Page 215 Quotes
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“Parents shouldn't leave their kids unless —unless they've got to.”
― Harry Potter and the Deathly Hallows
― Harry Potter and the Deathly Hallows
“Growing up and seeing your parents' flaws like is losing your religion. I don't believe in God anymore. I don't believe in my father either.”
― The Sun Is Also a Star
― The Sun Is Also a Star
“How much of my body is really me? My face is me, for sure. Anyone who looked at my face would know it was me.Even with my hair wet and drawn back it's me. But after that? If I showed myself a picture of myself from the shoulders down, would I be sure it was me? Could I identify myself that way?
I close my eyes and ask myself what my feet look like. I only kind of know. Same with my hands. I have no idea what my back looks like.
I let it define me, but I can't even define it.”
― Another Day
I close my eyes and ask myself what my feet look like. I only kind of know. Same with my hands. I have no idea what my back looks like.
I let it define me, but I can't even define it.”
― Another Day
“Hayatta istediğin sonuçları elde edemiyorsan ilk bakman gereken yer günlük alışkanlıkların! Alışkanlıklarını kendi lehine çevir, hayatın değişsin!”
― İkna - Oyun Şimdi Başlıyor!
― İkna - Oyun Şimdi Başlıyor!
“Regardless of the medium, performance artists explicitly explore and enact their holistic autonomies and interiorities (gendered, spiritual, emotional, and political), not simply their bodily corporeality. If this process takes place within a recorded electronic or digital environment, it is the medium that is virtual, unreal or disembodied, not the human performer within it. In the performance arts, whether in a theater, on a street corner, or on a computer monitor, the medium is not the message (and never has been); the performer is.
[. . .] The dislocation and fragmentation of the body in digital performance is an aesthetic praxis which deconstructive critics have hungrily grasped and mythologized, holding up the virtual body as the central icon (immaterial, disembodied), whereas in actuality, it operates as an index, as another trace and representation of the always already physical body.”
― Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation
[. . .] The dislocation and fragmentation of the body in digital performance is an aesthetic praxis which deconstructive critics have hungrily grasped and mythologized, holding up the virtual body as the central icon (immaterial, disembodied), whereas in actuality, it operates as an index, as another trace and representation of the always already physical body.”
― Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation
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