and careful economy, saved the means to make them comfortable during the decline of life. These, however are degenerate scrubs, too cowardly to face the same dangers that our pioneer men and women did, and too lazy to perform an honest day’s work if it would procure them a homestead in paradise. They would want the day reduced to eight hours and board thrown in.”
― Arthur A. Denny, Pioneer Days on Puget Sound

“On June 24, 1947, Kenneth Arnold, a businessman from Boise, Idaho, was flying a small plane near Mount Rainier when, according to Associated Press reports, he spotted a chain of nine “saucer-like” objects above and east of the mountain. Brilliant in the sun, these objects darted toward Mount Adams at “an incredible speed” that he estimated to be at least 1,200 miles per hour. Arnold’s story of saucer-shaped objects initiated a UFO craze that has not abated. Analyses by meteorologists and other scientists suggest that Mr. Arnold did not spot a visitor from another world, but rather a mountain wave cloud, a frequent visitor to the mountainous Pacific Northwest.”
― Cliff Mass, The Weather of the Pacific Northwest

“My inspiration comes from many sources. Clearly, Mother Nature has always occupied an important position in this regard, which is tied up to my early experiences in Mexico. In addition, the patterns used in Mexican arts and crafts—ceramics, textiles, tiles, masks, etc.—also have been present in the development of my mental and artistic imaginary from the very beginning. Other elements that I can mention are indigenous myths and legends, the expressions of other artists from various cultures, iconic historical figures, and the works of poets and other writers, some of whom are my friends. Obviously, my surroundings are also a big source of inspiration, as my series of paintings on the Pacific Northwest clearly show.

(Interview in Artophilia)”
― Alfredo Arreguin

“They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home.

The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry.

And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem.

Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver.

And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast.

Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals.

And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world.

Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs.

And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world.

Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!”
― Tom Robbins, Wild Ducks Flying Backward

“The phrase "low man on the totem pole" was coined by a White man in the 1940s to mean a person with no respect, status, or power. He clearly did not consult the Natives who carve the poles. They honor the figures they represent by immortalizing them in precious old-grown red cedar. Each member of the totem pole is significant, but the one on the bottom is often given the most reverence. They are the one who holds up everyone else; they are the one who starts the story.”
― Leah Myers, Thinning Blood: A Memoir of Family, Myth, and Identity

“The bear is a symbol of motherly love and familial strength in the fiercest way. A mother bear will not allow her children to come to harm, but she will not coddle them either. No one dares come between the mother and her cubs, but still her cubs must keep up with her and learn to be strong themselves.”
― Leah Myers, Thinning Blood: A Memoir of Family, Myth, and Identity

“I sat to take in the view. The wind blew just hard enough to push my heavy, unkept hair back. I filled my lungs with the cool air and felt roots begin to take hold. I had always been a restless person, even at this early point in life, and this was a new experience: peace. I felt as though the trees and earth of the mountain reached up into my soul and curled around it, making it whole. The inky blackness I had yet to name, the dark pit that buzzed just below my surface and corroded my thoughts, was quieted. For a moment, it was like I didn't feel it at all.

When my mom asked me what was wrong, I told her exactly how I felt as best I could.

"My home is in Georgia, but my soul is at home here.”
― Leah Myers, Thinning Blood: A Memoir of Family, Myth, and Identity

“The salmon is a symbol of prosperity and determination to the Coast Salish tribes, the band of tribes in the Pacific Northwest of which the Jamestown S'Klallam Tribe is a part. She defies nature, swimming upstream to provide for the people of the land. Yet she must sacrifice herself to give that abundance to others. Her determination comes at a deep personal cost.”
― Leah Myers, Thinning Blood: A Memoir of Family, Myth, and Identity

“At Corral Lake I sat by the fire, studying maps of the Cascades. I soon reached a conclusion that holds good throughout most of America. Apart from Alaska, there are few places left where one can get more than ten miles from any road. This country between Adams on the south and Rainier on the north was largely roadless when I first knew it. If we kept to the high country, we could hike for weeks without reaching a road of any kind. Now there are jeep roads and main highways over which the tourists throng. Few, if any, ever come on foot. Recreation is where the automobile can go. The car is our leash that keeps us confined to a small radius.”
― William O Douglas, My Wilderness the Pacific West 1ST Edition

“Outside, the leaves on the trees were bursting in hues of orange and red. It wasn’t out of the ordinary for Oregon in October. For weeks now, people had been watching these leaves prove just how beautiful they could become before they died, shriveling up into brown clumps of nothing. Despite the vibrant colors trying their best to stand out, the overcast sky and fog-veiled mountains turned everything gloomy. But, again, not too out of the ordinary for this part of Oregon.”
― Cassidy Bryant, Letters from Hadley