Plagiarism Quotes Quotes

“To excuse one for human assistance yet condemn another for AI assistance is a serious mistake the literary world is making — one that future generations will not forgive.
AI will, without doubt, be recognized as a legitimate part of the creative process.
And when that time comes, those future generations will look back and measure the damage caused by today’s double standards — the barriers that silenced authentic voices and denied deserving writers recognition and opportunity simply for using technology to express their feelings, share their visions, and communicate their experiences with the world.”
― Mouloud Benzadi

“Using brand licensed content is not stealing but it is plagiarism.”
― Loren Weisman

“Jilly Cooper's dazzling tales of glamour captivated millions — including Queen Camilla, who hailed her as a “legend.” Yet she was not immune to scandal: Private Eye exposed her plagiarism, which she later admitted. The literary world accepted her admission and soon forgot about it. In a similar situation, however, the same world reacted with outrage when Japanese author Rie Kudan admitted to using AI. This double standard raises the question: why is human borrowing accepted as part of the creative process, but AI is not?”
― Mouloud Benzadi

“Mel Brooks never even acknowledged my father during Blazing Saddles (1974) initial theatrical run; It wasn’t until the 1978 re-release, the West Coast Writers’ Guild ordered Warner Brothers to re-print the film with Richard Pryor’s name amended to the opening credits sequence (and marketing materials); After Brooks “accidentally” omitted his “Screenplay by” credit. Whenever Brooks was asked about my dad’s potential lead role in the film, the actor/director would insist he really wanted Richard Pryor in the picture but the studio forbade him. But my father still had a record contract with Warner Brothers and his comedy albums were still making money for them, that’s why they reached out to him, letting him know that decision wasn’t theirs. Blazing Saddles was actually the last picture, in a three-picture deal, Brooks had with the studio and he desperately needed it to be a box-office hit (after his first two pictures were financial losers), moreover, he believed Blazing Saddles needed to be an original “Mel Brooks” comedic hit. It was the first real showbiz betrayal my father endured while in the entertainment industry, some colleagues and close friends believed it was actually the worst, and he never really got over it.”
― Elizabeth Stordeur Pryor, Something We Said: Richard Pryor, a Notorious Word, and Me